[{"caseId":"19980430000001","openUpTime":"上午6時至晚上9時","openVisitTypeText":"","caseName":"嘉義仁武宮","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A2","name":"寺廟"}],"pastHistory":"「嘉義仁武宮」位於現今嘉義市東區中央里13鄰北榮街54號，創建於1701年（清康熙40年）。「嘉義仁武宮」主祀「保生大帝」，本名「吳夲」，為宋代名醫，是臺灣泉州移民及醫界的守護神。俗稱「大道公」或「吳真人」。\n相傳「嘉義仁武宮」廟址原爲鄭氏時期仁武鎮部隊鎮守之地。1677年（明永曆31年）屯田此地部隊中，來自泉州府同安縣人士集資立小祠供奉「保生大帝」神像，作為屯田的守護神。至1701年（清康熙40年）諸羅知縣毛鳳綸（生卒年不詳）提倡建廟，因主神為當時仁武鎮官兵所供奉，將廟命名為「仁武宮」 。\n「嘉義仁武宮」於1734年（雍正12年）曾重新整修，爾後於1812年（清嘉慶17年）擴建三川殿。迄清領末期「嘉義仁武宮」建築約108坪，廟地781坪，時人俗稱「大帝爺廟」。\n日治時期1938年（昭和13年）嘉義市尹「川添修平」因皇民化運動進行廢合寺廟，使得「嘉義仁武宮」神像被移奉嘉義城隍廟，宮內所有文物全部遺失，僅存安奉城隍廟開基保生大帝等神像及道光年間石香爐。1945年後，嘉義士紳集資購回「嘉義仁武宮」產權 ，1947年1月恭迎保生大帝神像歸廟安座。自1961年起，「嘉義仁武宮」經歷多次重修三川殿、拜殿、後殿、廟埕等 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94.3.8 指定公告.pdf"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/74027/photo/712eda37-8816-4f0e-89a2-20b49bd063df.JPG"],"repImgId":106182},{"caseId":"19981015000001","openUpTime":"凌晨4時50分至晚上11時","openVisitTypeText":"","caseName":"嘉義火車站","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A7","name":"車站"}],"pastHistory":"「嘉義火車站」位於現今嘉義市西區中山路528號，創建於日治明治時期，經過多次整修，於1933年（昭和8年）改建為現今的樣貌。\n日治時期1902年（明治35年）臺灣總督府交通局鐵道部將縱貫線南部工程從新營庄（今新營）往北推進到嘉義，1902年（明治35年）4月20日嘉義與新營之間通車 ，1903年（明治36年）12月15日嘉義與他里霧（今斗南）間通車，原第一代「嘉義火車站」可能在這個時期竣工，推測為磚木混和構造建築 。此時期糖業鐵道與阿里山森林鐵道也並存於原第一代「嘉義火車站」，當時的站體對於一般公共使用來說過於狹窄，使得原第一代嘉義火車站日漸不敷使用。\n嘉義地區時常有地震發生，在1906年（明治39年）3、4月發生的兩次地震，使得嘉義火車站的土壁剝落，磚柱龜裂。因此從1919年（大正8年）嘉義廳出版的《行政事務及管內概要》中，對於未來設施建設的展望就預期嘉義火車站的改建。爾後在1929年（昭和4年）「臺灣總督府交通局鐵道年報」中便有「嘉義驛改良工事」相關紀錄，計畫從1929年（昭和4年）開始，在四年內擴張「嘉義火車站」的規模。另外，根據《臺灣建築會誌》中的紀錄，「嘉義火車站」的設計者為鐵道部改良課宇敷赳夫技師。最終「嘉義火車站」改建工事於1933年（昭和8年）完成，成為鐵道縱貫線上第一棟鋼骨鋼筋混凝土構造的車站。二戰期間，「嘉義火車站」曾遭美軍轟炸，受損嚴重，雖歷經多次修繕，但大致維持原有樣貌 \n1945年後「嘉義火車站」改由「台灣鐵路管理局」接管，隸屬「交通部」，負責營運鐵道及其附屬事業。「嘉義火車站」於1998年10月15日經嘉義市政府公告指定為市定古蹟，古蹟本體包括車站建築本體及第一月台。\n","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"1.為嘉義市一棟日治時期，現代主義折衷式樣建築頗富特色，雖與台南火車站為同一時期（日治昭和時代）同一類型之建築，但其外觀仍有顯著差異，建築時期較早（早三年），具保存價值。\n2.本站為嘉義市之地標，也是本市門戶與本市發展有高度關聯。\n3.火車站站體及其月台的鋼屋架，仍保留西元1944年（民國33年）興建時的建築特色，且現況保存良好，除外牆刷塗油漆外，應為興建時之原貌，值得保存。\n4.自西元1908年（日治明治41年）縱貫鐵路通車後，嘉義火車站為嘉義地區交通樞紐，而為城市發展的重心，車站建築成為代表地方的主要公共建築，深具歷史紀念意義。\n5.車站基地相當廣闊，對於未來的地下化更新計畫仍可在保存原有部分的原則下施工。\n6.外觀及內部雖有整修，但結構仍完整，其空間組織之關係亦無重大之改變。\n7.它是西元1947年（民國38年）二二八事件槍決台籍菁英的第一現場。\n\n\n西元2024年(民國113年)5月20日新增公告「轉車台遺構」、「驛事務室」及「車掌詰所」納入本市市定古蹟「嘉義火車站」範圍。\n新增理由:\n(一)具高度歷史、藝術或科學價值者。\n(二)表現各時代營造技術流派特色者。\n(三)具稀少性，不易再現者。\n(四)「轉車台遺構」、「驛事務室」及「車掌詰所」為嘉義火車站不可分割之一部份，對本市市定古蹟「嘉義火車站」在保存整性上具有重大意義。","lawsReference":"《文化資產保存法》第二十七條規定辦理。","govInstitutionName":"嘉義市政府","addresses":[{"itemNo":1,"cityName":"嘉義市","distName":"西區","address":"中山路528號"}],"longitude":120.441122689871,"latitude":23.4791122807799,"govInstitution":"嘉義市政府文化局","govDeptName":"文化資產科","govDeptAddress":"嘉義市東區忠孝路275號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-07-19/1b2422ed-b523-464b-bdf5-6b71cae50d20/2021_5.7.19_210719_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-07-19/1b2422ed-b523-464b-bdf5-6b71cae50d20/2021_5.7.19_210719.jpg","name":"2021_5.7.19_210719"},"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19981015000001","buildingFeatures":"「嘉義火車站」為鋼筋混凝土構造，座向採坐西北朝東南向，外觀呈現過渡式樣。建築物本體四周地坪為磨石子。臺度以洗石子裝修。建築物牆體以褐色的北投素燒面磚拼貼，排列方式則依開窗型式而有所變化 ，正立面玄關及各出入口的周圍則是以簾型溝紋面磚裝修。建築物牆面上方有水平裝飾帶作為收頭。上方水平飾帶、外牆腰壁與臺度以洗石子裝修，塑造仿石造建築的質感。屋頂型式為平屋頂 。建築物正立面窗戶開口為圓拱高窗和方窗 。 \n\n","inHouseFeatures":"「嘉義火車站」室內空間規劃有「出札室」（售票窗口）、「參等待合室」（候車室）、「手小荷物受付室」（手提行李拖運室，今為服務臺兼值班站長室）、「用便所與化粧室」（廁所）、「特別玄關」、「特別待合室」（貴賓室）、「給仕室」等空間 。平面配置為「廣間」（大廳）介於兩個等候室之間的橫向排列，主要以「出札室」（售票窗口）、「賣店」（販賣空間）等空間突出於廣場成為主要入口量體，一般旅客可從主要入口進入「廣間」（大廳）進出。「嘉義火車站」室內公共性開放空間多為磨石子地坪與石磚地坪。「壹貳等待合室」（候車室）的腰壁與「特別待合室」（貴賓室）的踢腳板為石材裝修。公共性開放空間的天花為木作天花板；室內辦公空間的天花為後期施作的輕鋼架天花板。柱樑結構為鋼筋混凝土。室內牆體為白灰色灰泥粉刷，而「特別待合室」則貼覆壁紙。天花板皆為淡黃色灰泥粉刷 。","buildingUsage":"「嘉義火車站」由國營臺灣鐵路股份有限公司高雄運務段嘉義站負責管理維護。本建築目前仍作為大眾運輸系統鐵路車站營運使用，開放時間為車站營運時間。","buildingKeyMaintainItem":"","buildingActualState":"「嘉義火車站」目前保存狀況良好。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"2788225#502","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1135102297號","registerDate":"2024-05-20 15:37:25.166","note":"新增「轉車台遺構」、「驛事務室」及「車掌詰所」納入本市市定古蹟「嘉義火車站」範圍。"},{"classification":"指定/登錄","officialDocNo":"八七府民禮字第79468號","registerDate":"1998-10-15 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新竹市東大路二段15巷1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-08-30/cb84d959-e29c-4f63-b4cf-8706580abcae/IMG_1149-代表圖_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-08-30/cb84d959-e29c-4f63-b4cf-8706580abcae/IMG_1149-代表圖.jpg","name":"IMG_1149-代表圖"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"新竹市政府"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000007","buildingFeatures":"李錫金孝子坊亦為三層四柱三間型式石坊，其結構和楊氏節孝坊頗為相似，亦以雕刻取勝，惟手法略遜於楊氏坊，雕刻題材則以第三層立柱上之蘭花、蓮花、菊花、梅花組成的「四愛」圖案較為特別。","inHouseFeatures":"石刻裝飾方面，由上而下分別可看到鴟尾兩座，石檐，聖旨牌，石獅四座，中枋以石刻「蘇武牧羊」為節、「乳姑不怠」為孝來代表節孝坊的主題故事，另有以荷花、葵花、茶花、蘭花等「四逸」為主題的雕刻，龍馬、靈龜，與雙龍搶珠的雕飾，各部造型神態皆栩栩如生，構圖比例等均具有藝術價值。而其柱聯與額枋上的文字，不但道盡楊氏的辛苦與偉大，也同時具有書法石刻藝術的價值。","buildingUsage":"現況良好。","buildingKeyMaintainItem":"加強管制緊鄰古蹟之建築物，其建築立面之退縮、樣式、色彩等，除考量保存維護古蹟之外，亦應配合古蹟之特色予以規範","buildingActualState":"楊氏節孝坊位於現在新竹市石坊街四號，創建於道光四年（1824年），是為旌表竹塹林熾妻楊氏居娘的節孝事蹟而立的牌坊。為新竹市現存牌坊中年代最早的一座，也是臺灣牌坊三層形態之嚆矢，並成為清領時期淡水廳牌坊之典範。","govDeptPhone":"03-5319756　","announcementList":[{"classification":"指定/登錄","officialDocNo":"七四台內民字第338095號","registerDate":"1985-08-19 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建造物為十個鋼筋混凝土柱列，現留存的水泥柱列為原有拜殿主要結構支撐柱，支撐神明造形式的屋頂。\n目前存在的鳥居有二座，一座位於神社外苑參道中間；而另一座則位於神社進入內 苑的入口位置。鳥居的樣式為神明造鳥居，以鋼筋混凝土造，表面層為洗石子。直線型造型單純，柱子垂直站立，笠石直線無彎曲，而貫石則不突出於柱外，柱下有圓形「龜腹」的圓形基座，另有幡旗座、旗桿架等設施於現場留存。\n在參道沿線則有石燈籠，以兩兩一組分佈作為指路之用。","inHouseFeatures":"無室內特徵。","buildingUsage":"座落地點鄰近本市市立黃金博物館，係礦業文化資產之一，開放空間，供民眾參觀。","buildingKeyMaintainItem":"依管理維護計畫辦理。","buildingActualState":"目前僅剩鳥居、石階與拜殿、本殿部分柱子、旗桿座及臺基等。","wenSitename":"新北市立黃金博物館 ","wenSiteaddress":"https://www.gep.ntpc.gov.tw/","govDeptPhone":"(02)29603456","announcementList":[{"classification":"指定/登錄","officialDocNo":"北府文資字第0960001998號","registerDate":"2007-03-14 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","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具歷史、文化、藝術價值","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e（民國九十五年一月十二日發布）第2條第1項第1款","govInstitutionName":"新北市政府","addresses":[{"itemNo":1,"cityName":"新北市","distName":"瑞芳區","address":"弓橋里三貂嶺頭"}],"longitude":121.84091380905078,"latitude":25.0840720752969,"govInstitution":"新北市政府","govDeptName":"文化局","govDeptAddress":"新北市板橋區中山路一段161號28樓","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-08-06/b853655d-7091-42a7-bb0c-3d8404253360/金字碑_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-08-06/b853655d-7091-42a7-bb0c-3d8404253360/金字碑.jpg","name":"金字碑"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"新北市政府文化局"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000030","buildingFeatures":"此碑外觀顏色呈灰色，碑座夔龍作櫃台腳狀，高48公分、寬160公分，離地面約97公分；碑身高213公分、寬92公分，兩側有寬約14公分之唐草龍飾，碑座與碑身以約4公分凹縫區隔；碑首呈環形高約40公分，底20公分，分處雕雙龍托珠。\n碑身凹入岩壁約3公分，並刻有漢篆碑文「雙旌遙向淡蘭來，此日登臨眼界開。大小雞籠明積雪，高低雉堞挾奔雷。寒雲十里連稠隴，夾道千章蔭古槐。海上鯨鯢今息浪，勤修武備拔良才。」、「同治六年冬 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製材多為杉木板（目前面漆瀝青），雨淋板在「土台」上方以外斜的「雨押」收頭，轉角做金屬片包覆；上段被屋面的封簷板擋住的部份為編竹夾泥牆面塗白灰壁。六帖貴賓室浴廁的外牆型式現況呈現較為不規則的樣式，應整修過後造成的。在招待所僅有切妻屋坡的圖書室外牆立面上，有特殊裝飾的開口圖形。\n俱樂部的基本屋頂形狀有兩種，在屋頂的設計上，以「寄棟式」增加排水性，只有圖書室北側及主間增建的倉庫可以看到「切妻式」的屋頂。\n俱樂部屋瓦於修復工程後恢復原有文化瓦屋面；雨庇修復後採用銅屋面。\n\n資料來源：新北市市定古蹟臺陽礦業公司平溪招待所修復及再利用工程工作報告書暨施工紀錄、臺北縣定古蹟「臺陽礦業公司平溪招待所」調查研究及修復計劃","inHouseFeatures":"由北側圍牆正門入口進入之客用門廊與客用玄關，向西側有作為娛樂區的康樂室、撞球室、圖書室等。往西邊是二群並連型的六與八帖貴賓室及十與十二帖半「客室」；十與十二帖半「客室」作為宴會場或會議室，在日式空間中相當於「座敷」 的空間；六與八帖貴賓室當做貴賓招待。兩空間因其景觀方向不同，配置也不同（十與十二帖半「客室」為南、北向開口，而六與八帖貴賓室為西、南向開口）。除了有各自的觀景庭院外，貴賓室並可近觀溪流，在室內空間也有精緻的裝修表現。如「床之間」、「違棚」、「床柱」及「付書院」等、隔間上方的「欄間」等。 玄關的東側，主要作為服務性空間，如「炊房」、「食堂」、浴廁等。靠南側則提供作為一般居住宿舍的和室房間使用。宿舍區共有六帖房十間，前後各二間因應配置與環境關係而有陽台及角窗的設計考量。\n俱樂部壁體結構分「竹小舞真壁」及「木摺壁」 兩種，「竹小舞真壁」組成方式。室內部分多為「竹小舞真壁」，而浴廁空間牆體在下半段部份，以磚砌的方式為主。「木摺壁」用於招待所內客用玄關、圖書室、康樂室或欄間較薄之短牆壁等。\n建築受到「書院造」影響，並加入西式空間。主要呈現在招待客人的空間「座敷」（客廳）上，包含以「床之間」為中心的「違棚」、「附書院」；以及「座敷」與「次間」，可做為「廣間」的形式。因受到西化的影響，一般為對外空間（應接室）逐漸產生西式空間的設計，內部裝飾有別於傳統和室空間。一般來說有較多的裝飾線腳板或台度等西式裝修方式。\n俱樂部和室空間包括六帖宿舍十間、六帖女中室二間、十帖、十二帖半客室各一間、六帖、八帖貴賓室各一間。\n六帖宿舍十間以中央廊道分隔，兩側各五間並排之方式配置。\n女中室六帖空間配置於客用玄關西側，是兩間連續的房間，可各自由廊道進出，兩間隔牆並設有設置門扇，室內各有 「押入」及「出窗」。\n十帖與十二帖半「客室」 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60〜70 公分左右，上舖板椽，室內空間中第一進前半多為店舖使用。承重牆系統其荷重皆由兩側之承重牆支撐，且兩側承重牆靠自重穩定。\n建築主要分有門牌275號、277號及279號，室內一樓空間皆以天井為界，劃分前、後半部；二樓各分出隔間，275號二樓共有三間臥房；277號二樓劃分為格局方正的神明廳及臥房，279號則以前半部作為客廳，區分公私空間，後方和室架高木地板。\n資料來源：臺北縣縣定古蹟鶯歌汪洋居調查研究及修復計畫\n","buildingUsage":"建物為閒置狀態，無對外經營情形。\n\n","buildingKeyMaintainItem":"建築本體木構件因屋頂滲漏導致含水量偏高，並有白蟻蛀蝕之危害，建議修復工作首重排水及防水與規劃防潮，並且應進行蟲蟻防治；磚石材亦因外牆植物攀附或地震因素而產生裂縫等危害，故應清除外牆生長之植物，並進行牆面修補。\n資料來源：臺北縣縣定古蹟鶯歌汪洋居調查研究及修復計畫\n","buildingActualState":"汪洋居因屋頂滲漏及缺乏管理維護，建築物內的木構件已遭受微生物與生物劣化因子嚴重危害，尤以木腐菌劣化及白蟻蛀蝕為甚，建築本體之磚石材破壞，主要為紅磚因水分及紫外線等影響而產生風化，建築物牆體亦因地震力或其他外力造成裂縫，此外，生長於外牆上的植物亦侵入磚牆中，對古蹟本體造成開裂等破壞。","govDeptPhone":"(02)29603456","announcementList":[{"classification":"變更/修正","officialDocNo":"新北府文資字第1130503404號","registerDate":"2024-03-26 14:01:37.862","note":"修正範圍"},{"classification":"指定/登錄","officialDocNo":"北府文資字第0950005863號","registerDate":"2006-07-17 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小窗，窗上設有圓拱，牆體內側上下皆有窗臼。牆體外側設有鐵窗，北面大窗使用木製窗板。屋頂設有金屬避雷針及類似通風設備；C棟長邊牆上有磚造附壁柱，每個柱頭出四挑，上置受樑石以承接屋架。出入口位於東邊大門，門框以石條砌成，門楣上有磚砌圓拱，兩面山牆內面皆有兩根附壁柱，頂端有兩個方形及一個圓型高窗，南北向牆壁各開八個窗戶，窗框皆為石條砌成，窗楣上並有圓拱構造，南面設有鐵棚架，橫樑下有拉桿鐵件；D棟牆體上方有磚砌兩層出挑，下方有高54公分的基腳，外牆四周有附壁柱，屋面開有方形天窗。\nE棟位於B、C棟之間，牆體上方有三層磚砌出挑，下方有基腳，平面外圍有附壁柱，北邊門楣為木頭平拱，其餘門楣與窗楣皆為磚砌平拱；F棟位於園區西側，北側立面上開有三個門，分別為室內三個空間的出入口；G棟位於基地南方鐵道邊，正立面開一道門，高處有一圓形百葉窗；H棟正立面開門窗各一，門楣與窗楣皆為平拱構造，另有一根洩水管由屋簷下通到地面； 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4 個門柱尖、兩個筆柱尖和一個亭頂葫蘆尖。第二進有優美的雲牆，兩旁聳立石筆，增加視覺上的穩定與崇高感，格局更開闊。第三進為主體，首先是置放香爐與祭品的祭檯和供檯，再來是方型底座，上有方壇，聖蹟亭安坐方壇上。\n\n聖蹟亭的爐體由下而上，分別象徵八卦、四象、六氣。下層中央有代表文風的浮雕「麟吐玉書」，兩側也有仁獸浮雕。中層為爐體，外側石柱與中央爐口邊各有敬字對聯，爐口上方橫刻「過化存神」與「文運宏開」字樣。上層原有二龍環抱「聖蹟」兩字，但已風化，兩旁也有對聯，背面中央兩片石板，其上鐫刻捐款名錄，其下則雕刻兩儀太極八卦。整體而言，龍潭聖蹟亭結構全中有局，局中有全，是中式建築的精緻傑作。","judgeCriteria":["具歷史、文化、藝術價值","具其他古蹟價值者"],"registerReason":"為台灣目前面積最大、規模最完整的惜字亭，為古代惜字風俗代表性文物，具有保存價值。","lawsReference":"文化資產保存法","govInstitutionName":"桃園市政府","addresses":[{"itemNo":1,"cityName":"桃園市","distName":"龍潭區","address":"聖亭路"}],"longitude":121.207750028164,"latitude":24.8665047194482,"govInstitution":"桃園市政府文化局","govDeptName":"文化資產科","govDeptAddress":"桃園市桃園區縣府路21號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2023-05-12/6fa15b98-269b-49fe-899f-02500449d144/D064 桃園縣 龍潭聖蹟亭 (三級)04_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2023-05-12/6fa15b98-269b-49fe-899f-02500449d144/D064 桃園縣 龍潭聖蹟亭 (三級)04.jpg","name":"D064 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\n民國61年（1972）日本與臺灣斷交。內政部於民國63年（1974）發佈《清除臺灣日據時代表現日本帝國主義優越感之殖民統治紀念遺跡要點》，其中第一項明文規定「日本神社遺跡應即徹底清除」。當時全臺大部分神社都在此時期遭到或多或少的破壞。 \n民國 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   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:"竹塹城迎曦門","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A4","name":"城郭"}],"pastHistory":"竹塹城迎曦門位於新竹市東區東門街的圓環中央，是竹塹城目前僅存的一座城門。竹塹城於道光七年（1827年）始建，道光九年（1829年）完工，由淡水同知李慎彝、竹塹巡檢易金杓等監造，仕紳鄭用錫、林平侯之子林國華、林紹賢之子林祥麟等總理，總計共費銀約十四萬七千四百九十八兩。「竹塹」是新竹的舊稱，原本是平埔族竹塹社原住民所居住的地方。鄭氏時期，鄭克塽為了鞏固淡水基隆的防務，徵召竹塹社民趕運糧餉北上，因鄭軍督責過於嚴苛而引起了北部七社「番」的聯合反抗。當時的鄭軍官員之一—閩人王世傑，於康熙三十年（1691年）與族親及鄉人前來竹塹開墾，並逐步與當地的原住民取得和諧，並進行交易。清雍正元年（1723年），淡水廳治設於竹塹，並於雍正十一年（1733年）在竹塹三臺山下，環植莿竹為城，始稱「竹塹城」，由淡水同知徐治民創建。直到嘉慶十一年（1806年）蔡牽為亂時，才由紳民改建為土圍。嘉慶十八年（1813年），同知查廷華將土圍加高變寬，增建窩鋪與堆房，並在城外種竹開溝。道光六年（1826年），為了防範閩粵械鬥的滋擾，鄭用錫與林平侯建議將廳城土圍改建為石城，也就是一般人所熟知的竹塹城。竹塹城分為東西南北四門，分別為「迎曦」、「挹爽」、「歌薰」及「拱宸」，城門由城樓與城座所組成，座高一丈九尺。東、西、南三門設有砲臺及水洞各二。城外設壕溝，東、西門的壕溝上，另設有吊橋一座。日治時期，新竹地區實施市區改正計畫，西、南、北三門及城垣被迫拆除，僅存迎曦門城樓孤立在發展快速的都市之中。迎曦門為一柱廊式的城樓，樓高兩層，所在方位座西朝東偏南。城座由花崗石條以一層丁一層順的方法砌造而成，前後各有外小內大的拱形門洞，正門門洞上方有額題「迎曦」，落款上題「道光戊子季冬」，比完工的時間稍早；下題「署同知李慎彝監造」。迎曦門的屋頂形式為歇山重檐並帶有翹脊，屋頂下的大木結構，在翻修時以鋼筋混凝土仿作。城門的後方立有道光九年（1829年）的「新建臺灣府淡水廳城碑記」石碑一方，為竹塹築城史的見證之一。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"城門的後方立有道光九年(西元1829年)的「新建臺灣府淡水廳城碑記」石碑一方，為竹塹築城史的見證之一","lawsReference":"文化資產保存法","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"新竹市","distName":"東區","address":"東門圓環"}],"longitude":120.970198964244,"latitude":24.8042121356586,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5548/photo/F001新竹市竹塹城迎曦門(二級)(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5548/photo/F001新竹市竹塹城迎曦門(二級)(1).JPG","name":"F001新竹市竹塹城迎曦門(二級)(1)"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"新竹市文化局"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000054","buildingFeatures":"城門的後方立有道光九年（1829年）的「新建臺灣府淡水廳城碑記」石碑一方，為竹塹築城史的見證之一。","inHouseFeatures":"城樓是一個城的門面，因此在建造時都很講究，在決定城樓位置與方向時通常都經過風水先生的堪輿，所以不一定四個門都在正東西南北方，新竹城也是如此。城樓下段稱為城座，東門城座以條形花崗石石塊疊砌而成，門洞為拱圈構造，其疊砌方式為縱聯式發卷法，中間一段不使用拱卷，並有門臼石，以便於裝置門扇，門扇通常以厚木板外加鐵片固定而成，以防止敵人火攻，門扇後方兩側有門閂洞，以固定門扇。\r\n\r\n　　城樓的形式有很多種，竹塹城的城樓面寬為三開間，內柱有八根，外部為一圈簷廊，再多加十二根柱子，而四角各再加一根角柱，共有二十四根立柱。屋頂部份為歇山重簷式構造，屋脊的起翹通常短而有力，以顯示威武的氣氛；大木作部份也都使用正式的斗拱作法，棟架的瓜筒也以簡捷有力為訴求，故沒有過多的裝飾，可惜於後來修建時改為混凝土造。","buildingUsage":"清雍正元年（1723年），淡水廳治設於竹塹，並於雍正十一年（1733年）在竹塹三臺山下，環植莿竹為城，始稱「竹塹城」，由淡水同知徐治民創建。\r\n\r\n直到嘉慶十一年（1806年）蔡牽為亂時，才由紳民改建為土圍。\r\n\r\n嘉慶十八年（1813年），同知查廷華將土圍加高變寬，增建窩鋪與堆房，並在城外種竹開溝。\r\n\r\n道光六年（1826年），為了防範閩粵械鬥的滋擾，鄭用錫與林平侯建議將廳城土圍改建為石城，也就是一般人所熟知的竹塹城。","buildingKeyMaintainItem":"1.圓環道路四周騎樓地面應接齊順平。2.古蹟周圍招牌廣告之設置，應受主管機關管理。","buildingActualState":"竹塹城迎曦門位於新竹市東區東門街的圓環中央，是竹塹城目前僅存的一座城門。保存狀況良好,惟四周均為車道,行人通行較為困難。","wenSitename":"新竹市觀光旅遊網","wenSiteaddress":"https://www.tourism.hccg.org.tw/hot_detail_4_0","govDeptPhone":"04-22177777","announcementList":[{"classification":"變更/修正","officialDocNo":"文資局蹟字第10130066891號","registerDate":"2012-08-09 00:00:00.0","note":"變更定著土地地號"},{"classification":"指定/登錄","officialDocNo":"台內民字第338095號","registerDate":"1985-08-19 14:28:36.0"}],"landlotList":[{"itemNo":1,"cityName":"新竹市","distName":"東區","landNo":"東門段一小段","landSerialNo":"6-85","landownership":"公有","cityLandUseTypeOther":"","noncityLandUseTypeOther":""},{"itemNo":2,"cityName":"新竹市","distName":"東區","landNo":"東門段二小段","landSerialNo":"102-25","landownership":"公有","cityLandUseTypeOther":"","noncityLandUseTypeOther":""}],"mediaImageList":[{"mediaName":"F001新竹市竹塹城迎曦門(二級)(2)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5549/photo/F001新竹市竹塹城迎曦門(二級)(2).JPG"},{"mediaName":"F001新竹市竹塹城迎曦門(二級)(3)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5550/photo/F001新竹市竹塹城迎曦門(二級)(3).JPG"},{"mediaName":"F001新竹市竹塹城迎曦門(二級)(4)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5551/photo/F001新竹市竹塹城迎曦門(二級)(4).JPG"},{"mediaName":"F001新竹市竹塹城迎曦門(二級)(5)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5552/photo/F001新竹市竹塹城迎曦門(二級)(5).JPG"},{"mediaName":"竹塹城迎曦門","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/114581/photo/竹塹城迎曦門.jpg"}],"documents":["https://data.boch.gov.tw/upload/documents/2021-01-17/81dd49f9-084c-4fdc-9a14-de6fe4f8676f/公告函.pdf","https://data.boch.gov.tw/upload/documents/2021-01-17/4d3bb6e4-9b06-4eb6-b1b8-0c0402289fa4/公告公文.pdf"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/74519/photo/f2197d38-80df-49c8-87d1-d9d2e4826e1c.jpg"],"repImgId":601},{"caseId":"19850819000055","openUpTime":"位於新竹國軍文化園區，每日上午8時∼12時，下午1時∼5時開放","openVisitTypeText":"","caseName":"鄭用錫墓","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A12","name":"墓葬"}],"pastHistory":"鄭用錫墓位於現在新竹市客雅段四四七之三六號，建於同治八年（1869年），是道光三年（1823年）癸未科進士，禮部鑄印局員外郎鄭用錫死後依品秩而建的官墓。鄭用錫，譜名文衍，名蕃，字在中，號祉亭，原籍福建浯江（今金門），祖父鄭國唐於乾隆四十年（1775年）攜子崇和來臺，初居苗栗縣後龍，其後崇和攜眷遷於竹塹。用錫為崇和次子，生於乾隆五十八年（1793年），卒於咸豐八年（1858年），享壽六十五歲。生子三人，長子如松為道光二十六年（1846年）舉人，以孝友題准旌表建坊；次子如梁，候選同知；三子如材，生平不詳。鄭用錫少時天資穎異，嘉慶十五年（1810年），一試而中秀才，取進彰化縣學附生；嘉慶二十三年（1818年）為恩科舉人；道光三年（1823年）中進士，是為開臺百餘年臺灣本籍進士第一人，又稱「開臺黃甲」。竹塹浯江鄭氏家族日後因而得以晉身為士紳階層，社會地位驟昇，產業拓展，家聲遠播。鄭用錫博讀經史，尤精於易經，曾任明志書院講席八年，提拔後進無數，又自行纂修《淡水廳初志稿》，雖然未曾刊行，卻成為日後陳培桂《淡水廳志》之稿本。用錫熱心公益，舉凡竹塹大小公益事務無不參與。嘉慶二十一年（1816年）倡建文廟，道光七年（1827年）竹塹改築竹城，與林國華、林祥麟等任城工總理督建塹城，因督建有功，獲加同知銜。其後，又捐京秩，籤分兵部武選司，補授禮部鑄印局員外郎；道光十七年（1837年）因不慣官場陋習，以母親年邁為由，告歸鄉里。道光十八年（1838年）築進士第，讀書自娛。除參與公共工程的捐造外，在維護地方秩序上，用錫更是不遺餘力。道光二十二年（1842年）清英鴉片戰爭時，英船滋擾大安港，用錫率先募勇赴援有功，賞戴花翎；又在土地公港擄獲草鳥船和洋匪因而立功加四品銜。咸豐三年（1853年）淡北漳、泉、粵分類械鬥，撰寫「勸和論」一篇，勒石於後龍，勸息紛爭。四年（1854年），在籍協辦團練，並勸捐米糧運往天津賑濟，因而恩給二品，並推恩二代。\n用錫晚年另築北郭園為應酬遊憩之所。此園建於咸豐元年，前後歷時三年始完成，與潛園並列為竹塹兩大名園。咸豐初年與詩友組成詩社「斯盛社」，開竹塹詩社之先；又自著「北郭園全集」，包括文鈔一卷、詩鈔五卷，制藝及試帖各二卷。咸豐八年（1858年）鄭用錫去世，翌年葬於香山之麓。同治八年（1869年），改葬於竹塹南邊竹仔坑現址，坐北朝南。墓的形式，依二品例，有頭曲手、二伸手、三伸手。伸手間之石望柱分別為石印、石筆、石獅，左右對稱。墓地前之石象生依次有石人、石馬、石羊、石虎以及石望柱等各一對，雕刻相當細緻精美，藝術價值頗高。墓的外觀呈橢圓形，盔頂形的墓碑，由三片花崗石拼成，墓碑碑文題：「清賜進士出身賞戴花翎禮部侍郎晉封通奉大夫祉亭顯考鄭公塋」，字跡清晰可見。后土位於墓的左前，坐西朝東略偏北，形式宛若一座小墳。遠處成對的石望柱刻著轉錄自咸豐元年（1851年）閩浙總督王懿德所贈的柱帖。可惜石虎一座被盜，石羊也被破壞毀損。但整體看來，鄭用錫墓背山面水，居高臨下，規模寬宏，是臺灣官墓中的佳構之一。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"鄭用錫墓是清領時期當時墓塋興建的範例，並可與洋人興建墓的形式作比對，極為珍貴。","lawsReference":"文化資產保存法","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"新竹市","distName":"東區","address":"育賢段33地號(重測前/光鎮里客雅段447-36地號)"}],"longitude":120.970960531586,"latitude":24.7878954295906,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5560/photo/F003新竹市鄭用錫墓(二級)(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5560/photo/F003新竹市鄭用錫墓(二級)(1).JPG","name":"F003新竹市鄭用錫墓(二級)(1)"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"鄭OO"},{"ownerType":"土地所有人","ownerName":"新竹市 政府"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000055","buildingFeatures":"整體看來，鄭用錫墓背山面水，居高臨下，規模寬宏，是臺灣官墓中的佳構之一。","inHouseFeatures":"墳墓在風水上又稱為陰宅，意即為人死後居住的地方，由於漢人相信風水的好壞會影響後世子孫的發展，因此對於喪葬禮俗以及墓地的風水均極為重視。一般而言，漢人的墳墓因受到風水觀念影響，多選擇背山面水、左環右抱的地理環境，而墓塚的形式本身也受到風水觀念的影響而呈現橢圓形的包被狀態。\n\n　　墓塚以墓碑為中心，後方的墓穴用土堆成小丘，有如龜背，稱為墓龜；墓龜周邊有塚溝以排水，塚溝的後方才是墳；墓碑前有券臺，是放置供品的地方；墓塚前方兩側有如椅子扶手一般的曲手，向外伸展呈包被狀，也是為了達到風水上藏風聚氣的目的；而墓塚前方定有平坦的明堂，也就是子孫祭拜的地方，其大小隨著墓塚的規模而愈深愈寬，甚至分成內、外明堂，同樣的也是風水觀念的延伸。墓地旁邊會有一個「后土」的石碑，意思是看管墓地、指引道路的土地公，祭祖前必先祭拜后土，以感謝其對祖先的照顧。\n\n　　鄭用錫墓外觀呈橢圓形，墓碑為盔頂形，由三片花崗石拼成，額刻「浯江」地望，左右拱以雙夔紋飾，碑文為：「清賜進士出身賞戴花翎禮部副郎晉封通奉大夫祉亭顯考鄭公塋」，為其一生的功績留下說明。曲手包括欄杆柱與柱間的欄板，均以花崗石雕成，曲手欄杆柱頭分別為石印、石筆、石獅，左右對稱；墓前的石象生自內而外依次為石人、石馬、石羊、石虎以及石望柱等各一對，其雕刻細緻精美，石獸樸實可愛，石望柱刻著轉錄自咸豐元年閩浙總督王懿德所贈的柱帖，頗具有歷史價值。整體而言，這座背山面水、居高臨下、規模寬宏的墓地，是臺灣官墓的佳構之一。","buildingUsage":"已修護完成，新作石虎一隻，原存家廟石虎復原。石羊頭新作。","buildingKeyMaintainItem":"草地景觀應定期維護。","buildingActualState":"鄭用錫墓位於現在新竹市客雅段四四七之三六號，建於同治八年（1869年），是道光三年（1823年）癸未科進士，禮部鑄印局員外郎鄭用錫死後依品秩而建的官墓。","govDeptPhone":"04-22295848#123","announcementList":[{"classification":"指定/登錄","officialDocNo":"七四台內民字第338095號","registerDate":"1985-08-19 09:38:07.0"}],"mediaImageList":[{"mediaName":"F003新竹市鄭用錫墓(二級)(2)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5561/photo/F003新竹市鄭用錫墓(二級)(2).JPG"},{"mediaName":"F003新竹市鄭用錫墓(二級)(3)","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5562/photo/F003新竹市鄭用錫墓(二級)(3).JPG"},{"mediaName":"b5ae977e-26ff-4792-ba34-df9f21487885","url":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/114582/photo/b5ae977e-26ff-4792-ba34-df9f21487885.jpg"}],"documents":["https://data.boch.gov.tw/upload/documents/2021-10-19/b3871235-6ece-451d-9356-79ea62a8dd02/第二批古蹟公告封面.jpg","https://data.boch.gov.tw/upload/documents/2021-10-19/feabcb9e-7020-4680-9f24-e20551134091/古蹟公告鄭用錫墓.jpg"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/74520/photo/e721121c-8476-45d7-b441-b5b94ef797b6.jpg"],"repImgId":603},{"caseId":"19980623000001","openUpTime":"全天開放","openVisitType":"1","openVisitTypeText":"完全開放參觀","caseName":"新竹火車站","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A7","name":"車站"}],"pastHistory":"基隆新竹間的鐵路，在1887（光緒13）年臺灣巡撫劉銘傳實施新政時即開始鋪設，1893(光緒19)年11月基隆至新竹全段通車，總長106.7公里，臺北新竹間則有78.1公里。之後，繼任巡撫的邵友濂，採取緊縮政策，以籌款困難、工程艱鉅為由，奏請停止繼續興建，使劉銘傳的縱貫鐵路計畫中斷。1895（光緒21）年臺灣割讓日本，同年5月29日日軍自澳底登陸，隨即進行軍事行動，6月22日由東門城樓進入新竹城。在這段期間，日軍往南挺進時，陸續搶修因戰事而受損、停頓的鐵路系統，以供軍事運輸之用。臺北新竹間的鐵路，也在7月2日恢復運轉。日治初期之臺灣總督府，認為清光緒年間所築造的基隆新竹間鐵路的工程品質有問題，所以計畫進行該路段的改良工程，更計畫往南陸續興建。總督府根據劉銘傳時期的計畫路線進行調查，結果因為新竹香山間的工程艱鉅，困難重重，不久即被擱置。1898（明治31）年總督府為求全盤開發臺灣，以吸引日本官商資本進入，除基隆新竹段的整建工程外，再度計畫並籌款興建新竹至打狗（高雄）的縱貫鐵路工程，次年（1899）更成立「臨時臺灣鐵道鋪設部」，陸續整建並往南新建縱貫鐵路。1901（明治34）年完成臺北經艋舺、樹林、鶯歌到桃園的新線，取代由大稻埕過淡水河，經龜崙嶺到桃園的舊線。1902（明治35）年新竹中港段完成，次年5月25日中港苗栗段完工。再採南北兩端同時施工的方式進行，經過十年建設，在1908（明治41）年4月20日，基隆到打狗全線通車，堪稱是臺灣近代交通史上一項劃時代的工程。初建的新竹火車站（1893），設於枕頭山下（今玻璃工藝博物館一帶），當時稱「新竹票房」，為土埆造建築。臺灣割日後（1895，明治28），經日本軍方搶通，臺北新竹段在同年7月2日恢復運轉，但僅作為軍事運輸之用。之後，該車站遭抗日軍焚毀，1896(明治29)年7月5日方恢復客貨運輸，但也另建新車站於今新竹火車站站址，日治時期稱「新竹驛」，新建的站房建坪僅44坪。今日新竹火車站建築本體，包括以鐘塔為主的候車大廳及連接售票大廳之側體，完成於1913（大正2）年3月31日，屬加強磚造建築，由日人松ケ崎萬長設計建造，總工程費22,500元。1928（昭和3）年3月25日右側增建事務室（即辦公室），但1945（昭和20）年5月15日遭盟軍轟炸，事務室部份毀損，1947（民國36）年經臺灣省政府撥款整修，1948(民國38)年初整建完成，包括右側延伸之辦公室、會議室，也增建左側列車車班站房等空間。1966（民國55）年因應本線、支線（內灣線，1951年9月通車）激增的貨運量與繁忙的調車業務，更配合臺灣肥料公司新竹廠擴建後之運輸需要，擴建貨運站，即今最右側之行李房。1969（民國58）年6月完成啟用，客貨業務正式分開。新竹火車站，屬後期文藝復興建築，兼有巴洛克風格與德式歌德風，是縱貫鐵路上長老級火車站，長久以來一直是新竹市地標，深具歷史與藝術價值，1998（民國87）年6月23日經臺灣省政府核定為省定古蹟。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"(一)具重要性：\n１、具高度歷史、藝術或科學價值者：\n(１)1890年臺灣巡撫劉銘傳籌建基隆至新竹鐡路，當時在新竹建有簡陋車站。日治時期曾改建，到1908年縱貫鐵路通車後，再於1913年重建成為當今規模，成為當年鐵路大型車站之一，具有高度現代交通設施啓蒙歷史之重要見證。\n(２)新竹火車站建築採用20世紀初期近代歐風建築樣式，設計者松崎ヶ萬長曾留學德國柏林工科大學，在臺首度引入德國近代樣式建築風格，新竹車站成為臺灣近代建築及藝術史上之重要史證。\n２、表現各時代營造技術流派特色者：\n(１)1890年臺灣巡撫劉銘傳籌建基隆至新竹鐡路，當時在新竹建有簡陋車站，新竹火車站建築立面及車寄上採用德式的梯型山牆、牆上有牛眼窗和半圓形拱窗，中央有高聳的計時塔以及銅飾尖頂，是為20世紀初期近代德國建築常用的手法。\n(２)鋼構材料結構技術的運用是19世紀末出現的現代建築形成的主要原因之一，而新竹火車站主體建築的屋頂及月台的棚架主要結構均採用鋼料及鉚接等當代先進材料與結構技術。在鋼構組件及建築立面上設計的簡約裝飾圖案，皆可反映當年德國新藝術運動青年風（Jugendstill）流派的裝飾藝術特色。\n3.具稀少性，不易再現：在當今臺灣都市快速發展的狀況之下，鐵路自清領末期創建百餘年來，沿線車站建築迭經改建或易地重建，得以原貌保留者已不多；復以新竹火車站非但原貌大體完整保存，且仍維持其原來使用方式與功能者誠屬不易，具有高度的稀少性。在現今建築材料及營建技術不斷更新之際，20世紀當代的工法與技術已不易再現。\n(二)保存完整：新竹火車站保存的範圍包括主要站體建築，以及原本的第一、第二月台，而這些站體基本上仍維持其原有的功能，保存具有傑出的文化資產真實性及完整性。\n(三)各時代或某類型之典範：\n１、臺灣鐵路沿線的火車站共有27處具有文化資產身分，其中4個特等站中，除已拆除改建的臺北火車站外，臺中火車站指定為國定古蹟，高雄、花蓮火車站登錄為歷史建築，但此3座車站均因路軌高架或改線而不再作為車站之用。\n２、其次在28座一等站中，僅新竹、嘉義、臺南等火車站擁有古蹟身分，惟嘉義、臺南火車站亦因實施路軌改變而減損其原有功能。獨新竹火車站是罕見保存良好的特例，堪稱20世紀以來臺灣鐵路工業文化資產中保存之典範。","lawsReference":"符合古蹟指定及廢止審查辦法第2條規定。","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"新竹市","distName":"東區","address":"榮光里6鄰中華路2段445號"}],"longitude":120.971832361263,"latitude":24.8017064922572,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段326號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5563/photo/F004新竹市新竹火車站(三級)(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/5563/photo/F004新竹市新竹火車站(三級)(1).JPG","name":"F004新竹市新竹火車站(三級)(1)"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"國營臺灣鐵路股份有限公司"},{"ownerType":"土地所有人","ownerName":"國營臺灣鐵路股份有限公司"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19980623000001","buildingFeatures":"屬於後期文藝復興樣式建築的新竹火車站係為松ケ崎萬長囑託作品，其為日人於明治時期少數留學德國者。\r\n\r\n此風伴隨著十九世紀末國家主義興起而快速發展，殖民母國積極地移植歷史建築形貌至殖民地以展現統治威權的空間表徵。哥德式鋸齒狀山牆、誇張的拱心石、矮柱極不完整的窗拱處理，凸顯日人企圖透過建造雄偉的辦公建築，作為日本權威象徵及永久統治台灣的意象。\r\n\r\n相較於台灣近代建築常見之英國古典式樣風格之公共建築，如總督府、台中火車站等，獨特德國哥德風的「新竹驛」更發顯於台灣近代建築之保存價值。","inHouseFeatures":"在車站的裝飾上，入口處以突出的山牆及拱門，塑造入口門廊的氣派感，拱門為雙柱式，內側為圓形短柱、繁複的簷飾帶，配合半圓形拱，再加上誇張的拱心石，外側搭以穩固的方柱，形成新竹車站具巴洛克風格的獨特入口。正立面的水平簷帶，越往中央越高，以襯托中央盔頂形鐘塔的高聳，建築師將原本在屋坡上的老虎窗，誇大地變成山牆上鋸齒狀的裝飾，雖顯華麗，但也讓整體感覺更平穩。","buildingUsage":"（1899）更成立「臨時臺灣鐵道鋪設部」，陸續整建並往南新建縱貫鐵路。\r\n\r\n1901（明治34）年完成臺北經艋舺、樹林、鶯歌到桃園的新線，取代由大稻埕過淡水河，經龜崙嶺到桃園的舊線。\r\n\r\n1902（明治35）年新竹中港段完成，次年5月25日中港苗栗段完工。再採南北兩端同時施工的方式進行，經過十年建設，在\r\n\r\n1908（明治41）年4月20日，基隆到打狗全線通車，堪稱是臺灣近代交通史上一項劃時代的工程。","buildingKeyMaintainItem":"因其為公共空間，故應加強空間使用管理與宣導，培養民眾共同保存維護古蹟之觀念。","buildingActualState":"新竹火車站，屬後期文藝復興建築，兼有巴洛克風格與德式歌德風，是縱貫鐵路上長老級火車站，長久以來一直是新竹市地標，深具歷史與藝術價值。","govDe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(30)"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"新竹縣政府"},{"ownerType":"建築所有人","ownerName":"新竹縣政府"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20060724000001","buildingFeatures":"問禮堂在格局上可說是三堂四橫的大宅院，但整體上是由一個四合院所構成，兩旁加建橫屋，合院後方再加一座五開間的房屋，稱為枕頭槓。合院中間有一個天井，為前堂與正堂的中介空間，左右的南北廂與橫屋間也有天井，以達到通風採光的功能。在構造上問禮堂可說反映出客家建築的特色，在牆身部份，底部下段以卵石勒牆腳，上以一層灰磚收邊，再承接土埆磚牆，外表塗上一層白色灰泥，具簡樸的性格。問禮堂於年民國九十一（2002）年整修完成，恢復原有的規模，整體顯得十分宏偉。 \n\n  問禮堂後方，為一座石造小祠，其內供奉的是朱阿羅的牌位，又稱為「朱羅伯公」。朱阿羅為林先坤之僕人，一生追隨林先坤建立六張犁家業，事主甚忠，於乾隆末年死於閩粵械鬥，林家人為感念其忠勇，特地將其衣冠葬於此地並建小祠祭祀，林家後代至今仍定期祭拜。 \n\n  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\n\n三元宮雖然在構造上有所突破，但是三川殿部份則維持了傳統廟宇的抬樑式棟架，為三通兩瓜構架，其獅座、象座及鰲魚雀替均具地方特色，就廟宇建築而言，本廟的木雕裝飾顯得樸實，也可想見建廟之時物力維艱之情況。","buildingUsage":"寺廟祭祀及慶典","buildingKeyMaintainItem":"1.建築本體日常保養及定期維修。\r\n2.使用或再利用經營管理。\r\n3.防盜、防災、保險。\r\n4.緊急應變計畫之擬定。\r\n5.其他管理維護事項。","buildingActualState":"三元宮是一座典型的客家廟宇，其規模為五開間二殿二廊，格局嚴謹而完整，本廟最大的特色在於其建築結構上，正殿的承重構造拋棄傳統廟宇的石柱，而改為專砌方柱，更省去通樑等木構件，使得廟內顯得樸實穩重。而這樣的磚構造除了與老街具有同樣的風格之外，也成為本廟最大的特色。","wenSitename":"湖口三元宮facebok","wenSiteaddress":"https://www.facebook.com/%E6%B9%96%E5%8F%A3%E4%B8%89%E5%85%83%E5%AE%AE-1539234066405868/","govDeptPhone":"03-5510201分機600~612","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文文字第0950095754號","registerDate":"2006-07-24 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(18)"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"祭OOOOOOOOOOOOOOOO"},{"ownerType":"建築所有人","ownerName":"祭OOOOOOOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20060724000008","buildingFeatures":"張氏家廟在建築上與劉家祠相近似，除正身為雙翹鵝（燕尾）之外，正身前垂脊亦加上翹鵝，橫屋中央部分亦為翹鵝作法，頗具特色。張氏家廟牆身多為斗子砌牆面，正身橫屋均有水車堵，堵內有精緻的泥塑裝飾，為本古蹟之特色。\n\n家廟正身為五開間，前為寬敞的步口廊，廊上屋架為捲棚頂，正堂入口為三關六扇門作法，典雅肅穆，門上懸掛「張氏家廟」匾額。","inHouseFeatures":"堂內供奉張氏祖先牌位，神龕前為雕琢細膩螭虎花罩，上懸掛「忠勇愛國」、「木本水源」匾額，堂內左側掛有張雲龍畫像，為光緒年間作品，並表彰張雲龍生平功績。正堂左右次間及稍間為子孫居住空間，各間均開門，互不相通，是較為少見的作法。","buildingUsage":"家族祭祀及居住使用，需預約參觀","buildingKeyMaintainItem":"維持建築原有材料、形貌及色彩","buildingActualState":"張家祠為一堂二橫屋規模之建築物，前有一禾埕，並與內牆區隔內外，內禾埕為石板鋪面。祠堂正身面寬五間，為祭祀樟張祖先之空間，步口廊寬敞，上為捲棚式屋頂，正門懸掛「張氏家廟」扁額，堂內吊掛「木本水源」等匾額及祖先畫像；張家祠正身、落廒及左右橫屋屋棟均為翹鵝式，線條優美頗具特色。建築本體牆身為斗子砌，並有水車堵裝飾，整體而言，建築上頗多剪粘、泥朔、彩繪、木雕、石雕等裝飾，均具匠藝。\r\n\r\n    張氏家廟原有雙堂二層樓建築已不復存在，今日所見的張家祠為一堂二橫屋規模，前有寬闊的禾埕，天井與禾埕間有斗子砌圍牆分隔內外，天井為石板鋪面，與祠堂相互輝映。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"03-5510201分機600~612","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文文字第0950095754號","registerDate":"2006-07-24 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\n新埔陳氏族人之第十八世祖任華公於清乾隆四十五（1780）年，由中國廣東焦嶺縣白馬坪上攜三子超貴公、超讚公、超學公渡台，於桃園南崁落腳。超學公於道光年間遷居於新埔五分嶺，育有二子，次子昌旺公於清咸豐八（1858）年恩賞貢生，更官名為朝綱，字佐卿。清同治二（1863）年，軍功欽賜花翎，選用分州加同知銜，為新埔仕紳。清同治七（1868）年，倡建陳家祠，奉祀陳氏歷代祖先。 明治三十一（1898）年家族購買土地，將佃租收入作為子孫永久祭祀之經費，宗祠派下有祭祀公業陳家祠、陳宗祠、陳賓豐、怡隆嘗、華榮嘗、祭祀公業義渡等公業，歷年來均由超學公派下推舉管理人。 \n\n建築場所精神價值 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\n新埔林氏家廟興建於大正二（1913）年，並於大正六（1917）年完工，主祀林姓始祖比干公及林姓歷代祖先之神位，並祭祀媽祖、義民爺及捐建家廟有功人員之長生祿位。 \n林氏家廟格局是一堂二橫規模的祠堂，整體坐向為坐北朝南，後靠新埔大屏山，前為鳳山溪所形成的沖積平原，為前敞後實之風水環境，遠方有鳳山溪流，遠眺犁頭山脈，環境極佳。 \n林氏家廟堂屋建築特別高聳，面寬五間，步口簷廊寬闊深遠，每間均開門由簷廊出入，形勢壯闊。正堂為祭祀祖先之空間，有隔屏區分，內設為神龕，上方屋桁懸掛「忠孝家風」等多面匾額，以表彰祖德家風。左右橫屋中央為敞廳形式，左橫屋祭祀媽祖，右橫屋祭祀建廟有功人士之祿位，由祿位可看出捐資修建家廟者尚含板橋及霧峰林家，由此可見當時是為北台林家之大事。右橫屋敞廳內有林孔昭所撰之「碑記」及「贊孝碑」、「世蔭嘗會」等石刻，為林氏家廟興築之重要史料。\n \n建築相關之人物事件歷史 \n林氏家廟之興建，主要由居住於照門的林孔昭發起，當時林孔昭擔任大茅埔區長要職，發起共同捐資興建家廟，並遠至其他各地募捐，因此，林氏家廟之資金來源尚包含板橋及台中霧峰林家，是本祠堂興建最特殊之處。當時共募集七千多圓，並於居住在後街的象鼎、象忠兄弟，將林氏公廳正後方的埔地，施捐做為家廟用地，由林孔昭擔任經理，負責申請及籌建事宜。 \n\n建築場所精神價值 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\n \n正堂以木隔屏區分為正堂及神龕室兩個空間，隔屏中央飾以花罩，並留設神龕，以強化神龕部位之重要性，祖牌則依序擺放在神龕上，整體感覺十分莊重。神龕下方則奉祀土地龍神，是客家建築特色之一。 \n \n正堂次間早期為子孫居住空間，後來則當做儲物空間使用，目前仍堆放許多早期遺留物品或傢俱等。兩個空間上方皆有棚頂（閣樓）以增加置物空間，並強化牆體結構。","buildingUsage":"週三至週日09：00-16：00開放參觀","buildingKeyMaintainItem":"","buildingActualState":"范氏家廟仍作為祠堂使用，但已無人居住，惟祭祀之組織及功能未能發揮，僅有管理人員定時燒香打掃，目前搭起保護棚架，未來將予以修復，以保存新埔重要之宗祠文化資產。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"03-5510201分機600~612","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資第1050101173","registerDate":"2016-11-07 11:53:08.519"},{"classification":"指定/登錄","officialDocNo":"府授文文字第0950095756號","registerDate":"2006-07-25 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\n \n太和宮的剪黏、泥塑、交趾陶為名匠姚自來作品，裝飾也極具藝術價值；此外，石雕部分也出自蔣梅水之手，均為一時之選。","buildingUsage":"本廟主祀三官大帝，配祀五穀神農大帝、觀音菩薩、天上聖母、關聖帝君、廣澤尊王、文昌帝君、至聖先師、制字先師、魁斗星君、註生娘娘、朱衣星君、伯公等神明，足見其在地方精神生活上所扮演之重要角色，每年正月十五祈神納福、七月十五中元普度、十月十五叩答神恩，是太和宮的重要慶典，有燈飾、豬羊比賽等，熱鬧非凡。","buildingKeyMaintainItem":"1.建築本體日常保養及定期維修。\r\n2.使用或再利用經營管理。\r\n3.防盜、防災、保險。\r\n4.緊急應變計畫之擬定。\r\n5.其他管理維護事項。","buildingActualState":"太和宮自昭和四（1929）年遷建至今，年民國五十八（1969）年修建時 兩側橫屋均已改建為鋼筋水泥建築，但三川殿及正殿大木構架及雕刻均保留原貌，頗具歷史價值。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"03-5510201分機600~612","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文文字第0950095754號","registerDate":"2006-07-24 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\n尖石TAPUNG古堡俗稱李崠山古堡，日治時期稱為李崠隘勇監督所，民國九十二年指定為古蹟，並正式以原住民語TAPUNG古堡稱之。古堡位於新竹、桃園交界地帶，海拔1914公尺，視野遼闊，可瞰制三光、秀巒、玉峰等原住民部落，附近地區為日治時期泰雅族與日本軍警浴血戰鬥的古戰場。 \n日本統治臺灣之後，原住民抗戰最久，明治四十（1907）年起在佐久間左馬太總督的「五年理蕃政策」下，新竹廳及桃園廳方面各集結大批軍隊及警察隊，設立隘勇線，逐漸向山區推進，以征討泰雅族原住民。明治四十四（1911）年以新竹廳長擔任部隊長，編成二千餘人的討伐隊伍，向部落發動猛烈攻擊，雙方在李崠山數度激戰，死傷慘重，日軍警固守李崠山頂，構築砲台工事，並以砲火猛轟山地部落才迫使原住民屈服。 \n大正元（1912）年尖石「其那支（秀巒）」、「馬利可灣（玉峰）」等社原住民，趁颱風夜襲擊警備人員，破壞隘勇線。同年九月日方兵分兩路，壓制散居馬利可灣溪的原住民部落，並於李崠山頂高地構築堅固砲台。次年（1913）於李崠山頂設立討伐隊司令部，新竹、宜蘭、桃園三方同時進行掃蕩，同年七月「其那支」、「馬利可灣」等社繳械投降。日本軍警征討期間，在砲火摧殘之下，泰雅族原住民死傷慘重，為臺灣寫下一頁可歌可泣的抗日歷史。\n\n建築相關之人物事件歷史 \nTAPUNG古堡兼作砲台及指揮所，平面呈四邊形，東西兩側各設稜堡一座以利防禦，大門在西北側，門外設隔牆一堵，以防止砲火直接由大門波及堡內工事。古堡四壁及稜堡共設射口31個，西北壁根設有儲水槽，壁體下層為鐵絲混凝土夾土壁，內側設有扶壁柱加強其結構，壁體上層則為磚砌。TAPUNG古堡大門門楣原掛有總督佐久間左馬太所題的「慎守其一」匾額，可惜現已遺失。\n \n建築場所精神價值 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\n日治時期皇民化運動前，臺灣各地組織家族公會，北埔姜氏也組織了世良公嘗，大正十（1921）年由姜瑞昌、姜振驤等人提倡興建家廟，並募集資金延請名匠施作，家廟至大正十三（1924）年竣工落成，為「二堂、二過水廊、二橫屋」格局之建築。 姜氏家廟初期作為會館功能使用，外地族人路經北埔時可借為休息用餐處。太平洋戰爭期間，家廟左右橫屋曾分別提供幼稚園和北埔國民學校充作教室；戰事後期更被徵收做為日軍物資囤積處，前堂屋頂並為此架起機關砲防禦。 民國三十八（1949）年，隨國民政府遷臺的移民佔用姜氏家廟的前堂與左右橫屋做為住宅，因此建物日漸老舊缺乏整修。民國三十五（1964）年，左橫屋後段完全倒塌，並不復舉辦祭祖典禮。 民國八十八（1999）年921大地震時，部分建築再遭損毀。後由新竹縣政府指定為古蹟，並分別完成一、二、三期修復工程。 \n姜氏家廟聘請當代名匠施作，其中以木作、彩繪與石雕皆具特色，大木作即柱、樑、通、楹等木造屋架的間架、尺寸、式樣與構法，由「阿清司」徐清規劃，採用「疊斗式」屋架設計，精巧繁複；在本堂棟架大通上的趖瓜型座斗，有細長的爪由上向下延伸，形態逸秀；石作匠師有辛阿救、姜房兩人分工，但兩人負責構件不同，並非比拚技藝的對場作。辛阿救為姜家姻親，主要代表作有前堂與本堂下的龍柱，在粗獷的造型及流暢有力的線條之餘，細節處理仍相當細膩；彩繪部分由來自中國廣東省大埔縣橫溪鄉的名匠邱玉坡、邱鎮邦父子施作。邱氏父子最著名為「擂金彩繪」，其作法需先將金箔研磨成粉，再繪於黑色底層的彩繪部位，目前邱玉坡在臺灣的作品僅存此一處。 \n\n建築相關之人物事件歷史 \n姜瑞昌，人稱膨風茶之父，與姜阿新姜合力主推北埔膨風茶，擔任北埔庄長及鄉長期間，姜膨風茶推向日本與英國，成為國際皇室貴族的喜愛的茶品。 姜振驤，北埔姜家第五代，日治時期與姜阿新、姜重燾合稱北埔庄政商的三巨頭，曾任新竹州協議會員及總督府評議會員，二戰後也擔任新竹縣參議員、北埔鄉第一屆鄉民代表會主席、褒忠義民廟董事長等職位。 \n\n建築場所精神價值 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\r\n \r\n其中又以邱玉坡的擂金彩繪是一絕，邱玉坡是客家彩繪的名匠，為了姜氏家廟，跨海來台，為家廟留下國寶級的作品，也是目前全台僅存的作品（另一作品大溪齋明寺已於後來重繪）。","buildingUsage":"由管理人管理，採預約參觀制。\n參訪日之一個月前，將參訪日期、時間、人數、參訪單位、聯絡人資訊，一併發文至縣定古蹟北埔姜氏家廟。","buildingKeyMaintainItem":"1.建築本體日常保養及定期維修。\n2.使用或再利用經營管理。\n3.防盜、防災、保險。\n4.緊急應變計畫之擬定。\n5.其他管理維護事項。","buildingActualState":"由於姜氏家廟具歷史意義，其建築匠藝極具藝術價值，於民國九十三年指定為縣定古蹟。\n該廟目前除山川殿仍保有原來之風貌外。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"03-5510201分機600~612","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文文字第0950095754號","registerDate":"2006-07-24 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「天水堂」之構造為地上一層一堂六橫屋之三合院建築，部分牆外貼瓦磚，並有飛簷，內外亭間有一山門，頗具特色。前禾埕有內外之分，內禾埕為卵石鋪面，與門樓相得益彰，門樓內側的銃孔為防禦設施。進入門樓後可看見以石板砌築的地面與牆基，石砌腳基、斗仔砌磚牆與白色灰泥所構成的牆面，正廳的格扇門以及黑色為基調的彩繪，讓整體感十分素雅，顯現客家民居樸實的一面，但又兼具精緻的美感。\n","wenSitename":"國定古蹟金廣福公館","wenSiteaddress":"https://zh-tw.facebook.com/ChinKuangFu/","govDeptPhone":"04-22295848#123","announcementList":[{"classification":"指定/登錄","officialDocNo":"七十二台內民字第202452號","registerDate":"1983-12-28 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中卷》記載，「魚藤坪斷橋」由三叉河出張所長稻垣兵太郎設計，中央桁架樑則是美國技師Coopper Schneider設計，並由以鐵道工程起家的營造業者「久米組」承造，完工後稱為「魚藤坪橋」。「魚藤坪橋」以磚石砌造橋腳、連拱、鋼板橋、上承式桁架組成，屬於複合材料鐵路橋樑。「魚藤坪橋」因位處臺灣縱貫鐵路最高、最陡、施工難度最高的路段，成為台灣總督府鐵道部時期，海拔最高、跨距最大鐵道橋樑。\n昭和十年（1935年）4月21日中部大地震，震央在「魚藤坪橋」附近10餘公里處的關刀山，「魚藤坪橋」受損嚴重。震災後，鐵道部檢討「魚藤坪橋」修復問題，認為修復不易、磚拱橋不耐震、南北兩端有三處曲率半徑達300公尺的大彎道等因素，因此決定在西側80公尺處另建新橋。為運送新橋建材，當時的工程單位，將舊橋有龜裂及有安全顧慮的結構敲除，搭上施工鷹架，以方便工程列車運送新橋所需建材。昭和十三年（1938年）新橋完工後，舊橋鋼板樑、上承桁架才拆除，橋墩間的連拱也因為安全理由，進一步敲除。\n民國八十八年（1999年）發生九二一大地震，「魚藤坪斷橋」第4座橋腳攔腰震斷，使「魚藤坪斷橋」成為兩度見證中部大地震的知名建築物，引起各方關注。因此，苗栗縣政府隨即進行文化資產審查作業，民國九十二年（2003年）依文化資產保存法指定為「縣（市）定古蹟」。\n「魚藤坪橋」是曾經被譽為「臺灣鐵路藝術極品」的磚拱鐵路橋，前後經歷二次臺灣中部大地震，留下斷橋殘拱歷史傷痕，深具歷史意義與建築技術紀念價值。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"魚藤坪鐵路橋位處臺灣縱貫鐵路最高、最陡、施工難度最高的路段，成為日治時期臺灣鐵道部海拔最高（402.326公尺）、跨距最大（61公尺）鐵道橋樑。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e","govInstitutionName":"苗栗縣政府","addresses":[{"itemNo":1,"cityName":"苗栗縣","distName":"三義鄉","address":"魚藤坪段401-1地號"}],"longitude":120.773793698977,"latitude":24.3583773370049,"govInstitution":"苗栗縣政府文化觀光局","govDeptName":"文化資產科","govDeptAddress":"苗栗縣苗栗市自治路50號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-09-01/5b641ac4-7904-4281-a450-da1214cb1e6e/IMG_9057_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-09-01/5b641ac4-7904-4281-a450-da1214cb1e6e/IMG_9057.jpg","name":"IMG_9057"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"國營臺灣鐵路股份有限公司"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20031125000001","buildingFeatures":"「魚藤坪斷橋」是磚石砌造橋腳、連拱、鋼板橋、上承式桁架組成，屬於複合材料的鐵道橋樑。所以，磚石的組砌為其構造物的特色所在。在不同部位，使用合適的組砌方式，大致上橋腳跟拱側一樣，為「荷式砌法（Dutch Bond）」，主要是一層順砌、一層丁砌，在轉角牆端使用75磚收邊。現場可觀察到收邊的75磚以及因應尺寸的特殊尺寸磚頭，並不是工廠生產好的特殊尺寸，而是現場敲製出來的產品。「魚藤坪斷橋」興建完成時，是臺灣總督府鐵道部時期，海拔最高、跨距最大的鐵道橋樑。","inHouseFeatures":"為橋梁類古蹟，無室內特徵。","buildingUsage":"目前，「魚藤坪斷橋」周邊規劃為觀光公園，設有簡易月台、休憩平台、散步道、停車場、觀景亭等設施、設備。橋樑遺構本體以遺跡式保存，保存十分良好，成為當地的觀光資源，是見證舊山線鐵道興建與大地震的重要紀念物。","buildingKeyMaintainItem":"「魚藤坪斷橋」因位於溪谷地形，大雨過後需加強巡視，避免表土崩落造成古蹟的破壞。斷橋採遺跡式保存，橋柱下方依規定是禁止進入，需定期安排人員檢視，以策安全。","buildingActualState":"「魚藤坪斷橋」位於苗栗縣三義鄉魚藤坪段401-1地號，舊山線鐵路魚藤坪鐵橋上游80公尺處。原稱「魚藤坪橋」，因歷經兩次中臺灣大地震成為現況，後於民國九十二年（2003年）11月25日，指定為苗栗縣縣（市）定古蹟，屬於橋梁類古蹟，建築所有人及管理人均為國營臺灣鐵路股份有限公司。目前，「魚藤坪斷橋」周邊規劃為觀光公園，橋樑遺構本體以遺跡式保存，成為當地的觀光資源，是見證舊山線鐵道興建與大地震的重要紀念物。\n魚藤坪橋，為縱貫線鐵路（後屬臺中線）全線開通前一年（1907年）所興建完成的磚造橋墩、鋼鈑梁及桁架梁混合型式之橋樑。昭和十年（1935年）新竹至臺中大地震後臺灣總督府交通局鐵道部放棄改建原橋，而在第二代魚藤坪橋竣工後改名為魚藤坪斷橋。\n民國八十八年（1999年）921大地震，魚藤坪斷橋第四座橋腳攔腰震斷，成為兩度見證中部大地震的歷史古蹟。分別於民國八十九年（2000年）文建會指定為震災紀念物、民國九十二年（2003年）苗栗縣政府依文化資產保存法公告指定為縣定古蹟、民國九十四年（2005年）委託進行勝興車站及魚藤坪斷橋調查研究暨修護計畫及民國一百年（2011年）進行管理維護及防災計畫。","wenSitename":"苗栗文化觀光旅遊網","wenSiteaddress":"https://miaolitravel.net/","govDeptPhone":"037-352961#716","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0927500330號公告","registerDate":"2003-11-25 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\n磺溪書院座北朝南略偏東，是一座七開間、兩進、兩廂房帶四垂亭的四合院書院建築，前埕寬廣，形式雄偉。第一進以中央三開間為山門，翹脊屋頂由此左右層層降落，七開間正面展部均勻。第二進為三開間的講堂，中央供奉文昌帝君，前有八柱歇山屋頂的四垂亭，屋頂脊飾精美、剪黏圖象生動為其特色，整體木構架具有清楚的泉州匠師風格。講堂兩側，與廂房齋舍相連接的過水廊外牆，是磚雕製作最為精美所在。從牆堵、門窗外框到窗檻、半圓弧牆基以及花瓶形廊門等等，無不以鏤刻花紋的磚雕為飾，為臺灣清代建築中最為出色者。\n\n民國74年（1985）11月27日，經內政部公告指定「磺溪書院」為臺閩地區第三級古蹟，民國99年（2010）12月25日，重新公告為臺中市市定古蹟。\n","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值(內政部指定)","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"臺中市政府","addresses":[{"itemNo":1,"cityName":"臺中市","distName":"大肚區","address":"臺中市大肚區磺溪里文昌一街10號"}],"longitude":120.539337836631,"latitude":24.1500485764656,"govInstitution":"臺中市政府文化局","govDeptName":"臺中市文化資產處","govDeptAddress":"臺中市西區市府路41巷19號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37392/photo/af1ae729-3698-4671-b1f2-d51345489930_c.jpg"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37392/photo/af1ae729-3698-4671-b1f2-d51345489930.jpg","name":"af1ae729-3698-4671-b1f2-d51345489930"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"磺OOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000003","buildingFeatures":"三川殿較地面抬高四階，以中央三開間為山門，燕尾翹脊屋頂由此左右層層降落，使七開間正面展布均勻。中門前有形象生動的青斗石獅一對，雕工精細。開三門而入，是木構的柱廊，柱廊左右的斗仔砌磚牆上，各開一口磚砌的海棠形花式月門，形式之精美為他處罕見，空間之變化更是他祠所不及。\n\n拜殿為八柱歇山屋頂的建築，佇立於升高的方形月台上，外角四柱為花崗石石柱，以防風雨侵蝕，內側四柱為本柱，以與大木結構接續，內外功能分明。屋頂脊飾精美、剪黏圖象生動，是拜殿的主要特點。拜殿前為一寬廣的中庭，舖面為少見的瓦質拼花地磚，旁邊以方磚收邊，中央舖有矩形拜石，這在臺灣傳統建築中是相當少見的。\n\n正殿為三開間的講堂，中央供奉文昌帝君，講堂兩側，與護龍齋舍相連接的過水廊外牆，是磚雕製作最為精美的所在，除以圖樣方式表現在牆堵及牆基上外，更以裝飾的手法，在磚與磚的榫接處做出不同的圖案，從牆堵、門窗外框到窗檻、半圓弧牆基以及花瓶形廊門等，無不以鏤刻花紋的磚雕為飾。除此之外，此處的磚雕係出自兩位不同師傅以「對場作」手法競技鑿雕而成，相互輝映，各具特色，讓我們可以同時欣賞兩位匠師的雕刻藝術。\n\n","inHouseFeatures":"書院的石雕風格介於清領中期與末期之間，造型明朗、線條明確，能注重到光影的效果。而木雕的雕刻技法熟練、線條流暢，造型拙樸且取材豐富，如斗的刻成四角、八角和碗斗；拱的刻成螭虎栱、關刀栱、象頭栱等。另瓜筒不僅刻有獸頭，上面還刻成蓮花；斗座的造型更是自由，有虎、獅、象等各種型態，正殿大通下的鰲魚更是精緻。","buildingUsage":"原功能使用，目前除作為奉祀文昌帝君的祭祀空間外，亦為當地讀書會、書法社教授及社區居民活動之所。","buildingKeyMaintainItem":"磺溪書院因位於海線地區，致精美之磚雕作品風化嚴重，亟待進行維護保存。","buildingActualState":"民國91年(2002)、95年(2006)年完成修復工程，民國107(2018)年完成修復及再利用計畫。","govDeptPhone":"0422290280","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第0970006141號","registerDate":"2008-08-29 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NTMC」(網址：https://www.facebook.com/NationalComicMuseum/?locale\u003dzh_TW)","openVisitType":"1","openVisitTypeText":"完全開放參觀","caseName":"臺中刑務所浴場","assetsClassifyCode":"1.1.2","assetsClassifyName":"直轄市定古蹟","assetsTypes":[{"code":"A3","name":"宅第"}],"pastHistory":"本古蹟「臺中刑務所浴場」推測至晚在大正15年（1926）即已建造落成，並於昭和18年（1943）因受颱風影響而屋頂全毀，隨即進行屋頂修復，推測亦進行擴建工程。\n\n由於典獄官舍配有自己的浴室，但因丁種官舍與其他等級更低之職工或傭員宿舍等，其內部皆無浴室配置，故因應而設，職員共同浴場為公營事業單位設置給職員的福利設施，與市街庄經營付費之公共浴場不甚相同，現為全臺少數尚存之日式浴場，亦是臺中重要官署之相關附屬建築。\n\n戰後改作監獄職員眷屬宿舍，並於民國81年（1992）臺中監獄搬遷至南屯區現址後閒置。民國102年（2013）8月26日，經臺中市政府公告指定為直轄市定古蹟，民國107年（2018）修復工程竣工。\n\n","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"本古蹟係全臺少數尚存之日式公共浴場，為一層樓木造建築，室內空間組成為踏込、更衣室、沖洗身體的洗場與水槽，以及浸泡用的浴槽。外觀上，中央屋頂上方另設有通氣窗，室內則為磁磚鋪設之浴槽與水槽，其日據時期建築營造技術及品質之軌跡及參考價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、3、4、5款","govInstitutionName":"臺中市政府","addresses":[{"itemNo":1,"cityName":"臺中市","distName":"西區","address":"自由路一段89巷28號、30號、32號"}],"longitude":120.67396120000001,"latitude":24.1337141,"govInstitution":"台中市政府文化局","govDeptName":"臺中市文化資產處","govDeptAddress":"臺中市西區市府路41巷19號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2023-06-02/285d0232-6c24-4a21-8db6-497a7de4ba00/20230308-05_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2023-06-02/285d0232-6c24-4a21-8db6-497a7de4ba00/20230308-05.jpg","name":"20230308-05"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20130826000002","buildingFeatures":"建築外觀為洋式風格的木造建築，浴場空間外的立面牆體下段磚牆外牆為水泥粉刷，中段採洋式「英國下見板張」雨淋板、大面積開窗及設置百葉窗，上段則是以灰泥外露並做裝飾；而更衣場的外觀亦採洋式立面，洋式雨淋板與水泥粉刷的基礎，但配合使用習慣呈現和式空間的氛圍，採用軸組結構，壁體工法亦為日式的小舞竹真壁。\n\n浴場空間基於功能性雖未採用軸組工法，但除山尖處用木槢板，其餘牆面亦為日式真壁，雖以磁磚貼面，但室內裝修亦偏向和式風格。故整體可以說屬「和洋折衷」，亦或稱「外洋內和」的建築形式。\n\n官舍區浴場建築形式受其特殊功能影響，為了達到功能性，建物比例較為高敞，大面又多層的開窗除了採光，上端的百頁窗具有良好的排放熱氣的作用，並設有太子樓加強此功能。\n","inHouseFeatures":"浴場地坪至天花板高度約400cm、脫衣場335cm，比一般日式建築高出甚多。室內採標準的浴場配置型態，分成男女浴場，設置有更衣場、浴場、鍋爐場等空間，符合日本「改良式」公共浴場的基本要求，採乾濕分離，即出入口→更衣場→男女浴場（附屬鍋爐場）」之標準空間序列。總面積約30.8坪。","buildingUsage":"臺中刑務所典獄官舍及浴場於民國107年（2018）底修復完成，並預先作為「臺中市文化城中城歷史空間再造計畫」工作站，3年期間，進行再造歷史現場系列講座、活動或工作坊，推廣展演活動、論壇交流，媒體宣傳以及培訓志工導覽課程，為城中城歷史空間再造的前哨。","buildingActualState":"民國107年（2018），恢復其原有之空間樣貌，管理維護情形良好。","wenSitename":"國家漫畫博物館","wenSiteaddress":"https://www.facebook.com/NationalComicMuseum/?locale\u003dzh_TW","govDeptPhone":"04-22290280","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文資一字第1020155572號　","registerDate":"2013-08-26 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、發生突發狀況，影響辦公使用或人身安全。\n3.全區壁面、天花皆有嚴重程度不一的劣化狀況，牆體鋼筋鏽蝕，混凝土剝落，建議管理單位持續追蹤狀況，日常巡視時留意是否具損壞擴大情事。","buildingActualState":"原彰化警察署於昭和11年（西元1936年）落成，二戰結束後經歷多次修改建，於民國98年（西元2009年）指定為縣定古蹟，並持續作為警察廳舍使用至今，其保存完好，現為彰化縣警察局彰化分局管理維護及使用。","wenSitename":"彰化市旅遊網－彰化縣警察局彰化分局","wenSiteaddress":" 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1月 10 日開燈、2月初 2 日福德正神千秋、2月 19 日觀音佛祖誕辰紀念日、3月 23 日為媽祖誕辰、7月 12 日中元普渡以及 12 月圓燈。並另設有南瑤宮媽祖會館，館內為介紹南瑤宮媽祖之發源歷史並保存相關文物史料、蒐藏相關媽祖文物、展覽其他文化藝品為主之公共空間。","buildingKeyMaintainItem":"1.甫完成修復工程，並交由管理單位維護，後續將持續由「彰化縣文資防護專業服務中心」進行定期巡查工作。","buildingActualState":"南瑤宮自民國77年（西元1988年）經內政部公告為古蹟，民國114年（西元2025年）完成修復，並開放民眾參拜祭祀。","wenSitename":"彰化縣政府旅遊資訊網-南瑤宮","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d95\u0026chk\u003d2041B139-BB12-481B-9E31-AF8B8A7BDB15","govDeptPhone":"04-7250057","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1140222802A號","registerDate":"2025-06-13 16:17:52.143","note":"更正建築本體面積"},{"classification":"變更/修正","officialDocNo":"府授文資字第1100250571B號","registerDate":"2021-07-21 10:06:14.851","note":"變更坐落地號與面積、法令依據"},{"classification":"變更/修正","officialDocNo":"府授文資字第1080274978A號","registerDate":"2019-08-21 00:00:00.0","note":"變更指定理由與範圍"},{"classification":"指定/登錄","officialDocNo":"77府民一字第35669號","registerDate":"1988-05-03 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年），內政部指定元清觀為臺閩地區第二級古蹟，目前則名列為國定古蹟。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"1.元清觀是台灣唯一以觀為名並供奉玉皇大帝的寺廟，又稱為「天公壇」，早年元清觀為神明會的組織型態，至清乾隆28年(1763)始由福建省泉州府移民集資創建，目前位於都市中心，有必要為元清觀擴大保存空間以維護古蹟風貌。\r\n2.元清觀建築以木結構的精美著稱，像前殿斗座以象形等題材變化多樣、龍拱板富設計性、出挑的翹上有各種不同的雕刻等，都可看出此廟在木作上的獨創性。\r\n3.建築裝修部份，前殿外觀使用牌樓造形的重簷式屋頂，看來相當華麗；門前一對青斗石精雕石獅，體態渾圓活潑，或是廊牆看堵嵌上的磚雕及交趾陶，俱是難得的民間藝術佳品。","lawsReference":"1.文化資產保存法第14、17、18、19、22及27條第1款。\r\n2.古蹟指定及廢止審查辦法第2至5條。","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"彰化市","address":"彰化縣彰化市光華里民生路207號"}],"longitude":120.542633469755,"latitude":24.0796222427228,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/7679/photo/I003彰化縣元清觀(二級)(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/7679/photo/I003彰化縣元清觀(二級)(1).JPG","name":"I003彰化縣元清觀(二級)(1)"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"元清觀"},{"ownerType":"土地所有人","ownerName":"中華民國"},{"ownerType":"建築所有人","ownerName":"元清觀"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000063","buildingFeatures":"元清觀的建築是清同治、光緒年間重修時的風貌，為三進二院的建築格局，分別為三川殿、正殿及後殿。三川殿面寬五開間，因開有五個門，故又稱五門殿。五門殿屋頂為「歇山牌樓升簷式」的造型，正門三開間處屋頂升高，兩旁屋簷較低，主次分明。\r\n\r\n三川殿前簷下方有一排吊筒，雕刻有各式各樣的蓮花造型，吊筒的正面並裝飾有飛天、鳳凰與獅子等木雕，造型優雅樸實。三川殿壽樑上的看架斗栱，栱身雕刻有「象頭拱」造型，取其「太平有象」之意，栱身的上方並雕有洋人憨番的人物雕刻，豐富了元清觀的裝飾題材。\r\n\r\n正門前有一對青斗石獅，龍邊公獅，腳踩繡球，球上並雕有古代錢幣的圖紋，虎邊母獅，懷抱小獅，這對石獅的造型，身體的姿態獨特，背部螺紋式的鬃毛刻畫入微，充份表現出匠師的功力，此對石獅是台灣廟宇石獅造型的經典之作。\r\n\r\n正門兩旁「螭虎團爐」木雕，螭虎與古代青銅器上的獸紋相似，為勇猛之獸，具有避邪之意。元清觀的木屏，以螭虎造型構成香爐的圖案，香爐中央雕有磬牌，其上書有「囍」字，有「祈求平安」之意。\r\n\r\n正門的門簪為龍首造型，由於龍首無角，故又稱「螭首」。次間的門簪為獅子的造型，獅子又分開口與閉口獅，分別象徵公獅與母獅。稍間的門簪為蟾蜍造型，古代文人喻月宮為「蟾宮」，裝飾蟾蜍的造型，有「科舉高中、金榜題名」的涵意。\r\n\r\n三川殿兩旁交趾陶為清光緒3年（1877）重修時的作品，龍邊裝飾鳳凰，虎邊為麒麟。民國88年九二一地震時，部份交趾陶受損，由嘉義林光沂進行修護。下方裙堵是以磚雕構成「大獅小獅戲綵球」的圖騰，大獅小獅引申為「太師與少師」，為周代官制，是功名的象徵。\r\n\r\n三川殿的門神彩繪，正門門神為趙天君與王天君的造型，有別於一般王爺廟的門神，龍邊為王天君持執鋼，趙天君手持鞭，守護元清觀廟門，三川殿彩繪及門神為和美彩繪匠師陳穎派的作品。\r\n\r\n拜殿前有一塊青石石雕，稱為「御路」，上方刻有雲龍，為神聖空間的象徵。拜殿前的龍柱是清光緒3年（1877）重修時的作品，為清末龍柱造型的佳作。龍柱採單龍盤柱，龍柱上方並有八仙人物裝飾其上，柱頭有李白醉寫番表等人物雕刻。\r\n\r\n正殿屋頂為重簷歇山式建築，為了承受屋頂山牆的重量，在正殿次間增設一列柱子，元清觀的「增柱法」為台灣傳統建築的先例。正殿採三通五瓜棟架，由於正殿挑高，通樑下方另置疊鬥，以增加其結構力學。","inHouseFeatures":"元清觀以中軸線為中心，左右對稱配置，各進面寬相同，三川殿面寬為五開間，符合玉皇大帝之神格；其前後進依序為第一進的三川殿(其後緊接戲台)、第二進的拜殿與正殿，及第三進的後殿，各進間均設置天井並以迴廊相連接，左右邊以墻廊圍成封閉的空間，構成封閉的三進二院式空間。","buildingUsage":"元清觀民藝館是提供民俗技藝傳承研習的園地，讓有心參與民俗技藝之青少匠，有適當的學習場所，讓宗教文化與傳統民俗技藝能繼續傳承。","buildingKeyMaintainItem":"依文化資產保存法規定辦理日常維護管理。","buildingActualState":"民國95年4月9日晚間10時發生火災，造成元清觀正殿全毀，火災整修復舊工程，已於100年1月5日舉行重修入火安座大典。開放民眾入內祭祀祭拜。","wenSitename":"彰化縣古蹟暨歷史建築全球資訊網","wenSiteaddress":"http://mus.bocach.gov.tw/","govDeptPhone":"04-2217-7667","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第338095號","registerDate":"1985-08-19 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路239巷19號"}],"longitude":24.0837,"latitude":120.53635,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2023-11-28/b8ceb918-c9a9-447a-a995-b3b643c73bdb/IMG_0901_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2023-11-28/b8ceb918-c9a9-447a-a995-b3b643c73bdb/IMG_0901.jpg","name":"IMG_0901"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"},{"ownerType":"土地所有人","ownerName":"聖王廟"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000011","buildingFeatures":"聖王廟是一座三開間四進兩廊縱深配置的廟宇。這座廟宇主要的特徵是：寬三開間的前殿，中央明間屋頂較兩側突起，正面簷口呈弓形，次間外側升起明顯，使兩側屋面向內傾斜。\n\n供奉開漳聖王的正殿，前接捲棚拜殿，然屋頂上仍用單脊。拜殿與正殿的交會處，用菱形龜殼屋面，將雨水排向兩側，解決了屋坡交接的積水問題。前殿簷柱下的方形石柱珠，各面圖案以雙夔龍為框，中央為夔龍組合的字，左為「福」字，右為「祿」字。整體而言，第二進除了金柱與副金柱的間距不同外，構架上與彰化關帝廟非常相近。\n\n三川殿前有一座八字牆，左青龍右白虎的青斗石雕，雕工精緻，是清領中期台灣石雕的作品。三川殿的屋頂採「硬山升簷式」作法。\n\n三川殿正門兩旁有一對石獅，雕刻工法蒼勁有力，造型古樸雅緻，為咸豐年間重修時的作品。三川殿內的木雕棟架並不細緻，而門神彩繪已呈現剝落。正殿前有一對龍柱，採單龍盤柱，無鏤空雕，左龍柱四爪不握珠，張口含珠，右龍柱為三爪握珠，口微張但不含珠。此對龍柱造形樸拙，為乾隆、嘉慶年間的龍柱風格。","inHouseFeatures":"正殿供奉開漳聖王陳元光，兩旁為一老一少太監侍者。正殿的木架構為三通五瓜，三通五瓜的樑柱下方，有龍頭魚尾造型的木雕，稱為鰲魚，意喻「獨佔鰲頭、金榜題名」。\r\n\r\n後殿供奉開漳聖王的夫人，左室供奉觀音菩薩，右室供奉聖王廟創廟及修建有功人員的長生祿位，牌位上有開創威惠廟者為王君、賴君、林君、陳君等四位士紳，可惜未有全名。清咸豐10年（1860）重修者為舉人陳肇興，士紳楊添華、姚中和等人。\r\n\r\n大正元年（1912）威惠宮重修管理人為生員林獻章及漳州七邑首事，分別為平和王世藩、南靖賴鳳儀、龍溪鄭有福、龍溪鄭享弼、漳浦林昆山、海澄周坤厚、長泰蔡城、詔安蔡仁恩等人的長生祿位。","buildingUsage":"大正元年(1912)有漳州七縣人的後裔發起重建，成為今天所見的規模。","buildingKeyMaintainItem":"寺廟火源多，應加強控管，防止災害發生。","buildingActualState":"修護完成，開放參觀。","wenSitename":"彰化市公所  便民服務  市內公車路線圖","wenSiteaddress":"http://www.changhua.gov.tw/?index\u003dpublic_map\u0026fun_i","govDeptPhone":"04-2217-7667","announcementList":[{"classification":"變更/修正","officialDocNo":"文授資局蹟字第10530015042號","registerDate":"2016-03-03 00:00:00.0","note":"變更國定古蹟聖王廟及其所定著土地與補充指定理由。"},{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/60c70779-5756-4cb2-b9bd-ac7ca85653e5/彰化關帝廟02_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/60c70779-5756-4cb2-b9bd-ac7ca85653e5/彰化關帝廟02.jpg","name":"彰化關帝廟02"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"關帝廟"},{"ownerType":"建築所有人","ownerName":"關帝廟"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000064","buildingFeatures":"彰化關帝廟為三進帶兩廊的街屋式格局廟宇。由前至後依序為三川殿、拜殿、正殿及後殿，兩側則由進深窄小的過水廊連接。三川殿立面為三開間，屋頂採用三川脊做法，兩側山牆以硬山頂收頭，屋面置八條規帶，明間前後坡規帶排頭飾有人物泥塑。正殿前設拜殿，拜殿立面之屋頂亦採三川脊形式，明間前兩道規帶排頭同樣置人物泥塑，形成立面視覺上的分界。正殿與後殿屋面則採「一條龍」屋頂形式，屋脊平直且不分段，呈現流暢完整的弧線。三川殿通往拜殿間之過水廊，其滴水高度均低於三川殿及拜殿之滴水高度，故屋面兩端均以封雨牆銜接；正殿通往後殿之過水廊亦同。兩處過水廊的差異在於，前過水廊屋面為兩坡水屋頂並設平脊，後過水廊為捲棚式兩坡水形式，且屋頂不設屋脊。\n\n整體屋面簡樸，未施作繁複裝飾，形式以兩坡水屋面呈現。三川殿、拜殿在三開間的格局中，相互呼應而作成三川式屋脊，內曲外揚的燕尾脊上均無任何裝飾，僅於垂脊尾端立有「加官進祿」的人物泥塑；正殿與後殿為硬山單脊的屋頂形式，因建築跨距較大，屋脊線條顯得平緩而微揚。整體而言，關帝廟的屋面裝飾雖不若一般廟宇複雜，但在平穩中更可顯出關帝廟莊嚴肅穆的氣氛。\n\n建築風格承襲清代武廟形式，展現出規制嚴謹而樸實的建築特色，雕飾簡明而不華麗。其建築特色在於外簷裝修落在前金柱邊，前後金柱間的大木結構採不對稱的四架組成，大木結構結合泉州式樣，尤其以肥厚的脊檁最為突出。正殿點金柱設有鰲魚雀替，正殿棟架的做法顯露出粵匠的風格，為昔日彰化城內廟宇建築中較為少見之例。\n\n由於嘉慶年間遷建於南門現址時，受到既有都市紋理與腹地大小的限制，建築僅能朝縱向發展。在腹地規模受限下，第二進結合正殿與拜殿的功能，形成雙連山牆的特殊形式。木構架部分雖不若一般廟宇裝飾得富麗堂皇，但受到原鄉風格影響，仍表現出精緻細膩的技巧。構造上仍以磚、石、木等傳統材料為主，其中牆體結構與木棟架為關帝廟最重要的兩大結構系統。在民國107年（西元2018年）的修復紀錄中，木棟架採取古蹟修復原則，僅抽換部分腐朽嚴重之構件，其餘皆予以修復留用；後殿右側牆因傾斜嚴重而拆卸重砌，其餘牆體進行裂縫補強與表面重新粉刷。考量原有磚牆對於側向應力抵抗較弱，修復時特於兩側山牆加設鋼板補強以提升耐震強度，正殿後牆亦結合鋼筋混凝土樑柱構造進行加固。此外，因廟地地坪較周邊道路低窪，外圍設有欄杆並設置排水溝渠。進入三川殿後，臺基便逐漸升高，其構造為內層夯土，外緣以石板收邊，面鋪古樸的尺磚。","inHouseFeatures":"三川殿的棟架採用疊斗式做法，為九架屋桁格局。為了有效增加三川殿的室內進深，匠師在屋架形式上採用「移柱法」，將中脊桁位置設置於三川門後一步，使前後看架各成獨立系統。前看架以獅座承接桁下三層疊斗，逐層逐架將重量傳遞至簷柱，前簷再以垂花吊筒承接挑簷桁，步通於吊筒處作龍形出頭，展現濃厚的漳州風格；後看架則採二通二架瓜疊斗形式，由步通出彎拱承接後挑簷桁。\n\n拜殿為六架之捲棚式棟架，設置雙獅座以承接桁下三層疊斗。其橫向彎束斷面均採矩形繫材，可看出匠師為塑造彎月束仔柔和的視覺效果，特別施以收邊線腳做法。在全殿中，只有拜殿及三川殿的次間有此做法。\n\n正殿在四點金柱間為三通五瓜的看架，大通下設有雕刻精美的鰲魚雀替。大通上之金瓜筒，其瓜爪瓣採前三後一的型態，並抓住通身束腰線位置。瓜筒背面不作雕刻，疊斗自下向上逐層縮小；除瓜筒採用八角座斗外，其餘均為方斗，斗面平整有稜，斗底座帶有抹角。此外，桁下承斗未施作桁引或雞舌，而是以斗破口直接承桁，展現傳統木構架簡潔而穩健的做法。\n\n後殿的棟架以中脊桁為中心，前後各由兩組抬樑式木構架組成。中脊下立柱，前後二架間以方立筒承桁，形成二通二瓜的形式，其通與束皆呈現矩形斷面；前簷廊則採瓜筒斗座形式構成棟架，整體構造穩固而樸實。\n\n前後過水廊的棟架做法均採四架捲棚構架形式，整體風格簡單純粹，以立柱承桁，不作過多雕刻裝飾。兩者規模略有不同，前過水廊進深為三開間；後過水廊進深則為二開間。\n\n在廟宇的祭祀信仰方面，正殿主祀關聖帝君，左右從祀關平、周倉將軍。兩側山牆嵌有多方極具歷史價值的石碑，包括雍正年間的「關帝廟碑」與乾隆年間的「重修關帝廟碑」等，上方樑枋則懸有多方歷代古匾，見證了彰化關帝廟悠久的歷史與文化價值。","buildingUsage":"古蹟全年免費開放供一般信眾參拜，每年約農曆1月10日左右開燈法會、2月3日文昌帝君聖誕、6月24日關聖帝君聖誕，此祭祀為年度內最為重要之活動。","buildingKeyMaintainItem":"1.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"彰化關帝廟於民國74年（西元1985年）經內政部公告為古蹟，現狀為民國107年（西元2018年）修復竣工之格局，目前由彰化市公所進行管理與維護，保存狀態尚稱良好。","wenSitename":"彰化旅遊資訊網-關帝廟","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d98\u0026chk\u003d480fc7dc-87fb-4524-abb9-9c3f9e032ea1\u0026param\u003dpn\u003d5\u0026topic\u003d3,4,5,7\u0026item\u003dBACKPACKER","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第338095號","registerDate":"1985-08-19 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9時至中午12時。如配合講解導覽，另酌收費用。","openVisitType":"3","openVisitTypeText":"預約開放參觀","caseName":"節孝祠","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A1","name":"祠堂"}],"pastHistory":"同治12年（西元1873年）彰化白沙書院院長蔡德芳、拔貢生林清源採訪中部節孝婦女名單，共採訪到120位節孝婦女，並彙整其事蹟。光緒12年（西元1886年）由進士蔡德芳、丁壽泉、貢生吳德功、訓導劉鳳翔等人再採訪160名節婦事蹟，經由臺灣府（臺中）知府程起鶚、陳文騄及彰化知縣李嘉棠等官員聯名奏請禮部旌表，於光緒13年（西元1887年）准予立祠，正式編入官方祀典。經蔡德芳與吳德功等人倡建，擇址於城隍廟東側興建節孝祠，並於光緒14年（西元1888年）完成建祠。\n\n明治28年（西元1895年）日軍與抗日義軍發生大規模會戰，彰化城陷。節孝祠亦於此次事變中，祠內的木龕及前後門扇遭到嚴重毀損；幾經風雨剝蝕，廟宇結構依然無恙，然而所供奉之眾多牌位卻因戰火洗劫而蕩然無存。吳德功乃於明治33年（西元1900年）呈請彰化廳長須田綱鑑將縣誌節孝及同治、光緒年間送請表旌的節孝姓氏，重編登諸神牌。日治時期因市區改正計畫，節孝祠遭到拆除，後經地方士紳吳德功，以及商紳楊吉臣、吳鸞旂等董事，向總督府申請，獲准以彰化公園一角之地作為遷建地址。吳德功之弟吳汝俊、侄吳上花，亦邀請鹿港士紳陳懷澄等人共同參與遷建工程，並募款八千圓作為遷建資金，將節孝祠遷建於現址。\n\n大正12年（西元1923年）完成節孝祠的遷建。臺灣總督田健治郎及臺中知事常吉德壽重新表彰自明治28年（西元1895年）以來，至大正12年（西元1923年）間已故及現存之節孝、貞烈婦女112人，合計前後共390餘人，一同合祀於節孝祠內。民國34年（西元1945年）起，節孝祠不再接受入祀，因此不若一般寺廟有旺盛之香火；後由吳德功後裔組織財團法人負責管理，定期舉行春秋祭典。節孝祠在民國74年（西元1985年）經內政部公告為第三級古蹟，民國82年（西元1993年）曾執行修復工程，民國86年（西元1997年）隨\u003c\u003c文化資產保存法\u003e\u003e修正，依法改列為縣定古蹟。民國88年（西元1999年）因九二一大地震導致圍牆倒塌，因而拆除殘損圍牆，遂進行二期工程施工修復，並於民國91年（西元2002年）修復完成。翌年，再進行三川殿門神彩繪施作。","judgeCriteria":["具歷史、文化、藝術價值","具稀少性，不易再現者"],"registerReason":"彰化節孝祠為臺灣現存三座節孝祠中，唯一以獨立形態保存者，祠之結構為四合院式，包括兩廊兩殿。正殿採用罕見的「移柱法」，將神龕之牌位完整呈現，在臺灣為建築史上深具研究價值；祠內之彩繪出自鹿港彩繪大師郭新林之手。祠前立有乾隆3年（西元1738年）紀念汪門雙節之沙岩石碑一座。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、4款","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"彰化市","address":"卦山里公園路1段51號"}],"longitude":120.546345678087,"latitude":24.0768746278979,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/2dbc28ac-0cec-4972-9339-e9edd747a0d7/節孝祠01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/2dbc28ac-0cec-4972-9339-e9edd747a0d7/節孝祠01.jpg","name":"節孝祠01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"彰化縣"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000014","buildingFeatures":"節孝祠為坐東北朝西南之方位，平面格局為四合院的兩殿兩廊式配置，且正殿前帶有軒亭。前殿闢有三門，可稱之為三川殿。前殿兩側又有耳房各一間，正面闢有門窗，形制不合傳統做法，似為遷建時所改變之形式。兩廊各為四開間，其中靠近正殿之三間，合乎明間大而次間小之順序。正殿左右山牆闢門可通往耳房，耳房又與兩廊相接，構成平面上連通之循環系統；從這套系統中，仍可推知當年實際使用的方式。三川殿、中庭、拜亭及正殿，構成中軸線上的主要儀典性空間；而前後耳房及兩廊則串成另一組服務系統空間，左右服務空間相會於正殿內之祭拜處。\n\n山牆皆使用清水磚砌築，採一皮全丁、一皮全順的砌磚法，為日治時期洋式建築常用的方式。前殿及正殿山牆之外側皆砌出鳥踏，山尖則有燕尾及鵝頭兩式。主殿使用燕尾脊，耳房則為鵝頭規帶。三川殿耳房為「土」形，不過上端略鼓出成曲線，較為少見；正殿耳房則為「木」形，兩廊亦為「土」形。除了正殿兩翼之耳房鋪設板瓦外，其餘各殿及兩廊皆鋪設筒瓦。其鋪設方式採穿竹條法，可防止瓦片脫節滑落，惟近年來此傳統技術已近乎絕跡。\n\n在各殿屋頂中，以拜亭之工藝最為考究。拜亭使用歇山頂（即四垂式），主脊之脊垛貼有彩瓷，規帶頭亦貼有彩瓷片。主脊中央安置一個葫蘆泥塑，屋頂四角作草尾串角脊，屋簷曲線流暢，造型玲瓏。拜亭與正殿之間置有蟹殼頂，形狀略呈紡錘形，採中高旁低之勢並鋪設尺磚，以利排水。\n\n正門門楣懸有臺中州知事常吉德壽所敬獻之「一節千古」匾。節孝祠三川殿及正殿的棟架彩繪，為大正12年（西元1923年）鹿港彩繪匠師郭新林的畫作，其彩繪題材多引自《烈女傳》典故，例如「盧氏冒刃而衛姑」、「魯義姑姊」、「敬姜教子」等圖，均與節孝祠表彰之對象相符。\n\n正殿前有一座軒亭，其卷棚雙脊上繪有「龍馬負河圖」與「神龜背洛書」，亦為郭新林的畫作。民國83年（西元1994年）節孝祠進行落架修復；民國92年（西元2003年）由陳穎派重繪門神，目前整體保存狀況良好。","inHouseFeatures":"節孝祠在棟架風格上屬於泉州式。前殿面寬三開間，進深三間，使用「九架四柱」的棟架。前步口有二架，步口通樑上置有獅座，前「外寮」使用蓮花吊筒；後步口有二架，步通上置有瓜筒，後「外寮」以樑頭及丁頭栱支撐。三川殿棟架最大的特徵，是中脊桁及前後二架的疊斗中，將束隨做成斗座，此法不但可以穩定疊斗，亦可作為調節高度之用，稱為「束隨墊高法」。前殿牌樓是最主要的門面，中港間門楣上先置「楣引」，上面再置「斗抱」，其上再置三彎枋、連栱、雕蓮花紋的蓮圭枋及另一層斗抱，才頂住「桁引」及桁木。\n\n拜亭為四架棟架的捲棚，前簷口施以吊筒。惟其並不是以通樑頭出挑，此種形制亦頗少見。其束木、出屐及栱身皆插入柱中，就構造而言雖較為不利，然可使屋坡趨緩，亦是一種變通之法。\n\n正殿的瓜筒為修長形木瓜筒，瓜身雕有獅頭，瓜頭斗雕有仰蓮紋，刻工相當精緻。正殿的後金柱向邊港間移動了一公尺又十公分，大通樑架在一根大枋之上，這種做法稱為「移柱法」。於臺灣現存傳統建築中，節孝祠可謂唯一之孤例，尤彌足珍視。採用移柱法之原因，顯然是為了讓正殿神龕不受到後金柱之阻礙；其效果在於使祭拜者立於正殿中門內時，其視線剛巧所涵蓋的三角形視野內沒有任何障礙，能將所有的牌位完整地呈現出來。正殿神龕下方有磚砌臺座，磚工考究，使用六角形磚及花式砌法。三間神龕並列，其高度直抵大枋之下；各龕皆有螭虎雕紋花罩及櫃檯螭虎腳，此種形制在臺灣並不多見。\n\n兩廊屋頂較低，使用四架捲棚頂，其棟架簡潔，比例勻稱美觀。童柱使用「尖峰筒」，簷口用「捧前桁」，外緣削平以代替封簷板。出屐之下支以「草尾栱」，省去斗位，形制亦頗簡單而稱職。\n\n節孝祠內留存清代鹿港進士蔡德芳與其他書法家、地方仕紳等人所立之楹聯共5件。三川殿石柱上書有「潛德幽光歷二百年來而畢發，采風問俗聯十三堡半以俱雷」對聯，是光緒14年（西元1888年）由進士蔡德芳所敬題的墨跡。另外，郭新林在正殿上方亦題有兩幅隸書對聯：「雨暴風侵萬年不朽望夫石，神欽鬼伏千載長存節孝名」。","buildingUsage":"節孝祠全區皆開放參觀，需洽詢管理單位預約參觀。若相關團體需進行參觀，可事前向管理單位函文申請解說導覽，平時僅設立解說牌於古蹟旁的空間，供民眾導覽。","buildingKeyMaintainItem":"1.排水溝有輕微積水，天候不佳時不易蒸發，管理單位會定期以漂白水處理，避免蚊蟲孳生問題。\n2.木構、彩繪等有多處劣化情事，建議主管機關持續追蹤損壞狀況並推動後續相關計畫。\n3.滅火器應注意期限及氣壓，並定期委請廠商檢測，必要時更換。\n4.建議管理單位於祭祀木桌上加玻璃區隔，避免火源或香灰直接掉落於木桌上，減少災害可能性。\n5.牆面有植生竄根狀況，建議定期巡視並清除。","buildingActualState":"節孝祠於民國74年（西元1985年）經內政部公告為古蹟，目前仍作為祠堂使用，民國92年（西元2003年）修復後之狀態，至今保存良好。","wenSitename":"Facebook-彰化節孝祠公布欄 ","wenSiteaddress":"https://www.facebook.com/TaiwanGreatMother","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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房辦公空間不對外開放。如需解說導覽，參觀人員及團體可向管理單位申請或以電話預約導覽時間。","buildingKeyMaintainItem":"1.牆面及木棟架煙燻情形嚴重，建議增加通風及對流，或是定期進行木構件清潔，以避免碳粒、焦油附著產生破壞。\n2.建議可將滅火器外塑膠套移除，以便災害時能第一時間取用。\n3.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"定光佛廟於民國74年（西元1985年）經內政部公告為古蹟，目前仍作為寺廟使用，空間規模維持明治39年（西元1906年）「市區改正」計畫後之狀態，二戰結束後經歷多次整修，目前僅存為三開間單進之主殿、右側堂、捲棚及廂房，當前建築狀況保存尚良好。","wenSitename":"彰化旅遊資訊網-定光佛廟","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d94\u0026chk\u003d9ad49716-13df-44a4-a8a9-f132aa4ce6d6","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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三川殿左右牆為交趾陶作品，龍邊為仙翁手持壽桃，旁有一隻仙鶴，虎邊為麻姑及鹿，象徵「福祿壽」。三川殿正門門神為秦叔寶與尉遲敬德，龍邊為文官，手持官帽與鹿，象徵「加冠晉祿」，虎邊門神則為太監。明間大門左雄獅踏著錢幣，右雌獅與幼獅遊戲，蘊含了求財與求子的象徵意義。","inHouseFeatures":"三川殿的明間棟架由兩組四柱九檁的大木結構架起，為了考慮開門用的外檐裝修在前後檐廊空間分劃上的合理安排，採用不對稱的移柱法，將位於五架檁下的前金柱向後（脊檁方向）移動一個步架，以便柱間安放木、石牆堵。移柱的結果，使樑架的處理產生很大的變化，原來橫跨四個步架的五架樑縮短為三個步架的長度，使前端的樑頭與三架樑頭平整，並且同架在前金柱上。\n\n拜殿由兩組四柱六檁的捲棚式大木結構組成，架於前後金柱間的四架樑，其截面為長方形。樑上安置成對的獅座，獅背上立坐斗及層層的疊斗，疊斗的上端撐著弧形月樑（八字束）及雙檁。檁上緣削槽以便固定螻蟈椽（八字椽），槽外再與其他檁條配合鋪設直椽。彰化慶安宮拜殿的捲棚雙脊之上，可見「龍馬負河圖，神龜背洛書」的彩繪圖案，古云：「河出圖，洛出書，聖人則之」。河圖洛書的圖案置於屋脊，寓有「鎮宅避邪」之意。\n\n正殿明間由兩組六柱十三檁的大木結構形成，結構體系大致以脊檁為中軸，向前後對稱分佈。承載最重的七架檁兩端置於四點金柱的榫卯上。粗壯的樑身上安置兩顆渾圓如南瓜的下金瓜柱（座斗），金瓜柱上銜著短了兩步架的五架檁，樑上又置兩顆尺寸略小的南瓜形上金瓜柱，金瓜柱上又支撐著短短的三架樑，並利用一顆較小的南瓜形脊瓜柱頂起脊檁，如此構成左右點金柱的抬樑架構。各架樑的截面尺寸，隨著承載重量的減輕而向上逐層縮小，此為慶安宮的特色，亦是臺灣廟宇常見的構架手法。\n\n正殿神龕上方有嘉慶22年（西元1817年）的「惠我生民」匾及道光4年（西元1824年）進士鄭用錫所敬獻的「容保無疆」匾，皆為慶安宮的重要文物。正殿左右兩側迴廊為半開放式廊道，其壁面記載著重要廟史。","buildingUsage":"彰化慶安宮為傳統廟宇，保留傳統廟宇信仰、祭祀等功能，為當地居民重要之精神寄託中心。為活化宮廟文化，左右廂房與廟埕提供辦理展覽、廟口講古、掌中劇團等活動。如需解說導覽可向彰化縣彰化市公所申請。","buildingKeyMaintainItem":"1.已於民國114年（西元2025年）4月17日完成壁面與屋面修復工程驗收，請管理單位定期檢視壁面是否還有水痕與白華之情形，如仍有白華情況，建議管理單位清除牆後積水源頭，並定期註記常滲水之位置以便後續相關工程時可參考位置。\n2.建議管理單位遇嚴重之地震時注意龍邊左廂房南向外牆傾斜狀態。\n3.正廳上樑有漏水狀況，天井的地上排水系統排水效果不佳，此二處如有加劇，建議管理單位立即通報主管機關。\n4.牆面有植生竄根狀況，建議清除，若不好處理建議先施藥或做斷根處理。","buildingActualState":"彰化慶安宮於民國74年（西元1985年）經內政部公告為古蹟，目前仍作為寺廟使用，由彰化市公所管理與維護。","wenSitename":"彰化旅遊資訊網 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彰化懷忠祠的修建，與雍正9年（西元1731年）12月爆發的「大甲西社事件」相關。此事件爆發的主因，係淡水同知張弘章欲興建衙署，因而要求大甲西社原住民族人提供勞役，惟工程勞役過重，導致大甲西社起事反抗，直至雍正10年（西元1732年）事件才告平息。為紀念在此役中以黃仕遠為首的十八位義民，鄉人將其遺骸合葬於縣城西門外，題其墓塚為「十八義民之墓」。事件平定後，長官上奏朝廷，雍正皇帝深予嘉許，賜祭並予以撫卹，後由當時的粵籍監生李安善（字喬基）主持其事，興建「懷忠祠」。\n\n懷忠祠曾於乾隆51年（西元1786年）的林爽文事件中遭受破壞，至道光16年（西元1836年）左右，祠宇更趨荒廢，僅存塚墓，直至道光25年（西元1845年）方發起重建；其後於同治元年（西元1862年）因戴潮春事件而再次毀損，直至光緒5年（西元1879年）才得以重建，此次工程歷時兩年，於光緒7年（西元1881年）告竣。光緒10年（西元1884年）可能另有重修之舉。光緒12年（西元1886年）廣東省嘉應州監生李嘉棠擔任彰化縣知縣時，一度以同鄉情誼，號召附近舉人、秀才捐資維持祠務。不料後因清丈不公，引起光緒14年（西元1888年）的施九緞事件，懷忠祠可能再度遭受破壞。日治初期臺灣改隸後，曾為憲兵隊駐在所。明治末年，作為臺中醫院彰化分院使用。當時僅有一祠廟建物，廣約九十七坪大，佔地約一百四十二坪。至大正年間，廟宇建築形制為瓦葺土埆造的三開間兩進兩廊帶左右護龍平屋，廟前有魚池，其收益作為祠宇香火祭祀開支。昭和年代，祠宇日漸傾頹，徒存孤塚淒涼。昭和10年（西元1935年）彰化崇文社同仁徵募詩文憑弔並編輯成書，呼籲日本當局與地方仕紳，要妥善保存，或重建祠宇，或修葺故塚，以保存義民忠烈精神。\n\n後在民國42年（西元1953年）進行重修，惟當時正殿與後院仍遭數戶人家占用。民國74年（西元1985年）經內政部公告為第三級古蹟，並且於民國82年（西元1993年）進行重修，於翌年年底竣工，民國86年（西元1997年）隨\u003c\u003c文化資產保存法\u003e\u003e修正，依法改列為縣定古蹟。\n\n懷忠祠迄今已有二百餘年之歷史，為見證「大甲西社事件」的重要歷史古蹟，內存的「舍生取義」及「榮邁登瀛」匾額，更是珍貴的歷史文物。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係"],"registerReason":"1.《彰化縣志》〈十八義民傳〉載，題為「十八義民之墓」見證重要歷史事件，極具保存古蹟價值及必要。\n2.斗拱型成古拙少見，前有廣埕，內懸有兩匾，題為「舍生取義」、「榮邁登瀛」古匾，顯示其地方史之特殊價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、2款","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"彰化市","address":"富貴里民權路169巷2-3號"}],"longitude":120.538528994139,"latitude":24.076202451625,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/6a10f99d-6252-4834-aa98-55df054e6bd6/彰化懷忠祠01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/6a10f99d-6252-4834-aa98-55df054e6bd6/彰化懷忠祠01.jpg","name":"彰化懷忠祠01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"懷忠祠"},{"ownerType":"建築所有人","ownerName":"懷忠祠"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000017","buildingFeatures":"彰化懷忠祠坐西朝東，原為一座三開間兩進兩廊、左右護龍之廟祠建築。因歷經占用、改建與損毀，目前僅存拜殿及正殿兩部分的三開間單進建築，形成帶有前方設有廟埕之平面格局。由於原有基地周遭建築林立，且基地地坪亦較前方道路路面降低許多，為維持基地完整性，廟埕周遭環以石欄杆，其作法係以傳統花崗石材立石矮柱橫樑構成，並與道路區隔。廟埕與路面之高程差約有五階（約一公尺），使懷忠祠形成相對獨立的空間。\n\n懷忠祠建築依傳統營建法則興建，屬磚、石、木混合構造。就懷忠祠現存的建築樣貌而言，因經歷多次整建，方呈現現今所見的面貌。從建築材料的使用及施工方式觀察，其構件多有殘缺，且施工工法較為簡樸，不似臺灣傳統寺廟建築般華麗，反而顯現當初興建經費可能並不充裕。整體裝飾性部材極少，亦不見任何彩繪痕跡，大多漆上土朱紅色油漆，僅於椽條上繪有虎斑紋外，其餘部分並無其他彩繪。唯一較具裝飾性者，為墀頭盤頭上的泥塑，該泥塑係民國82年（西元1993年）整修時所製作的人物題材泥塑，仍具古樸風味。\n\n懷忠祠現存構造所使用之建築材料，仍以地方生產及容易取得者為主。在牆體構造方式上以磚砌為主，拜殿屋面與正殿相連，形成雙連馬背型屋脊形式。基礎夯實後疊砌高約30公分之卵石臺度，上接磚牆牆磚，牆磚厚約4公分，並採亂砌砌築方式施作，兩側表面再施以白灰粉刷。在門洞、門框、鳥踏、墀頭部位，仍可見清水磚面，墀頭上身部分之磚面以二皮半燕尾磚砌作，下鹼部位則以粉刷處理。屋面以傳統紅瓦鋪設，拜殿覆以不上釉之筒板瓦，廟埕則鋪設花崗岩石材。","inHouseFeatures":"拜殿為捲棚頂之大木結構，為四架二柱式，前出挑簷栱，共三挑，兩柱間以大通作為橫樑，形成穩定之框架，通下為通隨（員光、彎弓）。通上立童柱，疊以三斗，並用瓜筒與大通結合。柱與疊斗間置束仔，束仔下置束隨，其束隨亦以束仔形式出現，看似雙層束，而未做成一般束隨常見之華麗雕刻。除瓜筒做成南瓜狀並施以略微雕刻外，其餘構件皆無其他彩繪或裝飾。拜殿與正殿之間以簡單橫枋及通隨（員光）劄牽，中間屋面銜接處立一童柱，柱上承桁，桁接兩屋面之交點。\n\n正殿共用五柱十二架，正殿金柱間構架為三通二童柱，柱間並無裝飾性的束隨或彩繪雕刻。大通上置二尖尾圓童柱，童柱間置二通，二通上再立一童柱，左右設八字束仔，與中脊桁以頭巾作收。前步口置二通二童柱，每一通上各立一童柱並直接承桁，桁條下則從左側出一束仔及束尾，同樣不做束隨構材。後步口則採一通一童柱之構架方式，並自桁條處出一束仔。\n\n神龕架之構架亦以一橫枋上立一方童柱的構造方式呈現，並自桁條下方出一束仔。九架及十一架桁間的束仔下方設置一方形束隨，其餘構架間則不做任何構材。建築物內部鋪設之地坪，則遵循傳統作法以尺磚丁字鋪設。祠內柱珠造型共五種，包括最為古老的鼓狀及年代較近的束腰狀，可視為多次整建留下的歷史證物。\n\n彰化懷忠祠建築的裝飾在臺灣傳統祠廟建築中為一個特例。裝飾上並不顯眼，亦不華麗，外觀未見傳統寺廟建築常見之剪黏泥塑，內部棟架亦無精緻彩繪。在傳統建築中，木棟架往往為建築結構與裝飾的重要部分，除主體結構材多不施雕外，其他構材幾乎無處不作雕刻；然而，懷忠祠現存建築主體之木構架，其通材皆作魚尾叉。拜殿捲棚架的疊斗瓜柱與瓜筒，其瓜瓣較短，此處可見刀斧之跡。真正具備雕刻題材者僅有簷柱旁之花草雀替（托木）、神龕隔屏上的花草花罩；隔扇窗櫺之雕刻則屬複雜的雙交毬文菱花紋，橫披上則為書條紋窗，就懷忠祠建築之木雕而言，其簡單樸實的風格與傳統所見之華麗建築無法比擬。","buildingUsage":"彰化懷忠祠為傳統廟宇，保留廟宇信仰、祭祀等功能，為當地居民重要之精神寄託中心，每年舉辦春、秋兩季和中元普渡等活動，如需解說導覽請向彰化縣彰化市公所申請解說導覽。","buildingKeyMaintainItem":"1.整體管理維護狀況良好，惟請管理單位加強留意與鄰房間的環境整潔。\n2.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"彰化懷忠祠於民國74年（西元1985年）由內政部公告為古蹟，於民國82年（西元1993年）進行重修，於翌年12月竣工，其風貌以原樣保存，並開放民眾祭祀、中元普渡使用。","wenSitename":"彰化旅遊資訊網-懷忠祠","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d101\u0026chk\u003d2f89dd72-4bf7-48e5-adfd-44d5b46a42ac","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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型鋼），於接合處以鋼板加強保護木料與鋼柱的接合；施作時於鋼柱上加做鋼板固定與支撐木料，並以螺栓固定鋼板與木料，陸梁下方則加設T型鋼予以補強，在傳統建築構造中融入現代營建工法。\n\n現存於正廳的「先輩圖」，是集樂軒重要的文物之一，記錄第一代開山祖師為楊應求，第二代為張闊嘴，第三代為林綢。廳堂前左側（虎邊）仍懸掛二幅肖像照片，右邊一幅照片中的人物即為教授身段唱曲的林綢，左邊人物為負責教授步腳與走位的江清江。\n\n神桌左右兩邊各有一出入口通往右後步口與左後步口，右步口舊時提供館先生住宿休息；左步口則供處理館內事務使用。後步口後方有一出入口通往倉庫，左側倉庫存放頭飾與道具，右側倉庫存放戲服及道具。","buildingUsage":"現今作為曲館練習集會所用，除週四休館外，可於開放時間參觀，每週固定時間有北管表演，如需解說導覽可由現場駐點人員協助。","buildingKeyMaintainItem":"1.建議管理單位於祭祀木桌上加玻璃區隔，避免火源或香灰直接掉落於木桌上，減少災害可能性。\n2.集樂軒位處巷弄內，且為高度商業區域，建議管理單位平日除日常維護上，亦須注意是否有車輛或雜物遮蔽聯外道路，造成災害發生時救援不易。","buildingActualState":"彰化集樂軒於民國101年（西元2012年）指定為縣定古蹟，於民國109年（西元2020年）修復竣工，重新作為曲館練習集會使用。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文資字第1010329458號","registerDate":"2012-11-26 00:00:00.0"}],"landlotList":[{"itemNo":1,"cityName":"彰化縣","distName":"彰化市","landNo":"民權段","landSerialNo":"285","landownership":"私有","cityLandUseType":"商業區"}],"mediaImageList":[{"mediaName":" 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\n3.室內明火祭祀亦具大量用電，建議應定期檢視管線避免堆積雜物避免火星飛落。\n4.門扇劣化、木柱開裂及樑榫些微脫開，管理單位希望主管機關協助處理。\n5.各空間皆有蟻道痕跡，建議管理單位委請專業單位進行相關蟲蟻防治。\n6.建議管理單位將滅火器外塑膠套移除，以利災害時使用。","buildingActualState":"虎山巖於民國74年（西元1985年）經內政部公告為古蹟，並於民國87年（西元1998年）執行修復工程，民國91年（西元2002年）竣工，現今保存狀況良好。","wenSitename":"彰化旅遊資訊網-花壇虎山巖","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d108\u0026chk\u003dFDD36004-D3CA-4440-B324-844BD6587744","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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年）期間，兩廊撥借作為鹿港中學教職員宿舍，於右廊近正殿處增設洗手台一座，大殿左後將軍柱、步道木質腐朽，修理時改為鋼筋混凝土柱樑「落款為民國47 年（1958 年）」，民國46 年（1957年）龍山寺管理人黃秋等人倡議重修寺內建築，聘請鹿港彩繪匠師郭新林於民國47 年（1958 年）至49 年（1960 年）依序重作拜殿、正殿及後殿彩繪，民國49 年（1960 年）龍山寺成立管理委員會後進行整修，於民國53 年（1964 年）完工。\n\n民國52 年（1963 年）及53 年（1964 年）先後施作五門及戲台彩繪，並將戲台的「出將」及「入相」木架拆除，同時將五門簷柱及大通改成鋼筋混凝土柱樑，另有漢寶德教授推論民國53 年（1964年）增砌山門內側洗石子花台、民國54 年五門屋頂填土並改為舉架、民國61 年（1972 年）山門左前方增作九龍池一座。\n\n民國72 年（1983 年）12 月28 日，內政部以（72）台內民字第202452 號函指定公告為國家一級古蹟(民國94年文資法修法後稱國定古蹟)，民國75 年（1986 年）內政部主導修復工程，於民國80 年（1991 年）完工，歷經五年之久。民國88 年（1999 年）9 月21 日台灣發生芮氏規模7.3 地震，鹿港龍山寺山門、正殿發生嚴重受損，被列為需立即修復對象。民國89 年（2000 年）內政部及彰化縣政府積極規劃大規模整修，整修工作於90 年（2001 年）動工，97 年正式完工，本次修復工程歷經七年，此乃龍山寺近百年來最具規模的一次修復工程。","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"1.鹿港龍山寺是一個大型建築物，被認為是現在在台灣保存最完整的清領時期建築物。整個廟宇最重要的是其建築和雕刻。例如：五門殿前有一對精緻的龍柱，每根龍柱各有五隻鶴飛翔其上，象徵「十全十美」、五門殿兩旁的龍、虎堵石雕，均採深浮雕方式，龍堵的石雕構圖中，龍在空中騰雲駕霧，下方雕飾有二隻鯉魚，並以岩石做成禹門的造型，象徵「魚躍龍門」、五門殿正門兩旁有一幅木刻對聯，這幅對聯說明了鹿港的開港、龍山寺創寺、重興的意義等等。具是代表龍山寺所代表的歷史古蹟意義及文化傳承價值。\n\n2.鹿港龍山寺佔地一千六百多坪，為三進二院七開間的建築格局，分為山門、五門殿（含戲台）、正殿（含拜殿）、後殿。鹿港龍山寺戲台上方藻井結構，是台灣保存年代最早且最大的作品。八卦藻井設立於戲台上方，具有演戲時共鳴的效果。","lawsReference":"1.文化資產保存法第14、17、18、19、22及27條第1款。\r\n2.古蹟指定及廢止審查辦法第2至5條。","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"鹿港鎮","address":"龍山街100號"}],"longitude":120.434930662828,"latitude":24.0503663870995,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/7643/photo/I002彰化縣鹿港龍山寺(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/7643/photo/I002彰化縣鹿港龍山寺(1).JPG","name":"I002彰化縣鹿港龍山寺(1)"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"龍OO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19831228000005","buildingFeatures":"鹿港龍山寺建築配置採座東朝西，仿中國泉州開元寺規模興建，佔地1600 餘坪，為四進九開間殿堂式建築，大木作出自泉州溪底匠派。由鹿港商民集資新建，為結合民間信仰需求，其空間功能與正規佛寺以靜修兼道場的性質不盡相同，乃是介於純粹佛寺與世俗佛寺之間的寺院建築鹿港龍山寺日治時期被日方接管，由於二戰後並未形成地方信仰中心，因此未遭受如其他寺廟被「精修」的浩劫，仍保留原有外觀簡潔明朗、結構古拙樸實的建築風貌，如泉州建築特色的碗型斗、關刀栱及長條形瓜筒（俗稱木瓜筒）等構件，在五門、戲台及正殿的大木構架上大放異彩。整體建築空間由前至後依序為前埕、山門、內埕、五門與戲台、中庭、拜殿與正殿、後庭、後殿及左右二廂迴廊。鹿港龍山寺自始建三百餘年間曾二次遷建，雖歷經四個朝代無數次的浩劫，仍能保有創建時之寺貌，而成為台灣唯一保存最為完整的古代寺院，尤以建築藝術備受世界專家學者推崇。","inHouseFeatures":"山門\n鹿港龍山寺的山門為三開間建築，重簷歇山屋頂由14支木柱支撐，簷口至地面高約4 公尺，建築縱深2 公尺餘，門楣上方大木疊升斗栱高度達1.7公尺，組構簡潔明快，支承屋脊三架樑，由角樑、中脊桁及瓜柱三者構成的結構槓桿原理，是台灣傳統建築中罕見的佳作。屋頂正脊剪黏泥塑題材為牡丹、鳳凰、獅座及水族等，前後垂脊題材有八仙、呂洞賓及鍾離權等，形態栩栩如生，工藝價值極高。\n\n五門\n五門面闊七開間，其左右翼廊與前方八字牆約呈45度夾角，具圍護內埕的意象，亦使整體立面氣勢恢宏。五門前簷為單龍蟠柱，是道光11年（1831年）重修時的作品，台灣僅有兩對此種造型龍柱，另一是在屏東內埔天後宮。民國50年（1961年）五門木柱腐朽，由大木匠師施水龍先生執行整修，抽換六支木柱而以混凝土柱代之。\n五門牆身水車堵交趾陶內容為書劍江山及四書百文，無年代及落款，但由鳳山寺史料得知龍山寺交趾陶作品是於咸豐2年（1852年）至8年（1858年）重修時施作。昭和13年（1938年）五門重修由張金山先生承包，將交趾陶改為石雕作品，材料以台產安山巖（觀音山石）為主，雕刻內容有龍虎堵、博古花卉及四大天王等，其他諸如櫃檯、石鼓及門枕等部位的雕刻皆具故事寓意，雕工細緻、線條優美，為龍山寺重要文化資產。五門與戲台之另一特色是在地坪花崗石條的鋪砌變化與建築牆身構造極具對應關係，為台灣少見佳例。\n\n戲台\n戲台屋頂形式為重簷歇山斷簷升箭，屋面與五門相連並突出於中埕。屋架八卦藻井的作法是由16組斗栱上疊組構呈穹窿狀，尺寸大於宋法式標準，整體構架高度6.5公尺，直徑5.5公尺，就中國官式建築標準而言，此等尺度表徵空間具相當地位。藻井雖常見於其他廟宇，但鹿港龍山寺藻井的規模及結構美學，可稱為全台首屈一指的建築藝術作品。屋頂剪黏泥塑紋案以花草為主，垂脊排頭有仙女童子騎鶴、飛天及關羽等造型題材，前簷下方特有的大象泥塑，為鹿港土水匠師劉訓於民國50年（1961年）的佳作。\n\n拜殿與正殿\n正殿及拜殿屋頂分別採歇山重簷及歇山捲棚形式，二殿的屋頂及空間構架相連，共以52支柱子支承屋頂，為台灣傳統建築中使用最多柱子的寺廟空間。正殿中脊桁高約12公尺，屋架採舉架結構（俗稱假厝或暗厝），與拜殿捲棚抬樑構架之間搭接完美，堪稱該時期木結構建築的經典。正殿牆身構造及用材豐富，有石砌、斗子砌及清水磚砌等。拜殿的鏤雕蟠龍石柱是由船頭行泰順號於咸豐3年（1852年）年捐贈，此柱造型為清領中期台灣龍柱代表作之一。柱楹及木雕的落款分別為咸豐2年（1852年）年及「咸豐通寶」，由此推判拜殿為咸豐時期的建築。\n\n正殿與拜殿木雕多是道光11年（1831年）年李克鳩7等匠師的作品，昭和13年（1938年）年拜殿重修時由李煥美、李松林及李棟樑等匠師抽換重作部分的雀替，李氏門徒作品有拜殿前簷下方雀替、正殿神龕、後殿的門屏及神龕等，皆為龍山寺重要文化資產。\n正殿正脊脊腹剪黏泥塑為雙龍搶珠、兩端為山水及花草，脊上中央有民國76年（1987年）修復時的剪黏泥塑作品「雙龍護塔」，此塔在民國50年（1961年）重修前為五層寶塔。四處垂脊排頭有人物塑像各一座，因風化嚴重，殘蹟依稀可辨，其為披甲武裝文物坐像，但面貌以無法辨識，一般傳說為陶質「四聖朝天」的文聖張亞子、武聖關公、巧聖魯班及樂聖師曠。鹿港龍山寺自乾隆至咸豐年間的數次重修皆由日茂行林家出資倡議修建，正殿背牆上方重簷之間的牆面有「大觀在上」泥塑字樣，與日茂行古厝正廳「大觀」匾，同取其意。\n\n後殿\n大正10年（1921年）年後殿火災，僅龍邊未受波及，全部付之一炬，昭和11年（1936年）年重建五開間格局，昭和13年（1938年）完工。屋頂為單簷硬山式、前簷廊捲棚頂，興建時經費拮据，僅施髹漆，未予彩繪，這種上漆未施彩繪的風格保持至今。民國49年（1960年）彩繪匠師郭新林繪贈「哼哈二將」門神一對，三通五瓜抬梁架構由鹿港匠師黃神通施作，棟架雕刻為鹿港匠師施金福的作品，門屏為鹿港木雕匠師李煥美及李松林的佳作。後殿木料大量採用台灣山區檜木，整體構架的秩序及比例、雕刻題材及手法，皆受日本人影響，富含高度藝術價值，為同類建築所罕見。\n後殿前步口龍柱為泉州石雕匠師蔣馨之女婿張金山於昭和11年（1936年）的作品，具日治時期龍柱特色，材料為台灣北部觀音山石。後殿左右洞門兩旁牆面上仍存留深度約0.5公分的淺雕花卉圖案，為手法細膩非凡的磚雕作品。","buildingUsage":"祭祀參拜。廟寺使用。","buildingKeyMaintainItem":"寺廟火源多，應加強控管，防止災害發生。","buildingActualState":"民國88年九二一地震，龍山寺嚴重受損，為鹿港龍山寺近百年來最大的修復工程。目前已修復完畢開放民眾參祀祭拜。","wenSitename":"彰化縣古蹟暨歷史建築全球資訊網","wenSiteaddress":"http://mus.bocach.gov.tw/","govDeptPhone":"04-2217-7666","announcementList":[{"classification":"指定/登錄","officialDocNo":"72臺內民字第202452號","registerDate":"1983-12-28 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0年）擴建，道光20年（西元1840年）廈郊人捐款重修。而在乾隆至道光年間，閩客與漳泉為爭奪地盤而械鬥頻繁，使原本定居在彰化平原的漳州人與客家人，在械鬥中不敵人多勢眾的泉州人而被迫遷移他處。鹿港南靖宮雖然座落昔日繁華的埔頭街上，但是盛況已經不復往昔，目前居住在此處之居民則多數已非漳州人，而依方言或祖籍為基礎結合的人群，對其共同信仰鄉土神所興建的南靖宮，因祭祀人口稀少而逐漸沒落，但南靖宮仍舊保有其在鹿港發展歷史上的特殊地位，其價值不容忽視。\n　　\n民國58年（西元1969年）由地方商賈出資整修後殿，後因經費不足，前殿（山川門）由高雄三保宮出資整修，修建歷時兩年始告完成，今日所見的南靖宮為民國60年（西元1971年）重修後之面貌，落成完工當時亦曾舉行繞境平安入宮安座紀念慶典，其信徒代表以鹿港、福興、秀水及旅居外地之本籍人士為主。其信徒組織及活動與闔港廟及角頭廟相較之下，屬規模較小、活動力較弱之闔港廟。南靖宮於民國89年（西元2000年）經彰化縣政府指定為縣定古蹟，民國92年（西元2003年）進行重修，並於民國93年（西元2004年）7月竣工。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"清乾隆道光年間，閩客與漳泉為爭奪地盤而械鬥頻繁，使原本定居在彰化平原的漳州人與客家人，在械鬥中不敵人多勢眾的泉州人而被迫遷移他處，二百餘年來僅遺留下南靖宮這座廟宇見證著漳州人移民鹿港的過往。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"鹿港鎮","address":"埔頭街74號"}],"longitude":120.431610290607,"latitude":24.0576599710295,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/fbe54626-7a9a-486a-badd-7ac5a2ad34fd/鹿港南靖宮01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/fbe54626-7a9a-486a-badd-7ac5a2ad34fd/鹿港南靖宮01.jpg","name":"鹿港南靖宮01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"南OO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20000714000002","buildingFeatures":"鹿港南靖宮為坐東北朝西南「一坎二落一過水」的小型街屋類型，面寬一開間、進深為三殿，前後依序為前殿（山川門）、內埕中庭（含左右過廊）、拜殿、正殿及內埕、後埕等空間組構而成的狹長型平面格局，特色為面寬窄、進深長。\n\n南靖宮的屋頂，受限於建築面寬窄及左山牆為共同壁的關係，所以前殿、拜殿與正殿的屋頂形式皆為硬山式，即臺灣傳統民間建築的主要屋頂形式。前殿屋頂的屋面現況是由紅色的筒瓦、板瓦、瓦當及滴水等瓦材，和尺磚養瓦、木作椽條等構材組構而成；屋頂的正脊為燕尾脊，脊腹中剪黏鳳凰及花朵，在與屋面交接處另有剪黏泥塑四獸；屋脊上方裝飾有剪黏泥塑福祿壽三仙及雙龍。\n\n拜殿屋頂的屋面構材與前殿相同，其屋頂正脊亦為燕尾脊，脊腹正面的剪黏泥塑以花朵為主，色彩相當耀眼奪目，而脊腹背面未施脊飾，僅為粉刷。屋脊上方的剪黏泥塑脊飾為雙龍搶珠，龍首轉身朝內，較前殿龍身的體態更為生動。\n\n正殿屋頂的正脊為燕尾脊，其陰坡的垂脊亦呈燕尾狀；屋脊具有相當優美的曲線，正脊有葫蘆脊飾，另在正脊的山尖角上做龍首泥塑，表面未施裝飾貼面。在屋頂陽坡垂脊的尾端順勢做向上揚起的飛鳳，排頭設置人物山林的剪黏泥塑作品，其人物的體態及表情神氣活現。\n\n南靖宮屋身為磚造承重牆結構，左右山牆外牆面在民國60年（西元1971年）重修時，皆改為水泥砂漿粉刷。地坪鋪面部分，前殿前步口為磨石子鋪面，外埕與後埕鋪面為尺磚，採丁鋪。\n\n外觀古樸的鹿港南靖宮，與一般廟宇不同之處，在於廟門兩側的門扇並無精緻生動之雕飾，僅有簡單的紅底金字書法及門楣上方斗拱與南靖宮字樣；門神為秦叔寶與尉遲恭彩繪，是鹿港匠師王錫河之作品，其風格沿襲鹿港郭氏彩繪的風格，技法細膩且嚴謹。而在正門旁書有對聯，由鹿港文人朱啟南所撰楹聯，書法家陳百川的墨跡。","inHouseFeatures":"鹿港南靖宮因屬於街屋型廟宇，在構造作法方面，屋身兼具承重牆構造，僅以牆身支撐屋頂，屋頂採硬山擱檁式，本身除了桁木和落柱之外，並無其他縱身方向構架。該類型的屋架常見作法，通常是會在中脊桁（又稱脊檁、大樑）與山牆接合的桁下部位，設置斗拱構材以支撐中脊，亦突顯中脊桁的重要地位，但在鹿港南靖宮所有的建築屋架中卻未出現該種作法，僅在承重牆上承放圓桁及方形封簷桁，作法相當簡單。南靖宮的木構架皆為平行於建築面闊方向的構架，如前殿牌樓架主要是由屬於垂直構材的附壁柱（圓柱）、和屬於水平構材的方形枋料（門楣）搭接成結構框架，在桁與枋料之間，以三層的升及連彎材等木構件組構而成牌樓看架面。\n\n在拜殿部分，承重牆上承放有圓桁及方桁共八支（含前後封簷桁），中間兩支方桁表面有精美的彩繪畫作，其屋頂外觀雖為硬山，但內部卻為捲棚屋架。平行於建築面闊方向的木構架有前簷及後簷二組，亦是由附壁柱（圓柱）和壽樑搭接成主要的結構框架，在屋桁與壽樑之間有桁引及駝峰等補間構材，壽樑下亦有雕工細緻的捲草雀替，這些構材的形體、彩繪及漆飾的方式，與前殿後簷的木構架近似。拜殿後柱橫架的作法更為簡單，屋桁與壽樑之間無其他構材，但壽樑彩繪的花鳥人物畫面卻繪製得相當細膩。\n\n正殿屋桁共十三支（包含前後簷口桁），其中僅有中脊桁和橫向構架上方的屋桁為圓桁，其餘者皆為方桁。正殿與前殿牌樓架的作法相同；至於正殿瓜樑結構、神龕等雕刻，則是由薪傳獎兩位大師李松林、李秉圭父子施作；正門兩旁對聯，為鹿港文人朱啟南所撰；廟內天井的左邊書法是鹿港書畫家王漢英的墨寶，右邊則為鹿港書畫家王重五之作品。地坪鋪面部分，前殿、左右迴廊、拜殿與正殿皆為磨石子，內牆牆面為石灰粉刷。\n　　\n鹿港南靖宮正殿主祀關聖帝君，廟方敬稱為伏魔大帝，正殿兩側供奉關平太子與周倉將軍，為護法將軍隨伺左右；內部亦配祀文魁星君、謝府元帥、馬爺公與赤兔馬，以及神器青龍偃月刀。正殿上方所懸匾額「義凜春秋」，是近代鹿港書法名家歐陽錦華，於民國59年（西元1970年）南靖宮重修時所書，而「義勇凌雲」匾額則是民國60年（西元1971年）整修竣工後，廟方祈安祭典時，由陳百川所題寫。","buildingUsage":"本縣定古蹟為開放空間，對外開放祭祀參觀，並於農曆元月十三日及六月廿四日辦理慶典活動。","buildingKeyMaintainItem":"1.整體插座及電線有老舊之情事，建議管理單位確實留意新舊汰換與整理。\n2.整體建物應定期留意使用情形與日常維護，避免過度損壞。\n3.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"鹿港南靖宮於民國89年（西元2000年）指定為縣定古蹟，並於民國93年（西元2004年）完成修復工程，其建物狀態保存良好，全天開放民眾參拜。","wenSitename":"彰化旅遊資訊網-鹿港南靖宮","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d115\u0026chk\u003d900F0FC3-FA14-4450-999D-01F61CA94D85","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"89彰府民文字第132763號","registerDate":"2000-07-14 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01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"鹿港鎮"},{"ownerType":"土地所有人","ownerName":"彰化縣"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20000714000003","buildingFeatures":"公會堂建築為近代新興的建築形式之一，主要作為公眾集會的場所，並由公共團體來負責管理，建築物須符合各種集會或舞臺表演所需，是一種具有多元使用的建築形式，為了滿足公眾集會的需要，公會堂建築常設有一個以上的大型集會空間、表演活動所需的準備室、入口諮詢處等，鹿港公會堂為鹿港街的公共設施，規模上比起位於彰化郡行政中心的彰化公會堂略小，但也反映了鹿港街在彰化郡的重要區域地位。\n\n鹿港公會堂為一座兩層樓建築，建築物以長軸為中心左右大致對稱，平面及開窗形式受文藝復興時期歷史樣式的影響，採用接近對稱形式，窗戶因為開口部寬度小而採上下推拉窗。建築立面的裝飾則受「Art Deco」風格的影響，重複簡單且幾何形式的元素，但在一個受到近代裝飾風格影響的建築上，卻安排了日本傳統「入母屋」形式的屋頂，在山牆的地方開了兩個圓形的牛眼窗，增加屋架層的採光，這一點在傳統入母屋屋頂中極為少見。另外傳統的入母屋屋架採木構，但受到近代工業化的影響，屋頂形式雖仍維持傳統樣式，但內部結構已採鋼屋架，屋瓦則為日本瓦。二樓露臺為鋼筋混凝土構造平屋頂，樓板外緣則為女兒牆，高度剛好可作為扶手使用。\n\n鹿港公會堂牆體結構為磚造承重牆系統，正立面的磚砌排列為荷蘭式砌法，左右側立面磚牆大致以法式砌法為原則。建築立面主要以洗石子及灰漿粉刷兩種表面裝修為主，為了塑造仿石造建築的質感，外表使用洗石子裝修材，屬於「平面洗石子」，表現在臺基、柱身、拱廊與女兒牆，使用的石材粒料為「玫瑰石」及「黃石」，兩者在臺灣皆較為少見，亦可能是由日本內地所進口，這兩種用料皆屬於較昂貴的洗石材。灰漿粉刷分布在二樓露臺牆面上半部，水泥砂漿粉刷分布於鹿港公會堂正立面、背立面及二樓右側露臺上半段牆面。\n\n由「鹿港公會堂記」的記載中可以發現拆除王爺廟所得的磚塊及木料有部分作為興建鹿港公會堂的材料，這部分舊材再利用仍可在鹿港公會堂內發現，舊磚的部分多用在鹿港公會堂後側的磚牆，尺寸大小不一，與日治之後規格化的磚塊相差甚大，而木料部分則用在屋架層作為吊天花的構件，這成為鹿港公會堂與廈郊王爺廟之間最微妙的轉換，除了繼承了王爺廟的腹地之外，更讓王爺廟的建築材料得以具體呈現。","inHouseFeatures":"鹿港公會堂建築物較周圍基地抬高，入口以五層的階梯引領人們進入玄關，玄關左右兩側各有兩間房間，這兩間房間原應作為諮詢處或辦公空間使用，玄關之後即為原來的集會堂，集會堂挑高二層樓，一樓的兩側各有三個門通往半戶外的廊下，再以階梯通往室外，二樓的部分每側開有五扇雙開窗及一扇單開窗，增加集會堂內的採光。舞臺則安排在建築最底側，同樣挑高約二層樓。鹿港公會堂舞臺兩側並未安排控室，這在其他案例中並不常見，倒是在舞臺階梯旁設置了兩間房間，這兩個房間很有可能作為類似其他公會堂舞臺兩側的控室，但就服務動線而言，這樣的平面安排似乎不盡合理，也就是因為使用上的不方便，日後鹿港老人會陸續在舞臺左右兩側進行增建，以作為表演用具、儲藏室及表演者休息更衣的空間。\n\n通往二樓的樓梯間位於玄關右側，二樓平面除了樓梯間之外，尚有一個等同於一樓玄關大小的空間，可俯瞰整個集會堂，推測為原來小型集會及矮座包廂使用，而與樓梯間對稱的另一間房間應為原來的控室，樓梯間與控室皆有門通往室外露臺，露臺為觀賞鹿港老街街景的重要視點。\n\n鹿港公會堂屋架採Cambered Fink形式的鋼桁架，但中間多一根垂直桿件，桁架一共有八架，鋼桁架以L型鋼為基本構件，為配合「入母屋」形式的屋頂面，山型桁架的左右兩側構件中間有一轉折處造成彎曲效果。一樓集會堂上方的天花板為木夾板天花板，天花板上留有圓孔為屋架層的通氣孔，入口玄關及兩側辦公室以及左右兩側陽臺的天花板構造則為灰泥粉刷層上漆；二樓使用木板夾灰泥形式天花板，分布於舞臺上方及二樓上方。內牆牆面以灰泥粉刷為主，僅於踢腳位置施作洗石子。鋪面構造部分，一樓室內地磚的選擇上，採用了臺灣傳統建築常見的六角釉面磚，在目前所見臺灣各地公會堂案例中，並未見到以地磚作為集會堂地坪鋪面的案例，成為鹿港公會堂的特色之一，也有可能為原王爺廟的舊材再利用。一樓鋪面除了六角釉面磚外還有水泥粉光及磨石子，磨石子地坪分布於入口玄關、舞臺階梯，水泥粉光的地坪則分布於兩側陽臺。二樓地坪鋪面介於磨石子與水泥砂漿粗磨之間，並沒有刻意研磨使之非常光滑，因此經過長時間風化與人行步踏後，地坪表面的碎石粒清晰可見，同時一般磨石子地坪會依隔間尺寸放樣定墨線，並預埋木格條於墨線上做分割，但鹿港公會堂二樓的磨石子則無此作法，屬較為特殊的施作方式。鹿港公會堂混合著西方近代裝飾語彙及日本傳統屋頂，室內再配上臺灣傳統地磚的組合，相較臺灣其他各地公會堂，鹿港公會堂確實帶有特殊的混血性格。\n\n鹿港公會堂入口處右側有一木匾，為日治時期興建寄附者的芳名錄，以及鹿港人莊太岳書法撰寫「鹿港公會堂記碑」，鑲嵌於公會堂入口處左側牆上，是鹿港公會堂重要的史料紀錄。","buildingUsage":"目前作為鹿港藝文館使用，主要將一樓作為展覽空間定期辦理各類藝文展覽。","buildingKeyMaintainItem":"1.整體建物較潮濕，壁面及地磚皆有白華狀況，建議可維持室內通風或使用除濕機。\n2.二樓有漏水情況，請管理單位持續追蹤，若有異狀應即時通報主管機關。","buildingActualState":"鹿港公會堂於民國89年（西元2000年）指定為縣定古蹟，民國112年（西元2023年）修復完成後作為鹿港藝文館使用，開放民眾參觀。","wenSitename":"彰化旅遊資訊網-鹿港公會堂","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d97\u0026chk\u003da07c2d0c-670e-4e9f-8fae-b602563c4f91\u0026param\u003dpn\u003d8\u0026item\u003d","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"89彰府民文字第132763號","registerDate":"2000-07-14 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、柱身、柱礎等部分，除於廂房下半部臺基使用石材、上部牆身為斗子砌面磚外，三川殿、正殿外牆均為磚牆疊砌。廂房、四柱亭則為鋼筋混凝土造。\n\n武廟正殿前有一口古鐘，為昭和5年（西元1930年）由鹿港士紳黃禮永、許梅舫等人所敬獻，是武廟的重要文物。武廟旁有一塊日治時期所立之「忠魂碑」，係日人為供奉因公殉職軍警所立的紀念碑。","inHouseFeatures":"文開書院三川殿屋架採對稱配置，為疊斗式屋架，在構架上採用清官式順扒樑系統，在前後七根柱中結合了前拜堂、拜廊及前堂背側的機能。拜殿（前拜堂）為捲棚形式，形成前堂帶軒的格局。後堂為六柱十三架樑構成，前簷廊採捲棚構架。廂房以瓜柱成桁，構造形式簡單，構件無彩繪及雕刻裝飾，木料則運用於桁、門及構架，以杉木為主要材料。文開書院內牆以白灰粉刷及紅磚砌築為主，地坪鋪面明間多為斜鋪或六角磚鋪設，次間多為丁鋪，主次空間作法略有不同。\n\n文開書院三川殿旁有一塊道光27年（西元1847年）「公業條款」碑，此碑敘述鄧傳安及陳盛紹二位鹿港同知為文開書院籌建田租，作為書院經費來源，兩旁廂房為昔日學生自習讀書的地方，後堂則是昔時書院山長（院長）起居的空間。書院空間配置強調中軸對稱，回字型之左右廂房將正殿環繞其中，並於主軸設置御路，達到強調神聖莊重之特性。\n\n文祠三川殿由四柱十一架樑構成，為疊斗式構架。正殿則由五柱十五架樑構成，同為疊斗式構架，以瓜筒承接兩層疊斗，於四架桁下的牌樓看架以一斗三升承桁；四點金柱看架為七架樑的疊斗式構架，採對稱配置，大通樑上置直徑60公分的瓜筒承接四層疊斗，為一般少見的作法。廂房屋架部分有抬樑式及穿斗式兩種構築方式，抬樑式屋架以三柱八架樑構成，穿斗式則為四柱八架樑構成。兩種形式皆做出舉拱出簷。\n\n內牆牆體以白灰粉刷及紅磚疊砌為主，三川殿左右兩側牆設置石雕碑文，為重修文武廟之事紀，分別是嘉慶24年（西元1819年）「重修文武兩祠碑記」及光緒8年（西元1882年）「重修文祠碑記」碑文，是文祠、武廟的重要文獻。地坪鋪貼皆以紅磚斜鋪，山門次間則採丁鋪，其餘空間的地坪以人字鋪、斜鋪及丁鋪為主，鋪面材料為瓦質紅磚。\n\n武廟於民國58年（西元1969年）進行大規模整修，於構造上雖歷經改建，但整體結構型態仍以承重牆及木構架為主。三川殿為面寬三間、進深三間，為七架屋桁，背側屋脊為捲棚。正殿亦為面寬三間，進深十五架，為武廟主要的祭祀空間。廂房內部維持傳統風格，做有木棟架。四柱亭為仿木構造形式的捲棚構架，通樑上立短柱成桁。配殿聯繫正殿與廂房，採硬山擱檁作法。\n\n內牆牆身則為白灰粉刷，地坪部分以斜鋪及丁鋪兩種方式呈現，三川殿、左右過水廊採六角磚鋪設，正殿、中庭及四柱亭則以方形斜鋪為主，其餘空間則採瓦質尺磚做丁鋪。\n\n武廟的三川殿並無門神彩繪，符合官祀廟宇的風格。目前正殿內有嘉慶16年（西元1811年）「藻耀海天」與咸豐4年（西元1854年）的「峻極于天」匾，是武廟的重要文物。","buildingUsage":"本古蹟為開放區域，為遊客參觀祭祀及教育活動使用之場所。\n武廟主祀文衡聖帝（關聖帝君）、文祠主祀文昌帝君，右廂房為園區駐館人員辦公室。文開書院正殿供奉至聖先師與七賢士牌位、後殿為藏書與置物空間，左廂房第一間作為漢學與碑刻保存中心、第二間為文開詩社教室、第三間為鹿港文人作家展覽空間，右廂房第一間為鹿港南區遊客中心、第二間為文開詩社教室、第三間為長青樂齡茶藝室與倉庫使用。如需導覽人員解說，可向設置於文祠內南區旅遊服務中心預定時間，以安排志工進行導覽事宜。","buildingKeyMaintainItem":"1.多處牆面、屋頂有植生竄根、屋頂落葉堆積，建議管理單位應定期巡視、清除。\n2.此棟建物修復工程已於民國113年（西元2024年）1月10日決標，後續施工期間敬請施工單位與管理單位應持續進行日常管理維護，並務必遵守施工安全規範。","buildingActualState":"鹿港文武廟於民國74年（西元1985年）經內政部公告為古蹟，現辦理彰化縣縣定古蹟鹿港文武廟修復工程案。","wenSitename":"彰化旅遊資訊網-彰化文武廟","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d105\u0026chk\u003dF13EE2AC-03EB-4F6D-89F4-0C6C3F825658","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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瓦和筒瓦，簷口以滴水瓦當收邊。其簡潔的裝飾，在早期講究繁複裝飾的閩南寺廟建築中較為少見。\n\n地藏王廟為磚、土、石、木等混合構造，原構建木料為檜木和福杉，以實體大腳磚與灰泥疊砌成承重牆體。地坪則以尺仔磚和石板條鋪成。廟埕則有一條水溝斜斜貫穿，除排水功能外，亦隱含風水考量。","inHouseFeatures":"鹿港地藏王廟的構架大抵以抬樑式為主，只有正殿兩側山牆的附壁式構架是採用穿斗式型式。此種抬樑式與穿斗式並用的構架型式且構造簡潔，樑柱裝飾較少，為講究裝飾的傳統寺廟建築中少見的個例。地藏王廟的所有通樑雖都做卷殺，但柱子卻不做梭柱，而以簡潔的直柱支承構架。利用前後點金柱的移動，使硬山式屋頂的桁條成奇數、捲棚式屋頂桁條成偶數，各殿的架構型式因而產生四點金柱間相反的桁條架構數，富有變化。\n\n三川殿為進深總計九架桁的三間起空間，中脊位於前方起算的第五架桁處，而前點金柱位於第四架桁處，後點金柱位於第七架桁處，形成前後二根金桁所在位置。這種對應中脊並不對稱的四點金柱門廳空間，乃三川殿的門廳為了達到廟宇前高後低的需求，而將前點金柱往後移動一步架的做法，形成四點金柱間成偶數桁條的構架型式。拜殿和左右廊皆為捲棚式屋頂，且同為六架桁的構架空間。\n\n地藏王廟之裝飾非常樸實，僅在樑柱交角上飾以透雕的托木花材，或在通樑、束隨等處，飾以簡易的雲紋、螭虎或花草飾紋而已。而三川殿的步口空間則為全座廟宇中裝飾最華麗的所在。步通和束仔底下伴有雕飾的員光和束隨，而且在步通頂上中央立有一金瓜筒，上承二疊斗的瓜柱，亦為全寺中唯一表面雕有瓜痕的瓜柱。\n\n正殿為總計十二架桁的三間起祭祀空間，構架主要分為中央明間的抬樑式架構與左右次間的附壁穿斗式架構。中央前後點金柱間的抬樑式構架為五瓜三通式。次間附壁柱的穿斗式構架為明間抬樑式的變形；相較於明間五瓜三通的架桁式脊瓜柱上不做疊斗，而以直達地面的整根中脊柱所取代。且由於脊瓜柱不做疊斗，亦取消墊托脊瓜柱的三通樑，瓜柱與通樑在附壁式架構上皆改以矩形材，瓜柱底部平齊於通樑底，柱身角緣並無施作凹混線腳邊框。\n\n正殿神龕的花罩裝修為全廟最華麗的地方。神龕分三港，其中以中港較寬大，左右邊港較小。右港花罩由於寬度不同，故裝修內容亦稍有不同；中港不只中間呈凸字形的鏤空處較寬大，且鏤空上緣的框格較多，連其兩旁仿格扇門式的隔間做法也較大。所謂仿格扇門式隔間，係指隔間的裝飾內容亦如格扇門般，由上而下分有縧環板、槅心、腰華板和裙板等製作型式。格扇門為中國傳統門作之一，其用意是使門具有半穿透的採光和視覺效果，因此其中槅心設有各式透雕的圖案或欞格。而地藏王廟花罩兩旁隔間之槅心則透雕有吉祥的螭虎圖案。此外，中港為求造型變化，不僅加大仿格扇門的隔間比例、縮小腰華板、加大裙板，且將裙板由中分隔為二。而這些由邊梃和抹頭分隔出的各部位，都以梟混線腳框邊裝飾。除槅心外，其中縧環板和腰華板板面皆飾以淺雕的螭虎和花草圖案，其餘則施以彩繪。\n\n地藏王廟曾歷經多次整修，彩繪主題及書法之繕寫結合各種廟宇意涵，如以主題呈現之二十四孝、忠孝節義、四愛與吉祥意涵之各種圖幅，以及與地藏王廟之宗教意涵相關的主題內容，書法撰題上亦以地藏王廟相關之揚頌、寓意為主。尤其在書法表現上，主要為鹿港在地文人雅士之作。","buildingUsage":"廟宇建築狀況完整，目前對外開放，並供香客參拜。","buildingKeyMaintainItem":"1.甫完成彩繪修復施作，並交由管理單位維護，後續將持續由「彰化縣文資防護專業服務中心」進行定期巡查工作。","buildingActualState":"鹿港地藏王廟於民國74年（西元1985年）經內政部公告為古蹟，於民國115年（西元2026年）完成全廟彩繪修復，現今開放民眾參觀參拜。","wenSitename":"彰化旅遊資訊網-鹿港地藏王廟","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d106\u0026chk\u003dFE273500-21F7-4EEB-96C8-BE80C2DF752C","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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品，獅座為青斗石雕，為清中葉的經典作品。","inHouseFeatures":"鹿港城隍廟的正殿，面寬三開間、進深五間，是屬於「十二架五柱式前帶軒」的構造格局，四點金柱居中，明間（正路）「界內」得七架桁檁，屬三通五瓜式之抬樑式架構。正殿棟架的大通、二通、三通上均置木瓜造型之銼瓜筒，所有瓜筒均採木瓜筒，開鼻典雅，筒面又施「壓地隱起」雕刻圖案，整個造型順暢、造型優美，為泉州派工匠之特徵。正殿棟架另一特徵是中脊桁下的頭巾造型加大並升起、將中脊桁安穩地包住，其下之「斗抱」又與瓜筒之瓜串結為一體，三者密切契合於三通上，這種作法類似「騎樑栱」，可以增加中脊的穩定，亦具有調整屋架高低的功能，此種作法於臺灣傳統建築中較少見，亦為泉州派匠師喜用之手法。\n\n正殿二側次間之山牆，皆未置附壁棟架，使屋頂桁架直接擱放於山牆頂上，可避免木材受潮腐壞亦兼具結構性；而兩端山牆略高於明間木構架，在立面造型上可營造出屋面升起之形象，有助於屋面向內凝緊收束。\n\n後殿的造型比正殿更為儉樸，各種用料也顯得纖細，採用「穿斗式」構架；後殿面寬亦為三開間，進深四間，是屬於「十二架五柱式前帶軒」的構造格局。後殿與正殿相同，屋面構造屬「擱檁造」工法。後殿構架中，明間界內（架內）共得七架桁，其承接處亦見如同前殿採用「騎樑栱」之作法，為泉州匠師的手法。後拜殿為捲棚式構架，其棟架屬一通三瓜筒之作法，在大通上立三支瓜筒的作法較為少見。\n\n鹿港城隍廟中保存諸多歷史文物，廟內柱聯書有「為善不昌，祖有餘殃，殃盡必昌；為惡不滅，祖有餘德，德盡必滅」、「天知地知子知我知，何謂無知；善報惡報早報遲報，終需有報」。此外，另有一件道光19年（西元1839年）落款的忠祐侯展耳石香爐。另廟內保存有一件青花海水波濤龍紋筒式爐，爐身有銘款，由右至左書有「鰲亭宮」，上款「道光卄一年辛丑歳次桂月吉旦」，中行「城隍爺座前」，下款「晉邑蚶江弟子紀茂記敬奉」，具有江西景德鎮窯之特徵。\n　　\n正殿主祀城隍，城隍受封為「忠祐侯」，神龕上方「燮理陰陽」匾，訴說城隍爺職責為掌管陰陽兩界。兩旁供奉北斗星君與南斗星君，分別是文判官與武判官，殿內另配祀二十四司及范謝將軍。後殿為觀音殿，主祀觀音菩薩，又稱「鰲亭寺」，兩旁供奉城隍夫人、註生娘娘、文昌帝君及開山和尚蓮座。","buildingUsage":"鹿港城隍廟為廟宇建築，主要提供信徒參拜，由鹿港城隍廟管理委員會管理使用。","buildingKeyMaintainItem":"1.因雨季即將來臨，建議管理單位針對排水系統做檢查和疏通，並且持續觀察漏水點，如有風災或大雨驟降漏水嚴重，再請管理單位立即通報主管機關；如遇風災或大雨也可在漏水處上方先行搭設棚架，做暫時性防止，若須做棚架仍須先會知主管機關。\n2.致災因子相關物品，例如，金紙、線香、油與點火爐。油品目前放置於後殿廊道上堆置，建議應移除；建議金紙盡量統一放置且距離蠟燭、香爐等有一定距離。如相關物品需求量大，建議於每個堆置點旁皆放置滅火器於明顯位置，以利防災。\n3.有多處壁面、柱身有黏、張貼公告，已與管理人宣導文授資局蹟字第11430009311號函公文內容，建議管理單位後續須公告事宜可利用立牌宣導，以免黏膠等影響文化資產本體。\n4.建議管理單位將滅火器的塑膠套拆卸下來，並將滅火器置放於明顯位置，以供緊急所需。","buildingActualState":"鹿港城隍廟於民國74年（西元1985年）經內政部公告為古蹟，後於民國103年（西元2014年）進行修復工程，民國104年（西元2015年）竣工，廟宇建物狀態良好，全年開放民眾參拜。","wenSitename":"彰化旅遊資訊網-鹿港城隍廟","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d103\u0026chk\u003d64BD367E-1974-4B9B-9B9C-D267206FC553","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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後對稱配置桁數，但構架上的前點金柱卻位於第二架下。\n\n興安宮的大木構造，主要特點除桁條和橫向構材以外，其餘皆採附壁的大木構架形式。柱為圓木柱，下有石質柱珠；柱珠全都是圓柱形或缸形。附壁柱本身亦兼具承載及加強壁體的機能，可防止地震時純壁體的受害程度。同時，依傳統建築之構架原則，講究以中脊或捲棚式的頂椽為主，在前後金柱間形成左右略為對稱的步架數。興安宮各殿則分別將前金柱縮入一或二步架，使各殿形成前短後長、前高後低的空間。興安宮雖採附壁柱棟架，但其前殿和拜殿仍採用了「破口式」和「偷心造插栱」等構造形式；而且樑上短柱亦皆做成上承疊斗的瓜柱形態，整個棟架上的通樑、通隨、束仔、束隨亦都有裝修和雕飾，並未因採附壁形式而有所簡化。通樑上為使圓卵形的樑端能收束成矩形榫頭，以便插入柱中榫孔相接合，因而在樑端形成近似三角形的弧線；此種作法亦出現在興安宮前、後殿所有的通樑上。在鋪面部分，除簷口砛石及大門門檻底採鋪條石板外，其餘皆以紅板磚鋪成。步口空間採水平錯砌鋪法，而門廳空間則採對角鋪砌法；丹墀因直接露天，故鋪設石板。\n\n\n興安宮前殿的牆面有一塊光緒13年（西元1887年）的「奉憲勒碑」，內文敘述興安宮的廟產，記載自同治年間戴潮春事件後，廟產陸續有被竊佔之虞；碑文告示租用興安宮祭祀公業之屋舍者，應依租納稅，廟方董事將秉公處理，並辦理廟務暨春秋二祭。另外重要的文物，還有咸豐2年（西元1852年）廟宇重修時，由仕紳敬獻的「奠安山海」匾，此匾左下方有一鈐印，其上書「興安會館」，說明了興安宮曾為興化人的同鄉會館。","buildingUsage":"經修復後廟宇建物狀態良好，除辦公空間或其他機能空間外，全區皆開放給民眾參觀或參拜。另於重要節日辦理祭典：\n農曆三月廿三日（天上聖母聖誕千秋大祭典）\n農曆五月初五日（鹿港慶端陽大活動）\n農曆七月初九日（興安宮普渡大祭典）\n農曆九月初九日（天上聖母飛昇紀念日大祭典）","buildingKeyMaintainItem":"1.修復工程完竣後，建議管理單位應定期留意使用情形與日常維護。\n2.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"鹿港興安宮於民國74年（西元1985年）經內政部公告為古蹟，並於民國114年（西元2025年）完成修復工程，開放以供民眾參拜。","wenSitename":"彰化縣政府旅遊資訊網－興安宮","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d107\u0026chk\u003d49b8933f-e953-461b-8cea-a3bebad31ef3","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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修後恢復尺磚斜鋪、拜亭與正殿則保留後期施作之六角磚形制。中庭的鋪面則為四邊斜四十五向中心集中式，與焦點處形成「卍」字作為核心，取其「人丁興旺、萬年長壽」之意，並有引導四方來者同聚於此之隱喻。\n\n鹿港金門舘內部正殿的四面牆堵彩繪為陳壽彝的作品，四面牆的故事題材為四聘，分別是三顧茅廬、堯聘舜、成湯聘伊尹、文王聘太公。四聘為臺灣廟宇裝飾中相當常見之題材，其意涵代表聖德明君禮賢下士聘請賢人之意，有引人懷古思齊之意。此四聘圖像雖為民國88年（西元1999年）重修所新繪，但不減其藝術價值，人物表情生動，服飾皺褶等細節處理得維妙維肖，為陳壽彝的傳世之作。\n　　\n舘中有其他重要的歷史古物，如門額上「金門舘」，應立於清領末期改名時；嘉慶10年（西元1805年）許樂三建舘時落款的「浯江舘」匾，現懸掛於正殿門楣上；道光14年（西元1834年）左營游擊劉光彩敬獻「過化存神」匾，亦保存於正殿中，為鹿港金門舘內最古老的匾額。另外，「重建浯江舘碑記」石碑記錄金門舘重修過程，是由當時負責監造的開臺進士鄭用錫所立，另外咸豐5年（西元1855年）再次重修時刻立的「捐題緣金碑」，皆為研究廟史的重要史料。","buildingUsage":"因第一期工程已於民國112年（西元2023年）11月驗收完成，目前正進行第二期相關工程，為顧及安全暫不對外開放。","buildingKeyMaintainItem":"1.第一期工程施工之建物剛修復完成，無損壞問題；管理單位表示等第二期工程完成後才會重新開放；敬請管理單位依現況持續進行管理維護工作。","buildingActualState":"鹿港金門舘於民國89年（西元2000年）指定為縣定古蹟，於民國112年（西元2023年）完成第一期修復工程，現正進行第二期工程，暫不對外開放。","wenSitename":"彰化縣政府旅遊資訊網－鹿港金門舘","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d110\u0026chk\u003d9CEC0A9B-D69C-4465-810F-DF1837E5E9DD","govDeptPhone":"04-7292201","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1110135443號","registerDate":"2022-04-18 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年（西元1958年）鹿港鳳山寺正殿因中脊塌落，進行一次大修復，民國70年（西元1981年）則針對損壞構件進行修補，聘請當時名匠王錫河重新彩繪。翌年再進行一次比較徹底的整修，並重建左廂房安置原萬春宮的諸神明，同時再將蘇府王爺神像移至左廂。此次大整修據說一些構件與大木料之取得，是由興工中的鹿港龍山寺的剩餘材料所提供，大整修後的鹿港鳳山寺仍保持兩進街屋式廟宇空間，幽雅深邃。民國79年（西元1990年）拓寬德興街時，為保存三川殿的建築及牆面的交趾陶，拆除中埕，將三川殿移至後方與正殿相鄰，形成目前正殿與三川殿相鄰的廟貌。中埕牆面書法對聯，係咸豐9年（西元1859年）慶昌陳宗潢的墨跡，可惜已於民國79年（西元1990年）拆毀。民國89年（西元2000年）經彰化縣政府指定為縣定古蹟。受九二一地震影響，建築本體及棟架出現歪閃、位移情形， 民國91年（西元2002年）進行修復計畫工作，民國97年（西元2008年）修復完工，於民國105年（西元2016年）遇回祿之災，於民國113年（西元2024年）完成修復。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"1.鹿港鳳山寺與鹿港的發展具密切關係，為道光年間南安籍移民所建之廟宇，奉祀原鄉廣澤尊王，為地方開發及移民史之具體例證。\r\n2.鳳山寺雖非雄偉建築，卻能突顯其小而精美，其格局完整，石雕、木雕刻工精細，寺中保存之古物甚多，建築本體保存良好。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"鹿港鎮","address":"德興街26號"}],"longitude":120.434436718007,"latitude":24.0520290459516,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2025-11-04/ea68a589-94fe-4d35-9625-74a67ecfbb5a/鹿港鳳山寺01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2025-11-04/ea68a589-94fe-4d35-9625-74a67ecfbb5a/鹿港鳳山寺01.jpg","name":"鹿港鳳山寺01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"鹿OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO"},{"ownerType":"土地所有人","ownerName":"方OOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20001025000003","buildingFeatures":"鹿港鳳山寺為二進（三川殿、正殿）格局，左側另有一配殿，現存之建築形制雖為民國79年（西元1990年）部分拆遷而成，但仍完整保存三川殿、正殿等建築單元，其建築構造多保持原貌。\n\n鹿港鳳山寺三川殿屋面為單脊，脊堵裝飾為交趾陶燒製的魚躍龍門、花草和麒麟，其造型古樸簡單。正殿屋脊為一條龍的燕尾脊作法，有簡單的花格磚裝飾，脊頂兩側有雙龍剪黏。屋頂屋瓦皆為素燒筒板瓦鋪設而成，三川殿前坡有滴水及瓦當，作為屋面洩水與裝飾，正殿及左配殿則以出簷磚洩水。牆身構造係以紅磚及花崗石為主要建材，兩側山牆以紅磚疊砌而成，臺度表面貼有石材，牆身則為白灰粉刷或貼面磚。整體看來，三川殿面寬雖窄，但兩側壁堵和屋脊有精彩的交趾陶、泥塑作品，牌樓面、棟架上有木雕裝飾，創造出三川殿入口立面的豐富華麗感。左配殿緊臨正殿，面寬較正殿窄，但進深則較正殿長。左配殿進深大於正殿之情形與傳統尊卑倫理相悖；主要是正殿前拜亭因配合道路拓寬，在民國79 年（西元1990年）遭拆除，方造成此種現象。\n\n三川殿前步口兩側牆體對看堵左右對稱，由上而下依序為墀頭、水車堵、頂堵、身堵（龍虎堵）及基座；墀頭處凹入並擺上小石獅一對。從三川殿壁堵落款可知，至少其一為泉州晉江名匠蔡騰迎之作，蔡騰迎匠師於咸豐2年（西元1852年）由中國晉江來臺，並於咸豐6 年（西元1856年）製作三川殿交趾陶。壁堵交趾陶的部位分別位於對看堵及龍虎堵處；對看堵之頂堵左側落款「飛鳶」文字，右側落款「魚躍」文字；身堵為博古題材之交趾陶。龍虎堵包含頂堵及身堵，頂堵以象徵吉祥的花鳥為題材，身堵則依「左龍、右虎」之規制製作圖案，因災損後已仿作復原。\n\n步口牌樓面門扇為整排的門扇，牌樓面佈滿木雕及彩繪，「鳳山寺」匾即正懸於大門口門楣上方。中門兩側門楹各書寫門聯，門楹前方置石獅一對，小港門門楹則用門枕石；整體而言，三川殿尺度雖小，但各種巧妙的裝修手法卻將立面裝修顯得格外華麗且豐富。三川殿與正殿的彩繪與木構造部分因受回祿之災毀損嚴重，皆為仿作復原。\n\n鹿港鳳山寺石材裝飾不多，僅見於三川殿的石獅、門枕石以及左配殿的石獅，皆為清領時期舊物，而三川殿入口階梯兩旁，則是廟方另置新作石獅一對（修復後已移至配殿入口處）。三川殿中門門楹石獅及小港門門枕石皆為青斗石材質。","inHouseFeatures":"鹿港鳳山寺僅三川殿有木棟架構造，正殿及左配殿主要承重結構為紅磚牆，上置楹木。三川殿棟架採穿斗及疊斗式並用，再以附壁柱連接牆體，呈現出單開間之建築形式；以「徹上露明造」，空間內部不作天花板。前、後步口各有附壁柱一對，門板與左右牆體相接處亦以附壁柱銜接，屬「三柱五架前後出挑」之作法。\n\n三川殿雖為單開間，但明間中門門楹上方增置兩組疊斗，前後出挑，增加三川殿立面視覺上的變化。中柱直接承接中脊，前後步口各得兩架，前後對稱；作法上仍有些許變化，如明間前後步口棟架通樑為矩形斷面，上置獅座；前步口次間附壁柱棟架通樑則為圓形，改置象座。但因三川殿無檐柱，直接由步通穿越牌樓面，出挑接吊筒；形成鹿港鳳山寺特有之棟架風貌。\n\n正殿入口則與三川相互呼應，亦為三門六扇木製隔扇門，明間兩扇較大，左右次之。正殿隔扇門具有半穿透及採光等視覺效果，門扇除身堵隔心為直櫺窗，具穿透性外，其餘部分皆為實心門板；門楣上方則是補間鋪作。\n\n鋪面部分主要空間（三川殿、正殿、配殿主祀處）以尺磚鋪設為主，整體空間僅配殿前側迴廊空間地坪則為六角磚；無法藉由地坪鋪設方式分辨空間主次差異。鹿港鳳山寺之紅磚地坪於民國97年（西元2008年）修復時，正殿地坪全面更新，其餘空間均屬舊料（紅磚及石砱）採清洗修復方式保存原貌，於民國105年（西元2016年）災後整體來說尚稱完整。\n\n鹿港鳳山寺保存二塊古碑，坐落於三川殿後步口龍虎堵壁面，分別是道光10年（西元1830年）「鹿港新建鳳山寺碑記」，此碑由選拔進士廖春波所撰，增生董步雲敬書的墨跡，為石製，現於外側立一玻璃隔屏，作為石碑防護。另一碑記為大正15年（西元1926年）鹿港街長陳懷澄撰書「重修鳳山寺碑記」，為鳳山寺重要文獻史料，此一碑記為木構，已於災後損毀，現為仿作復原。\n\n正殿供奉廣澤尊王，神龕上方有「威武英烈」古匾，為閤港紳士泉廈八郊船商舖戶所獻，咸豐6年（西元1856年）重修時所立，受火損後已原樣仿作。鳳山寺左廂房原為鹿港「玉如意」北管樂團的社址，鳳山寺內亦供奉北管樂守護神西秦王爺，為鹿港歷史悠久的北管樂社，「玉如意」匾額為鹿港書法名家鄭鴻猷的墨跡，目前此匾保存於廟方委員家中。","buildingUsage":"民國113年（西元2024年）修復竣工，現已開放民眾參拜。","buildingKeyMaintainItem":"1.建物剛修復完成，應定期檢視電線、用火管理等，並避免易燃物於用火設備旁；使用時應避免損及建物本體。","buildingActualState":"鹿港鳳山寺於民國89年（西元2000年）指定為縣定古蹟，已於民國113年（西元2024年）修復竣工，現開放民眾參拜。","wenSitename":"彰化旅遊資訊網-鹿港鳳山寺","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d114\u0026chk\u003d33B2ACD6-F036-4C2F-85A1-D96324C5DCC0","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"89彰府民宗字第202916號","registerDate":"2000-10-25 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鹿港士紳蔡穀仁臨摹清代書法家陸潤庠的《滕王閣序》及徐有韜之墨跡。神龕隔板兩側之附壁柱頂端有鳳凰造型之雕刻，令正廳的裝飾性增色不少。就裝飾而言，照廳的華麗襯托出正廳莊嚴之感；此外，匠師也藉由地基墊高，屋頂抬升的方式，強化了正廳的儀典性。照廳及正廳之牆體可分為壁板、磚抹灰泥及邊仔壁三種。\n\n深井兩側翼仔之屋身的屋架為七架楹，一側單架出檐，另一側將楹仔擱於山牆斜面上，並有劄牽樑與正廳步口棟架作橫向聯繫，兼具穿斗與承重牆構造之屋架，天花板設有暗仔樓。\n\n鋪面方面，瓦店店面中130號及132號為水泥砂漿地坪，134號為地磚。二樓的樓頂廳為斜鋪尺磚；屏後房部分，三間瓦店均不同，130號為檜木地板，134號為丁鋪尺磚，132號為六角形灰泥壓模地坪。大厝方面，前落深井地坪採卍字型砌清水磚；中埕深井之地坪採長形石板，四邊以石砛收邊；後尾埕採丁鋪清水磚地坪。照廳步口為長形石板斜鋪，室內為尺磚；鋪法因空間而有所不同，明間地坪採斜鋪，次間地坪採丁鋪，正廳步口採尺磚人字形砌並以石砛收邊，其外圍尺磚較內圍者大，隱喻出丁之意涵，作法罕見。正廳地坪為尺磚，明間與次間之鋪法各異。","buildingUsage":"丁家古厝之利用可分為兩部分，一部分瓦店保留作為商業用途，分別出租作為餐飲空間使用，後面合院則為展示空間，開放民眾參觀，正廳為原本機能，作為祭祀空間，供丁家子孫祭祖之用，同時也兼作靜態展示之用，其他室內空間則作為展示廳，展示主題以清代仕紳家族史與生活為主，除建築本體與存留構件外，陳設家族古文書契、老照片、家具等原貌或修復之實物，兼具鄉土教育、文化資產保存及家族紀念性，並提供預約解說導覽服務及相關刊物紀念品。","buildingKeyMaintainItem":"1.些微植生，建議管理單位應清除，避免竄根影響建物。\n2.前次訪視時有漏水狀況，建議管理單位持續追蹤，並檢視木構件是否有受潮劣化，以及是否有白蟻蛀蝕等狀況。\n3.建議主管機關提供相關協助，避免受潮劣化狀況擴大。","buildingActualState":"鹿港丁家古厝於民國89年（西元2000年）指定為縣定古蹟，民國94年（西元2005年）修復竣工後，建物狀況良好，目前除部分空間出租為商業使用外，其餘全區開放參觀，供各級學校學生作戶外教學之用。","wenSitename":"彰化旅遊資訊網-鹿港丁家大宅","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d163\u0026chk\u003dde49b041-d891-4e85-b452-7a21b6b361dd","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"89彰府民宗字第202916號","registerDate":"2000-10-25 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山門拆除後留存的麒麟石堵。\n\n正殿則為磚木混合構造，主要建材以石、磚、木為主，外牆為紅磚砌體，未施作粉刷，虎側天井於民國101年（西元2012年）改建成茶水間與廚房空間使用，牆面施作油漆粉刷。正殿後方另設兩座砌磚拱門，上有雙錢紋形式的花窗。","inHouseFeatures":"拜亭中架為三通五瓜的構架形式，四點金柱內的通皆施作卵形斷面，兩端作成魚尾叉，點金柱和檐柱的柱頭為仿西式柱頭，大通上置形體修長的趖瓜木瓜筒，出三爪，瓜爪環樑過底，上疊二斗承接前後五架桁一挑一斗承接雞舌木，三通瓜筒疊一斗接雲形頭巾承接中脊桁，橫向出挑一跳斗接中脊。明間大通置二鰲魚雀替取吞火之意，次間大通下置鳳凰雀替為天下太平。束仔為肥束下置束隨、看隨未作雕刻，表面施作彩繪，束尾為雲形。後檐口由後點金柱出一步通直接插入後檐柱，上置束仔板下方為束隨，後點檐柱上方九架桁即水槽樑，承接正殿的雨水並排出。\n　　\n正殿面闊三開間，構架為前十三後十五架桁不對稱的構架形式，次間未施作大木構架直接作為硬山擱檁形式。稍間於民國63年（西元1974年）改建成鋼筋混凝土，形式為仿傳統硬山擱檁。\n　　\n前步口檐柱正出栱插入吊筒承挑檐桁，吊筒為花苞的形式，步通出頭作為雲形。步通則為矩形斷面不帶抹角，束仔則為彎板。前檐柱即為牌樓所封住。步口採一通二瓜捲棚式構架，通為卵形斷面表面施彩繪，下置螭虎通隨，上置修長趖瓜木瓜筒，出三爪，其瓜爪環樑過底，瓜筒上疊一斗承接雞舌木，橫向出栱前有仙人的豎材裝飾，瓜筒之間用束仔相連接，下置束隨。瓜筒旁置八角形燈樑，束仔為肥束表面施彩繪，束隨透雕為琴棋之主題。次間附壁上設置花草斗座。次間與四點金柱中多作一組構架，為承鐘鼓之重量，形式與中架步口相同，通隨和束隨雕刻不同。\n　　\n中架為三通五瓜構架形式，通皆施作卵形斷面表面皆施彩繪，兩端皆為魚尾叉，後點金為仿西式柱頭，神龕前方柱為八角形，材料皆為石木接柱。大通、二通下置二如意雀替，大通上置體型修長趖瓜木瓜筒，出三爪，其瓜爪環樑過底，瓜筒上疊兩斗承前後五架桁，橫向出栱出一跳接雞舌木，出栱上有仙人豎材。二通上置與大通相同之瘦長木瓜筒，瓜筒上疊斗挑前後三架桁。三通下置螭虎通隨，上置形體飽滿圓潤金瓜筒，瓜爪延伸至三通的腰線處，金瓜筒接雲形頭巾並承中脊桁，桁向出斗栱一跳接中脊桁。束仔皆為肥束，表面施彩繪，束隨施作透雕裝飾。後檐口由後點金柱出步通直接插入後附點金柱。通皆為卵形斷面，並兩端帶魚尾叉，通隨正面雕有花草圖案背面不施雕刻，後附點金柱構架與神龕架因設置天花，構架上不施雕刻與彩繪。\n\n牆面構造部分，前步口內部牆面為白灰牆，臺度為斗子砌，正殿後方牆面為白灰牆，臺度為花崗石堆砌以紅磚收邊，龍側立面原有建築的部分為紅磚所砌成，後方增建的部分為水泥砂漿粉刷，虎側立面為紅磚堆砌。拜亭的地坪使用石材和混凝土兩種材料，拜亭前檐口為花崗石砛，明間和次間則為混凝土壓出六角形磚的形式。正殿地坪檐口施作花崗石砛，步口同拜亭的地坪，牌樓面後方為磨石子地坪，神龕前方有花崗跪拜石，四邊的磨石子裝飾則呈捲草紋，四點金柱下方有紅色磨石子地坪，藉此區分明間和次間，稍間文昌殿地坪為民國63年（西元1974年）改建時鋪設六角磚。","buildingUsage":"鹿港新祖宮除辦公室、廟祝居住空間和神房不對外開放，其餘部分皆開放參觀。新祖宮管理委員會另有印製解說簡介供自由索取，若有需要可由廟內服務臺職員進行導覽解說工作。","buildingKeyMaintainItem":"1.壁體煙燻及水垂流狀況，建議整體建物應定期留意使用情形與日常維護，避免過度損壞。\n2.彩繪、漆面多有煙燻、斑駁狀況；山門有些許植生攀附竄根狀況，建議管理單位定期清整。\n3.未來欲吊掛物品建議勿直接綁或釘於建築本體上，應作防護；欲張貼公告也應避免直接貼於建物上，避免損傷建築。\n4.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。","buildingActualState":"鹿港新祖宮於民國100年（西元2011年）指定為縣定古蹟，目前建物保存完整、狀態良好，供民眾參拜。","wenSitename":"彰化旅遊資訊網-新祖宮","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d169\u0026chk\u003dF3131356-F7A8-453E-9CA4-341EFD08F6C7","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文資字第10002395361號","registerDate":"2011-07-07 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。\n\n廂房面寬則為26.6公尺、進深約7.7公尺，平面共分為三段七開間，前後兩段各為兩開間，中央正廳為三開間，前後以二柱支撐穿斗式木構架，山牆架則增設脊柱。為呼應平面三段七開間的格局，屋面亦分為三段，作法為中間高、兩邊低的懸山式單脊馬背屋面。右廂房屋面為紅板瓦形式，以紅磚砌築、牆基採卵石組砌，牆體同補強配筋。左廂房屋面則為水泥瓦鋪設，因震後壁體結構良好，故保留原有牆面整修而成。\n\n另外，在左廂房前側與圍牆入口處右側尚遺存有「敬聖亭」一座，亦即惜字亭，是昔日讀書人崇文敬字的具體表現。敬聖亭立面採仿重簷歇山式造型，側面及背面設有出風口，現為磚封砌。下簷屋面四邊設有出簷，上簷屋面作單脊燕尾式，脊上座置有彌勒尊佛，前後四垂脊延伸出戧脊，脊端反曲止於卷雲收頭，呈現樸實的整體造型。","inHouseFeatures":"興賢書院正殿構架屬於雙連山牆式屋架，做成雙脊雙山牆的抬樑式木構架，前後各自擁有完整的木構架系統，而兩架間以通枋相連，並有連貫之磚牆體，將正殿與拜殿的山牆架組合，成為完整的屋架結構系統。正殿棟架為三通五瓜的棟架，木柱與通樑的交接處設有鰲魚木雕，取「獨佔鰲頭」的意涵。此外，正、拜殿皆由八支正副點金柱與一對半圓附壁柱組成。拜殿正點金柱則有兩通三瓜的看架、其通樑下方設有水草雕花雀替，牆身部分則為厚55cm承重磚牆，牆體中未嵌有構架，屬典型的封火山牆式作法。\n\n花廳屋架僅以單山牆架承屋上九桁，桁的另端插入正殿山牆壁體中。山牆架以前後兩柱支撐，架上柱枋形式較為多樣，無特定形式。花廳牆身皆為1公尺高之清水磚牆，並於磚牆上方立窗或立柱枋木架，山牆牆身則以山牆木架為骨，由磚牆與模板混合構築成牆身。\n\n後廳堂為五開間之狹長平面，每一開間跨距3~5公尺。前後共十三桁，每一桁間距60~70公分。明間與次間為抬樑式木構架，牆身為燕尾磚牆與編竹夾泥牆混合構築，牆身砌高1公尺後於上方架枋立柱，柱枋間則施編竹夾泥牆，此法多見於懸山式農家建築。梢間牆面為1B清水磚承重牆構造，牆上緣直接承桁。盡間小室與梢間同為1B清水磚承重牆，但其規模較前者小。屋架為對稱型式，以脊桁為中心，前後各由二柱組成明間與次間之四組抬樑式木構架。在縱向十三桁中，前後第七桁皆為挑簷桁，下接出簷關刀栱傳遞屋面荷重至簷柱上。\n\n廂房之穿斗式隔間架係以大通直接穿入前後二柱，枋上置短木柱以承桁，短柱間再穿數層以穩定整體構架。穿斗的作法在山牆架中，是以五支方形立柱直接承桁立於臺基上，立柱間砌1公尺高之清水磚牆，柱材間則施編竹夾泥牆壁填補。在牆身底部砌築磚牆之作法，除了有穩定牆身結構作用外，在多雨潮濕的物理環境之下，亦有助於防潮防蟻保護壁體。廂房屋架為書院內唯一使用穿斗式作法之建築，此法盛行於八卦山麓以迄嘉南平原一帶街屋式的建築。廂房以挑空之穿斗式木構架，在大跨度的空間中減少立柱數量，避免造成空間的隔斷，以滿足空間的完整性。\n\n由於經歷震後建築倒塌，木構架的楹聯字句、彩繪佚失不可考，故重新調整門聯柱聯，並由歷屆美術家接力展或磺溪獎得主等名家書寫，拜殿明間書有「文到仙台歷奎垣而完北極、昌啟蓬島開甲第以冠東瀛」；右次間門扇書有「文風鼎盛、昌運亨通」；左次間門扇書有「興詩立禮、賢聖佑民」等作。書院彩繪則由陳穎派匠師及其團隊施作，採取舊作邊堵臨摹以保留硬團畫風，並酌以主筆匠師的畫派風格稍作調整。繪有孔子問禮、前程萬里、山亭論古、曹植賦詩等彩繪，呼應書院主題。","buildingUsage":"興賢書院於每日開放民眾參觀，並配合志工導覽解說，展陳所保存文物，讓民眾進一步瞭解興賢書院的歷史文物價值與意義，進而了解傳統私塾教育，以及先人推動地方教育的歷程。","buildingKeyMaintainItem":"1.整體維護狀況良好，左廂房木門框有白蟻啃食痕跡，建議管理單位定期留意、檢測。\n2.後殿木樑有水痕，應注意是否有漏水狀況。\n3.請管理單位定期檢視電線管理及明火之使用，並確實檢視無使用之設施電源是否關閉，以及焚香是否熄滅。 \n4.部分滅火器壓力不足，消防設施設備應定期檢查、更換，滅火器外塑膠套宜移除，以便災害時立即取用。","buildingActualState":"興賢書院於民國74年（西元1985年）經內政部公告為古蹟，民國95年（西元2006年）修復竣工後，建物狀況良好並提供民眾參觀。","wenSitename":"彰化旅遊資訊網-員林興賢書院","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d118\u0026chk\u003d760b4741-531a-46b7-99fe-9ef232965e79\u0026param\u003dpn\u003d10","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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、部分壁面粉刷層剝落，建議管理人多注意劣化情形。\n3.訪視時管理人反應左廂房前端瓦片下滑，已嘗試過復位，但無法推回，怕滑落造成人員受傷。已轉知主管機關。\n4.部分木窗老舊開裂、剝落，建議管理人遇雨、遇災害前後進行巡視，如有更嚴重危及等情事，立即通報主管機關；建議管理單位可綜合檢視整體劣化的情形，並提出修繕等補助計劃。\n5.管理單位積極，已將天花板的沉陷情形迅速更換解決。","buildingActualState":"社頭清水岩寺於民國93年（西元2004年）指定為縣定古蹟，民國99年（西元2010年）修復竣工後，建築保存完整，供遊客參拜。","wenSitename":"彰化旅遊資訊網-社頭清水岩","wenSiteaddress":"https://tourism.chcg.gov.tw/AttractionsContent.aspx?id\u003d209\u0026chk\u003dfceb4af3-beca-4a0a-a648-6736d060d4ad","govDeptPhone":"04-7292201","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1080002101號","registerDate":"2019-01-24 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理單位定期檢查木構件，並定期委請廠商施作蟲蟻防治。\n4.建議可將滅火器外塑膠套移除，以便災害時能第一時間取用。\n5.建議管理單位於祭祀木桌上加玻璃區隔，避免火源或香灰直接掉落於木桌上，減少災害可能性。","buildingActualState":"餘三館於民國74年（西元1985年）經內政部公告為古蹟，並於民國92年（西元2003年）修復竣工，目前古蹟狀態稍有受損。","wenSitename":"永靖鄉公所-「臺灣十大古宅」餘三館","wenSiteaddress":"https://town.chcg.gov.tw/yungchin/07other/main.aspx?main_id\u003d24062","govDeptPhone":"04-7292201","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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建材，施作部位分別位在忠實第正身三開間ㄇ字形平面，內、外護龍、圍屋，而正身土埆承重山牆，土埆牆均立於四周有臺基的牆基上，牆基是以卵石灰漿砌築成，基底下寬上窄，呈下大上小的梯形斷面。至於老師府的土埆牆則是位於第一進的正面、兩側與背面間，然而二、三進的外牆已改為紅磚，推測早期應該也是土埆牆砌築，可能是後來重修時改變的，老師府過水廊在民國109年（西元2020年）修復工程中以現代工法H型鋼進行結構補強，以清水磚疊砌並以灰漿填縫，將鋼骨結構包覆於清水磚牆中；老師府第三進亦使用不鏽鋼鐵絲網鋪設於磚牆上作為加勁補強。而忠實第公廳與老師府門廳的牆面亦有編竹夾泥牆構造。","inHouseFeatures":"永靖忠實第正身的明間，大木結構為「七柱十二架桁，後面出一挑」，屬於穿斗式構造。公廳中柱與上方的中脊桁相交的點即是室內的最高點，也是全區房間的最高處。隔斷牆牆面臺度以下為木樘板、臺度以上為編竹夾泥白粉牆。公廳空間劃分為架前、架內、架後及後背。通常架前到架內，是供後人祭拜活動的空間，而架後則為擺置祭品與香燭的桌案空間，架後背面步架距離，是為安置神龕的空間。在正身中央的「公廳」稱為「祖廳」，也是在「房祀合一」的居家功能下，為家族祭祀、聚集、商議空間，屬最尊崇之處。祖厝大廳是由正面的「三關六扇門」進入，大廳（公廳）是祭祖也是集會的場地，是宅第中所有房間面積最大者，因正廳進深大於面寬，平面呈一長向的「日」字型。因公廳旁的大房間、二房間，左右各有一獨立門出入，而不需與子孫巷（廊）動線混淆，自然私密性更好。大、二房間前後都設置窗戶，經由前面八卦窗之開啟可以觀察內埕動靜，又有利於通風採光。正廳之木柱各柱頂破口直承圓桁，不做櫨斗，各桁之下，也無斗栱承接，換言之，筒柱之上並無出挑斗栱與雞舌木之出現。簡單的穿斗式棟架，中柱頂上的頭巾雕刻捲草紋，各架間均有曲形之束（也稱貫木）串通，束尾做捲草，僅僅在步口左右的棟架上，出現內外出挑的斗栱，最底之立筒做金瓜出三爪，上方的斗為方斗有明顯的斗底線，棟架之上，不見通引、雀替、斗座、束橢等構件，除束尾外不見雕飾，可謂簡潔之至。燈樑位於前坡第二、三架檁間，直接擱置於隔斷牆上，燈樑斷面為六角形。目前忠實第的公媽龕裡，中央最上方置一黑底金邊主神大牌（二十三世至二十五世），左邊四房、右邊五房下牌位（二十五世至二十七世），再下各牌為後世子孫（二十七世以下），均照四、五兩房派下順序排列，目前已有六塊之多。\n\n左右次間前簷牆牆面臺度以下油漆、臺度以上為木樘板，牆身開有一八角窗。後簷廊則開有綠釉花磚透氣窗。忠實第第一進左右護龍明間處左右皆為神明廳使用，明間處皆開有一關兩扇門，門楣題字左護龍為「錫壽堂」為神明廳，祀奉關聖帝君；右護龍為「多福堂」祀奉觀世音菩薩。\n\n老師府第一進正向為五開間的門面，明間兩側的格扇架構為「五柱十架桁，後面出一挑」，室內各立柱並未設置石礎，僅佇立於地面上，圓卵形斷面之大通與柱之榫接是將通的二端削薄成深八字形曲面榫入柱內，其餘作法除金瓜不同外其餘特點與忠實第作法大致相同。第一進前設有一軒亭，軒亭與老師府間之結構關係，其間只有搭牽之大通與其上之束木有連結，沒有天溝，屋面各自獨立。早期上課場地主要在第一進至天井與兩側的過水廊，因為第一進明間後面是沒有裝置固定的簷牆，所以形成一大空間，正好與二進中央的文昌帝君正廳合為一體，空間擴大，除可彈性容納或區隔眾多學生讀書活動之外，又因通風、採光良好，且又陰涼、不易產生回音，符合自然通風與採光需求的教學空間設計。在建築裝修上，第一進右梢間磚牆上的琉璃花窗、水車堵泥塑與兩側的出挑懸山屋頂，可為本案特色之一。老師府第二進正廳為前四後六架檁，左右格扇牆為穿斗式木構架做法，牆面臺度以下為木樘板、臺度以上為白粉牆。燈樑位於前坡第二、三架檁間，由一如意形木托架撐托。老師府的軒亭、第一、二進明間地坪採六角磚鋪設，老師府第三進則為水泥地坪。","buildingUsage":"永靖忠實第現仍有邱氏後人居住，後續進行再利用計畫時，需與居住於此的住戶溝通，俾忠實第的文化價值既得以傳承發揚，又能兼顧「房祠合一」生活，發揮固有功能的傳統特性。","buildingKeyMaintainItem":"1.相較前次訪視老師府周圍環境雜草已清除，建議管理單位仍需定期清整。\n2.部分空間較為潮濕，建議平時可開窗通風。\n3.白蟻蛀蝕仍須持續追蹤狀況，建議定期施作蟲蟻防治工程。\n4.消防設施設備應定期巡檢是否過期及能否使用。","buildingActualState":"永靖忠實第於民國99年（西元2010年）指定為縣定古蹟，民國109年（西元2020年）進行修復工程，並於民國112年（西元2023年）完成修復。","wenSitename":"永靖鄉公所-永靖忠實第","wenSiteaddress":"https://town.chcg.gov.tw/yungchin/07other/main.aspx?main_id\u003d24061","govDeptPhone":"04-7292201","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1050392646G號","registerDate":"2016-11-23 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國定假日休館。","openVisitType":"1","openVisitTypeText":"完全開放參觀","caseName":"北斗保甲事務所","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A6","name":"衙署"}],"pastHistory":"北斗保甲事務所創建於昭和11年（西元1936年），現今位於彰化縣北斗鎮地政路421號。\n　　\n臺灣保甲制度之推行，可追溯至康熙60年（西元1721年）朱一貴事件後。當時知府藍鼎元因餘黨出沒騷擾不斷，認為保甲制度為最佳策略遂上書閩浙總督建議實施，惟當時該制度未廣泛普及。日治時期，為持續穩定社會秩序而延續推動，並將保甲制度法條化，在明治31年（西元1898年）頒布保甲條例，而後再以府令制訂施行規則。其後行政區劃歷經調整，北斗地區於臺中州時期隸屬北斗郡，透過保甲組織形成的自衛防禦系統，在良民保護、戶口調查或協助租稅徵收等面向，對於地方開發有所貢獻。北斗保甲事務所即為北斗郡的保甲組織所使用之辦公場所，創建於昭和11年（西元1936年），由北斗保甲事務所「棟札」記載得知，其上樑時間為該年3月11日。棟札釘掛位置為原事務室之屋架之真束位置。北斗保甲事務所興建時期之北斗郡守為那須重德，工事設計者為田中慶一郎，而保甲聯合會長則為林伯餘，成立初期名為「北斗保甲聯合事務所」，亦稱「北斗保正共同事務所」，其相關功能包括舉辦防諜懇談會、商業組合總會、北斗郡警察講習等。\n\n二戰結束後，民國38年（西元1949年）北斗保甲事務所改由臺中縣衛生院北斗鎮衛生所（原基地東側為北斗保健事務所）以及北斗鎮公所共同使用，民國39年（西元1950年）因縣行政區域劃分，衛生所改稱為彰化縣衛生院北斗鎮衛生所，民國43年（西元1954年）衛生所興建辦公廳舍後搬離，北斗保甲事務所因此閒置。民國47年間（西元1958年）交由當時之北斗派出所使用，作為相關警務人員宿舍，民國51年（西元1962年）產權再改隸歸於北斗鎮公所轄下。自衛生所撤離後，北斗保甲事務所便作為周邊機關的職員宿舍，持續使用長達50餘年。\n　\n民國98年（西元2009年）由北斗鎮公所收回本棟建築，同年由彰化縣政府指定為縣定古蹟，並於民國105年（西元2016年）完成修復工作。","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"為日治時期保甲制度之產物，在建築特色上為彰化縣內深具規模之木造保甲事務所，亦具稀少性，四周環境完整，在歷史變遷下深具緬懷回顧之意義，具歷史價值，應予指定保存。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、3、4、5款","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"北斗鎮","address":"光復里地政路421號"}],"longitude":120.524579746794,"latitude":23.8743213905013,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/8c73609a-e32a-45d5-ae46-2b9adc9c2c73/北斗保甲事務所01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/8c73609a-e32a-45d5-ae46-2b9adc9c2c73/北斗保甲事務所01.jpg","name":"北斗保甲事務所01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"},{"ownerType":"建築所有人","ownerName":"北斗鎮公所"},{"ownerType":"土地所有人","ownerName":"王OOOOOOOOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20090615000002","buildingFeatures":"北斗保甲事務所採傳統日式木構造搭配西式屋架，外觀上主要構造分為基礎、牆體與屋頂三大部分。\n\n屋面為四坡水，鋪設日本黑燻瓦，由南、北二屋面組合而成，入口門廊以及出窗雨庇則施作紅銅瓦屋頂。屋身外觀採雨淋板構造，惟屋簷下方牆體採用木槢牆體，並以灰作裝修。建築外牆在雨淋板交接處以鐵件保護，並於屋簷處及牆身轉角處加設落水管。後室建築西側之屋身與前室相同，設有磚造連續基礎與通風窗，牆身為雨淋板構造。其北向入口門扇形式相當特殊，門扇與門框之間設有採光用固定式門扇，上半部裝設單排四塊霧面玻璃，下半部為木板。雙開門扇同樣分為上下兩部分，而上半部玻璃分割形式則與氣窗相同，形成整棟建築物具標示性之語彙。值得注意的是，西側立面之隔柵板外觀類似傳統建築「美人靠」，先於窗框內側釘著上寬下窄之梯形板材，上下兩端外側釘著水平板材，再於內外兩側交錯釘著相同斷面之垂直板材。這樣的作法可隔斷室內外視線，並仍能維持適當的通透性。\n\n建築基礎構造為厚度1B之荷蘭式砌法磚造勒腳牆，一般通氣孔多為方形開口，而北斗保甲事務所則為弧拱開口，並安裝鐵筋隔柵，作為地板通風防潮之用，高地板採用的束木與大引為圓形斷面杉木。北側入口臺階及踢腳板施作洗石子，粒料材質相當接近，整體色澤呈紅褐色，與簷廊廊柱束石與室內臺階之灰色洗石子材質略有不同。\n\n北斗保甲事務所主要構造中以西式屋架系統、牆體框架構件與 牆體內側裝修較具代表性，尤其屋架系統之完整性、屋架端部與牆體上緣之連接 方式以及牆體框架之斜撐設置，不僅施作嚴謹細膩，同時也顯示當時結構觀念與施工技術已臻成熟。","inHouseFeatures":"北斗保甲事務所平面呈長方形格局，建築由前、後（南、北）兩室所構成，主要之入口位於建築北側，即臨街面（現地政路），而東側則臨空地（已規劃為都市計畫道路），並設有出入口。建築主要由事務室、車庫、炊事場、集會室及便所、簷廊等附屬空間所構成。\n\n北斗保甲事務所經修復後作為藝文展示空間，由門廊進入後，原事務室修復後為大廳空間，可作為廣間展示區；經由門扇進入後，可進入集會室（現為展示空間），事務室隔鄰之原車庫（現為辦公空間），經由東側廊道可分別進入炊事場（現為男廁）與一處增建便所（現為女廁），廊道東側則有一景觀庭園。\n\n北斗保甲事務所採用六座正同柱式桁架支撐跨度較一般日式木造建築更大之屋頂構造。六座屋架中，以五架並排構成長軸南北走向之主要量體；另一座屋架則於主量體北端轉90°（與北端兩座東西軸向屋架末端交錯），往東延伸三座半架正同柱桁架，構成突出之次量體。每座桁架主要構件形成之三角形單元內，由一組腰枝斜角撐與吊鞍組構而成，末端設有斜向夾撐。斜向夾撐由兩支斷面6公分×11.5公分之方木構成，上下兩端分別連接人字大料與牆體框架通柱，中央固定於水平大料，因此下半段之功能在於增加屋架與牆體之連結性，上半段則相當於桁架構件之一部分。與常見之正同柱式桁架相較，北斗保甲事務所之吊鞍構件較為特殊。同時，屋架仍保有日治時期之「棟札」，釘掛位置為事務室（現為大廳）屋架之真束位置。\n天花部分，事務室（現為大廳）、車庫（現為辦公空間）為洋式平板天井、炊事場（現為男廁）與便所（現為女廁）為竿緣式天井 、集會室（現為展示空間）則為格天井，集會室（現為展示空間）經修復後已拆除加建隔間牆，恢復舊制之廣間空間型態，有利於後續展示功能，另外，天花露明亦可了解西式洋小屋的特殊構造形式。\n\n事務室（現為大廳）、車庫（現為辦公空間）、炊事場（現為男廁）、內牆為大壁式牆體；集會室（現為展示空間）內牆為大壁式牆體外，臺度形式為大片垂直板材、便所（現為女廁）內牆為大壁式牆體外，臺度形式則為磚作。地坪部分事務室（現為大廳）、車庫（現為辦公空間）、炊事場（現為男廁）與便所（現為女廁）皆為混凝土地坪，而集會室（現為展示空間）則為拼木地坪。","buildingUsage":"本縣定古蹟除公休日外，皆開放供民眾參觀，全區範圍皆開放參觀（辦公室空間不對外開放），參觀人員及團體可向管理單位申請或以電話預約導覽時間，展示空間主要以藝文展覽活動為主。","buildingKeyMaintainItem":"1.鄰近樹木樹冠壓迫屋頂，建議管理單位定期進行修枝，並進行屋頂天溝落葉清除。\n2.標的物後方鄰近建物植生茂盛，落葉飄落造成冷氣室外機下方常有落葉堆積，建議管理單位定期進行落葉清掃整理。\n3.建議管理單位定期檢查木構件，並定期委請廠商施作蟲蟻防治。\n4.建議管理單位於雨季前加強天溝及排水溝槽、管線之清理。\n5.地坪、排水溝有植生竄根生長、落葉堆積，建議管理單位應定期清除。","buildingActualState":"北斗保甲事務所於民國98年（西元2009年）指定為縣定古蹟，並於民國105年（西元2016年）修復完工，目前建築物保存良好，由北斗鎮公所負責管理維護並作為展覽空間之用。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-7292201","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1050392646F號","registerDate":"2016-11-23 00:00:00.0","note":"變更指定範圍"},{"classification":"指定/登錄","officialDocNo":"府授文資字第0980001965B號","registerDate":"2009-06-15 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\n\n二戰後初期，三條圳警察官吏派出所改稱為臺中縣警察局北斗分局三條圳派出所。民國35年（西元1946年）因颱風來襲，導致派出所電話設備及瓦作損壞，並於同年完成修復。民國39年（西元1950年）因臺灣省地方自治行政區再次重整，改稱為彰化縣警察局北斗分局三條圳派出所迄今。民國99年（西元2010年）經彰化縣政府指定為縣定古蹟。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係"],"registerReason":"1.三條圳派出所為地方行政的辦公處所，兼具辦公與宿舍空間，見證溪州糖業發展之歷史，亦展現農業文化及社會組織的演進價值，就歷史價值上深具意義。\r\n2.三條圳派出所為當地僅存之日式木造建築略帶西洋風格，外觀樸實；含有辦公官舍與宿舍，而宿舍部分之出入口有閣樓，辦公廳位在正中央為廳舍建物，整體環境完整。綜上，三條圳派出所具有地方文化、歷史及建築史上的意義，符合縣定古蹟指定基準，應予以指定保存。","lawsReference":"\u003c\u003c文化資產保存法\u003e\u003e暨\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2、4、5條","govInstitutionName":"彰化縣政府","addresses":[{"itemNo":1,"cityName":"彰化縣","distName":"溪州鄉","address":"三條村南九甲巷5號"}],"longitude":120.495335,"latitude":23.827306,"govInstitution":"彰化縣政府","govDeptName":"彰化縣文化局","govDeptAddress":"彰化縣彰化市卦山路3號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/ce27b72e-cf6a-43ed-b264-339807c49721/三條圳派出所01_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-10/ce27b72e-cf6a-43ed-b264-339807c49721/三條圳派出所01.jpg","name":"三條圳派出所01"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"姚OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO"},{"ownerType":"土地所有人","ownerName":"陳OOOOOOOOOOOOOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20100621000001","buildingFeatures":"三條圳派出所方位坐北朝南，外圍設有圍牆，主入口位於正面，前後均設有庭院。派出所建築本體為木造建築，依其空間格局與外觀形貌判斷，可歸類為和洋折衷式建築。空間配置採用日治時期警察官吏派出所常見之形式，平面略呈一字形，中央為警察官吏辦公廳舍，後側應為低階警察宿舍區，兩翼則為警察官吏及其眷屬宿舍（不包括所長官舍）。現今辦公廳舍部分仍作為派出所使用，因應空間不足而向後擴建，兩翼日式宿舍則作為備勤員警宿舍，後方另有數棟二戰後興建的宿舍。\n\n三條圳派出所辦公廳舍位於建築中央，較兩翼部分略為突出，外觀形貌與室內空間皆屬西式風格。主入口設於屋頂山牆面，正立面採左右對稱配置，山牆頂端飾以日式鬼瓦，前方出簷並設置旗杆及其支承鐵架；牆面採西式雨淋板，山尖處懸掛警徽。屋頂採四坡寄棟式屋面，屋面現鋪設水泥瓦。建築基座為磚造，表面施作水泥粉光，垂直面留設矩形通氣口，以利通風並避免潮氣上升造成木地板受損。入口大門為西式雙開門，上方設有突出雨庇；兩側轉角略為退縮，並各開設兩扇精緻角窗。角窗由上而下分為氣窗、具窗櫺分割的玻璃窗及壁堵三部分，為本廳舍最具代表性的外觀特色之一；相同形式的角窗亦見於廳舍後側及後期增建空間相鄰之大面開窗。\n\n主入口前設有庭院，並規劃西式圓環花圃，植栽以南洋風格植物為主。圍牆內、派出所入口左側設有一座焚燒爐，雖位於非隱密處，但因派出所並非一般民眾可自由進入之場所，考量銷毀個人資料須於半公開且便於管理的環境中進行，因此設置於警察視線可及的位置。焚燒爐為圓形，直徑124公分，以RC澆置而成，內部容納灰燼深度約40公分，累積至一定程度後即須清理灰燼。圍牆為洗石子構造，高約91公分，上緣覆以洗石子飾面，下部則施作水泥粉光。圍牆轉角處另有一株芒果樹（俗稱「大樹公」），為當地居民與警員共同認知的土地守護神，早年固定由警員定期祭祀，樹幹至今仍綁有紅布條。","inHouseFeatures":"本棟設有「事務室」與「宿舍」兩大空間，並依職級配置所長宿舍（建築右側），內部設有便所、浴室及物置（儲藏空間）。事務室為機能單純之空間，主要供警察官吏辦公與守望使用，室內設施以桌椅及書櫃（文件檔案櫃）為主。事務室原無隔間，為開放式辦公空間；後因後方增建，事務室改作臨時問案空間及臨時留置空間，並配合廣播設備需求，於事務室左側增設設備空間；原宿舍區改為槍櫃區，後方增建空間則作為警員辦公室使用。民國90年代（約西元2000年）以後，派出所已無居留權限，遂取消留置空間，原會議桌改為沙發桌椅配置，營造較為親民之洽公環境，槍櫃亦改以鐵製櫃體取代。事務室內牆為大壁作法，下部設木作腰堵；地坪採磨石子鋪面，室內呈現日治時期洋風的空間特色。\n\n宿舍空間均以設置「休憩所」取代一般巡查宿舍，供警察官吏與家眷共同居住，承襲日本內地派出所建築配置。依復原平面圖可知，巡查宿舍屬較高階宿舍空間，面積約20坪。巡查宿舍（右側）之「客間」至今仍保存和風推拉門，空間約6帖大，地坪材料與座敷相同，並保留「床之間」（Tokonoma）空間，可與座敷彈性使用。床之間設於客廳靠牆處，地坪略高，並以柱構區隔，供陳設花器、藝術品及懸掛書畫之用，是日人精神生活的重心，同時兼具會客與祭祀功能。續間外側設有廣緣（木板走廊），兼具廊下功能，緣側空間連接座敷，並分別設置獨立洗面所及廁所。「廣緣」作為居室與庭園景觀之間的過渡空間，與服務性廊下有所區隔。\n\n宿舍玄關共設兩處，臨戶外玄關供家眷等日常生活出入使用；事務室則另設獨立玄關，可直接進入所長居室。巡查捕、小吏宿舍（右側）空間較小，面積約5.7坪及5坪，合計約10.7坪，主要作為值勤人員短暫休憩空間。客間與休息室均採多功能使用方式，配置較為簡潔；炊事場及廁所等服務空間設於外側共用，廣緣兼廊均為共用空間，休息室僅具臨時寢宿功能。休息室與辦公空間之間，僅透過半戶外廊下連接，顯示其可能並非完整的居家住宅空間。\n\n警察官吏與其眷屬之宿舍位於廳舍兩翼，整體外觀與室內空間皆以日式建築風格為主，包括日式瓦作屋頂，木製竿緣天花（現多已被覆蓋），以及天花上方支撐屋面的和小屋形式木構造屋架。宿舍入口分別位於兩翼末端轉角處，入口採退縮處理，上方設有突出雨庇，以強化次入口意象，大門原為日式拉門，現皆已改為西式板門；兩翼末端分別設浴廁與其出入口，中段主要空間則以日式拉門作為區隔，形成日式房間。門窗多為日式拉門及拉窗，臺基架高透空，內牆為編竹灰泥牆，室內面施白色石灰粉刷。室內地坪部分，臺所採磁磚，玄關為洗石子鋪面，其餘為原有木地板，部分空間則於木地板上方鋪設PVC地坪。 ","buildingUsage":"目前維持警政功能使用，由彰化縣警察局北斗分局負責管理，使用及日常則由三條圳派出所執行，為不影響警政服務，僅開放建築物外觀參觀，並有設立解說告示牌。","buildingKeyMaintainItem":"1.屋頂屋簷落葉樹枝堆積，建議管理單位應定期清除。\n2.建築多處門窗扇變形，木構件多有受潮裂化狀況。\n3.建議可將滅火器外塑膠套移除，以便災害時能第一時間取用。\n4.建議管理單位定期巡視建築並檢查木構件狀況，並定期委請廠商施作蟲蟻防治。","buildingActualState":"三條圳派出所於民國99年（西元2010年）指定為縣定古蹟，建築本體狀況完整，目前仍為警察局派駐使用。","wenSitename":"溪州鄉公所：三條派出所（縣定古蹟）（南九甲巷）","wenSiteaddress":"https://town.chcg.gov.tw/hsichou/07other/main.asp?main_id\u003d6818","govDeptPhone":"04-7292201","announcementList":[{"classification":"變更/修正","officialDocNo":"府授文資字第1110439593B號","registerDate":"2022-11-16 23:28:30.538","note":"變更土地範圍之面積及地號"},{"classification":"變更/修正","officialDocNo":"府授文資字第1110112848A號","registerDate":"2022-04-07 00:00:00.0","note":"變更土地範圍之面積及地號"},{"classification":"指定/登錄","officialDocNo":"府授文資字第0990000306號","registerDate":"2010-06-21 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翼聖教」。除此之外，其閩南花紋磚與樑上的結構，別具特色。東西廂壁上之書卷狀雕飾，也是古意盎然。\n登瀛書院建築物經被評定為書院類建築物之最完整者，創建距今175年間，雖曾四次大修，然均能依照原貌加予修繕，不僅正殿之結構體毫未予更動，連兩排齋舍也不增減一間，建材之土墼(土埆)也未更換為磚塊，完整的保持初建原貌，真是一大特色，堪稱為珍貴的文化資產。\n","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具建築史上之意義，有再利用之價值及潛力者","具其他古蹟價值者"],"registerReason":"具有文化資產之保存價值。","lawsReference":"依據文化資產保存法〈中華民國71年5月26日總統令公佈〉第27條。","govInstitutionName":"南投縣政府","addresses":[{"itemNo":1,"cityName":"南投縣","distName":"草屯鎮","address":"新庄里史館路文昌巷30號"}],"longitude":120.66747904754,"latitude":23.9887586151698,"govInstitution":"南投縣政府文化局","govDeptName":"文資科","govDeptAddress":"南投縣南投市建國路135號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2023-03-16/5d850b23-818d-4e8d-b412-9170e5af5070/登瀛書院_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2023-03-16/5d850b23-818d-4e8d-b412-9170e5af5070/登瀛書院.jpg","name":"登瀛書院"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"登OOOOOOOO"},{"ownerType":"建築所有人","ownerName":"登OOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000032","buildingFeatures":"「登瀛書院」為單進兩翼齋舍的三合院建築，中央為三開門 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館；清光緒13年（1887）巡撫劉銘傳，擬開由集集街通往臺東⽔尾之橫貫中央⼭脈的道路，集集街⽇興，⼀個新興的⼭區市鎮因⽽崛起。⾃此街市繁昌，⼈文活動頓呈蓬勃景象。清光緒初年，集集地區之仕紳組織「濟濟社」，並建「明新書院」於柴橋頭庄，以提倡文風。後來隨著集集街之發展，位於柴橋頭之明新書院因離市街遙遠，有所不便，而欲遷建於集集街內，然⽽苦無經費。清光緒9年（1883），濁⽔溪氾濫，內⼭流出⽊料甚多，乃由總理陳⻑江僱⼯集材，擬⽤此批⽊料作為遷建集集街之材，並由地⽅募款得⼀千八百餘元，僉舉林光祥董其事，是年12⽉2⽇興⼯。林董事於⼯程進⾏中不幸亡故，由其⼦林天龍繼任。書院於清光緒11年（1885）11⽉竣⼯，內供文昌帝君、制字先師及紫陽夫⼦(朱熹)，並推舉陳⻑江為總理，僱廟祝⼀⼈，經費由街上商店負擔，眾仕紳並立匾「掌握文衡」。「明新書院」雖為書院，仍不脫「義學」性質。日治明治35年（1902），管理人林天龍將明新書院所有之田地二十餘甲及廟地捐給集集公學校建校，並以書院充作教室。日治明治41年（1908），復由鄉民聚資800元再遷建於柴橋頭庄現址，改稱「崇德堂」。也在明新書院中有組織民間宗教開始介入，將宗教與書院的教化力量結合在一起。故現有人稱集集明新書院為「崇德堂」。 民國40年(1951)「崇德堂」暫借充做分校教室，民國42年(1953)永昌國民學校設立，由於部分廟地被納為校地，入口圍牆被拆除，形成今⽇書院、學校並存之貌，亦延續了書院的⽣命。自民國74年(1984)公告為第三級古蹟後，經幾次撥款，才得以復建。民國88年(1999)九二一大地震時受創，依災後古蹟重修工程再予以修建。 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年再建新廟時，便塑了萬善爺之金身\n\n廣溝新庄的墳塚，因受海水淹沒，故於日本大正 3 年（1914）時遷葬於此，即今廟左後方近百座的小坵墳，除立碑外（刻有咸豐 2 年及大正 3 年重修之字樣，此立碑年代正是下寮萬善同歸祠之建祠時間及廣溝新庄墳塚遷葬之時），並在下寮萬善祠之北再建一小廟祭祀之。\n下寮萬善同歸祠這些或大或小的墓塚，據當下寮仔人稱，少則是二、三副屍骸置入一水缸內，多者可能有十餘個小孩裝進一個水缸裡頭。過去，這些金斗甕或水缸的表面，會塗上石灰，抹成一纍纍的小墳坵。因歷年多有整修，爾後便塗抹上水泥，始成為今日之面貌。\n\n口湖鄉蚶仔寮舊金湖港萬善祠和金湖地區金湖萬善爺廟，為了緬懷當年罹難的先人，每年農曆6月7、8日都有盛大祭典，還衍生出「牽水（車蔵）」儀式，是國內少見的水難民俗祭儀。","judgeCriteria":["重要歷史事件或人物之關係"],"registerReason":"一、具有作為事件陳述證據的歷史價值：\n鄉民將飄流於各處罹難者屍骸聚集就近埋葬，形成今日所見分屬三地的墓塚區。此外，可藉此地點參佐文獻紀錄作為了解環境變遷的過程，昔日潟湖港灣於今已遠離海岸成為陸地，滄海桑田可見一般。\n二、具有特殊民俗信仰特質的文化價值：\n口湖地區在災後倖存的民眾依藉宗教的力量與傳說寫作，共同救贖地方受難的傷痛，以特殊的道教科儀「牽水車藏(狀)」進行對逝者的追思悼念，牽水車藏(狀)已被公認為為珍貴的無形文化資產。萬善同歸塚與下寮仔萬善廟雖無牽水車藏(狀)之祭儀形式,但仍是與此無形文化資產相關的歷史地點，且有獨特的祭祀行為-「挑飯擔」。牽水車藏(狀)為道教科儀，此舉加諸本地萬善同歸信仰又發展出不同概念的祭儀行為(挑飯擔)與環境關係(居民對待墓塚的態度)且長期以來保持完整施行不綴，更使本地「萬善同歸塚」顯得特殊不同。\n三、具有表徵「萬善同歸悲憫特質信仰」的特殊意義：前已敘及萬善同歸墳塚區並非為一時一刻完成的，而是在事件發生後伴隨居民復原農墾的過程中逐漸發現骨殖遺骸次第遷葬設置而成。其「過程」的因素對於「萬善同歸信仰」的構成甚為重要。由坵墳層層剝落的灰泥層可以了解本地民眾實出於真情憐憫的在不同的年代持續給予這些鄰近村庄早已死難多年的亡者照料撫慰。層層疊疊的封泥層代表的是一種已融入地方信仰、持續的悲憫態度。\n四、具有認識台灣特殊地理條件與景觀的環境教育值：「萬善同歸塚」乃為台灣特殊的罹災紀錄地景。台灣地形起伏劇烈自然變動頻仍。長期以來大小天災不斷；災難造就的景觀(殤景)說明了先民克難謀生的艱困歷程。","lawsReference":"文化資產保存法第14條規定辦理","govInstitutionName":"雲林縣政府","addresses":[{"itemNo":1,"cityName":"雲林縣","distName":"口湖鄉","address":"下崙村下寮仔北邊"}],"longitude":120.16538,"latitude":23.634514,"govInstitution":"雲林縣政府","govDeptName":"文化觀光處","govDeptAddress":"雲林縣斗六市大學路三段310號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37671/photo/e4a17197-e4f0-4264-8325-5373a906f06b_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37671/photo/e4a17197-e4f0-4264-8325-5373a906f06b.JPG","name":"e4a17197-e4f0-4264-8325-5373a906f06b"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"萬OOO"},{"ownerType":"土地所有人","ownerName":"萬OOO"},{"ownerType":"建築所有人","ownerName":"下OOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20060124000001","buildingFeatures":"墳墓及一纍纍小坵約為百個，並另立石碑與大墳並列，勒有咸豐2年及大正3年 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年（大正七年）營林所便開始籌劃阿里山寺、阿里山神社建置的工作，希望能藉由宗教設施的成立來撫慰人心。\n1934年（昭和九年）營林所為了同時歡慶「阿里山事業創始二十五周年記念式」、表彰林業有功人員並進行殉職功勞者的慰靈祭，活動由嘉義驛開始一路隨著載著長官們的蒸汽機關車攀升，最後於阿里山神社、阿里山寺之境內舉行慶祝活動。本次祭典最重要的意涵，在於這是阿里山首次出現以「樹靈」為名的祭典，這場祭祀活動也可以說是為了即將興築的樹靈塔而舉行的暖場活動。該日最後一個紀念活動為慰靈祭，目的是為了替進藤、二宮兩位技師及其餘共70名有功於阿里山的殉職者進行祭祀。\n1935年（昭和十年）逢始政四十周年紀念，為擴大紀念，臺灣總督府在臺展開有史以來規模最大的博覽會，展示日本統治臺灣的政績。於該年除建有高山博物館、阿里山貴賓館之外，樹靈塔亦落成於同年。\n樹靈塔落成後，每年的三月跟九月會各自舉辦一次樹靈祭，儀式與第一次的樹靈祭幾乎相同，而參與者大部分都是營林所的公務人員與林場伐木、集材、鐵道工班的工頭，其中又以日本內地人為多數。戰後樹靈塔仍舊保持多年的祭祀，但已從日本的神道改為道教的儀式，也從感謝之儀轉為重視牲禮的普渡。此時期的參與者與日治時期相同，多為公務人員與工班的工頭，一般觀光客與地方民眾幾乎不會參加；直到伐木工作蕭條，參與者也逐漸流失，至1969年（民國五十八年）後，伐木工作宣告停止轉型，祭典也正式停辦。\n","judgeCriteria":["重要歷史事件或人物之關係","各時代表現地方營造技術流派特色者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"因日本人開發阿里山林業，大量砍伐樹木，且千年以上之樹木亦不在少數；日人相信萬物皆有靈，因此修建樹靈塔以安奉樹靈且安定林場員工之心理。因此創設樹靈塔，其表現出日人對大自然之敬畏，再當時殊為少見。且其形式在目前碑塔建築中亦頗為獨特，爰予以指定為縣定古蹟。","lawsReference":"一、《文化資產保存法》第14條第3項\n二、《古蹟指定及廢止審查辦法》\n","govInstitutionName":"嘉義縣政府","addresses":[{"itemNo":1,"cityName":"嘉義縣","distName":"阿里山鄉","address":"阿里山國家森林遊樂區內"}],"longitude":120.808351152056,"latitude":23.5174933837004,"govInstitution":"嘉義縣政府","govDeptName":"嘉義縣文化觀光局","govDeptAddress":"嘉義縣太保市太子大道158號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-06-16/ce8acbe5-2386-4ffe-8fc2-d5e145155d1f/_DSC7906_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-06-16/ce8acbe5-2386-4ffe-8fc2-d5e145155d1f/_DSC7906.jpg","name":"_DSC7906"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"行政院農業委員會林務局嘉義林區管理處"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20090302000003","buildingFeatures":"樹靈塔本體則可分為三段組成，第一段為地面之同心圓臺階5層，臺階每階約高16.5cm，寬度約為30cm。第二段為石砌之圓柱型碑體，又可在細分為直立圓柱本體、 下方平臺與三個半圓短柱，半圓短柱立於圓柱外緣，均分了圓柱的周長，中央的間隔便 以銅製弧形的匾額直書「樹靈塔」三字。而三支短柱與中央圓柱的下方，是一個31cm與60cm的基座，圍繞著三支短柱與中央圓柱。中央圓柱背側留有四個小孔，疑似為日 治時期掛設建塔緣由的告示所在。塔之第三段則為上方銅製塔尖，該塔尖彷若盤子相疊。","inHouseFeatures":"","buildingUsage":"目前以供民眾參訪為主","buildingKeyMaintainItem":"注意日常維護","buildingActualState":"樹靈塔之造型以變形的佛塔「佛教源頭的印度建築」為出發點所設計，由基座及塔身塔頂構成。本體則可分為三段組成，第一段為地面之同心圓臺階 5 層，第二段為石砌之圓柱型碑體，塔身直接書寫著樹靈塔，而無其他碑文，塔之第三段則為上方銅製塔尖，該塔尖已遭人竊取，現況保持良好。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"05-3628123*310","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0980037453號","registerDate":"2009-03-02 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船越正一作為業主，建築形式為和洋折衷式建築，是當時招待貴賓的處所，因應接各級長官、皇親貴族，故又建立起第二代貴賓館，在建立第二代阿里山貴賓館時並未將第一代貴賓館拆除重建，因此第一代貴賓館與第二代（現今）所建的貴賓館曾併存一段不短的時間。1941年（昭和十六年）第一次也是唯一一次曾於第二代貴賓館落成後接待皇族成員。\n1949年（民國三十八年）開始連三年蔣中正總統到此遊憩，1951（民國四十年）後蔣中正總統與家人有很長一段時間再前往阿里山，1958年（民國四十七年）至1963年（民國五十二年）蔣家成員開始頻繁的前往阿里山遊憩，並且前往貴賓館前拍攝紀念合照，可見蔣家對於阿里山賓館的喜愛。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"該館原本是營林嘉義出張所所建之招待所，因為位於阿里山上，氣候寒冷、地點偏僻故建成後使用率不高。然自昭和十年（1935年）日人於台灣舉辦始政四十年博覽會時，重新整修，作為整個展覽會之一部分。台灣光復後先總統蔣公亦將此設為行館，數度曾在此避暑。因此其建築及裝飾皆細膩精巧，深具文化資產價值，爰予以指定為縣定古蹟。","lawsReference":"1.《文化資產保存法》第14條第3項\n2.《古蹟指定及廢止審查辦法》\n","govInstitutionName":"嘉義縣政府","addresses":[{"itemNo":1,"cityName":"嘉義縣","distName":"阿里山鄉","address":"阿里山國家森林遊樂區內"}],"longitude":120.811547249801,"latitude":23.5116843053552,"govInstitution":"嘉義縣政府","govDeptName":"嘉義縣文化觀光局","govDeptAddress":"嘉義縣太保市太子大道158號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2025-09-02/8c024505-1340-45b0-8f23-e07aeac0116d/林業保育署嘉義分署歷經8年多歷史調查、規劃設計及施工，今年完成「阿里山貴賓館」的修復_72495_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2025-09-02/8c024505-1340-45b0-8f23-e07aeac0116d/林業保育署嘉義分署歷經8年多歷史調查、規劃設計及施工，今年完成「阿里山貴賓館」的修復_72495.jpg","name":"林業保育署嘉義分署歷經8年多歷史調查、規劃設計及施工，今年完成「阿里山貴賓館」的修復_72495"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"農業部林業及自然保育署"},{"ownerType":"建築所有人","ownerName":"農業部林業及自然保育署嘉義分署"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20090302000004","buildingFeatures":"阿里山貴賓館主體以檜木為主，輔以石材，因阿里山地屬寒冷、溼氣重，因此將外圍的地基抬高，實牆築於兩排矮短柱內。在整體的結構系統上，從基礎、地板、牆體、柱、屋架、屋頂…， 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12】緣側，也是全棟建築最重要的後庭，緊貼著緣側的為【和館 01】座敷、【和館 02】主居間，為並排之空間，以上三者空間則被和館【和館 10】走廊區隔獨立成為一區。相對【和館 01】、【和館 02】、【和館 12】的為【和館 03】座敷、【和館 04】組合居間、【和館 13】南緣側，亦被和館走廊【和館 10】區隔獨立成為一區，另外【和館 13】南緣側則為全棟面對山石造景為主的前庭；\n緊鄰【和館 04】組合居間的為【和館 05】廚房，配置上放置於邊緣，並且會有對外的出口。介於洋館和和館之間的空間為【和館06】，與【洋館 02】間有一扇連通的門扇，該空間應該是【洋館 02】的儲藏空間。【和館 07】浴室與【和館 08】廁所並排，且與【和館02】主居間緊鄰。【和館 09】儲藏室位於全建築之中心處，有一出口與【和館 10】走廊連通。【和館 10】內走廊是貫穿和館的主要動線，和館的所有空間都需依賴著這條走廊互通，也是唯一一條聯繫與分隔和、洋館的「室內通路」，長為1450cmX寬175cm。【和館 11】內走廊，最初功能是建築物的第四個玄關，並與【和館08】的門扇連接；和館最東方則為【和館14】增建空間，原為加建廚房，後期則為儲藏室。\n屋內有溫暖的壁爐，窗戶出簷也因山區雨多而特別深，亦有不少小巧裝置的設計如戶袋、和式推門等其細膩精巧程度可見一斑。","buildingUsage":"目前以供民眾參訪為主。","buildingKeyMaintainItem":"經近年來多次修復狀況和資料來看，阿里山賓館最常損壞的地方為屋頂，應詳細的對屋頂進行研究後，再行擬定完善的修復設計、施工流程，宜多注意建築潮濕問題。","buildingActualState":"保存狀況良好，因氣候潮濕，需注意防潮措施。","wenSitename":"農業部林業及自然保育署嘉義分署","wenSiteaddress":"https://chiayi.forest.gov.tw/","govDeptPhone":"05-3628123*310","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0980037448號","registerDate":"2009-03-02 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二、原住民誤殺 三、拒戰被殺 四、原住民索首級殺吳鳳 五、吳鳳掩護他社而被殺等。實情如何？因現存資料都是再傳聞的二、三手史料，很難據以考證或論斷。吳鳳死後，碰巧阿里山各社發生疫癘，死亡相繼，致使原住民深信是吳鳳亡靈作祟，遂立誓不再出草。可能因吳鳳死後種種異象，鄒族一時不敢再向嘉義一帶出草，再加上與布農族之鬥爭，及由原住民擔任通事，減少了被剝削扣社租情形，減低衝突因素，漢人與原住民之間維持了近百年和平相處的歲月，所以到了清領末期、日治時期，阿里山原住民在漢人與日人眼中，認為「素稱馴順」，並且認定是吳鳳捨身取義的影響，造成日後一些爭論的出現。總之，不論吳鳳之死是否真對阿里山原住民出草習俗有影響，至少反映出當時出草事件的減少，故附近漢民感念吳鳳，立祠祀之。嘉慶末年，由通事楊秘推動，在社口莊吳氏邸址，創建祠宇，每年八月，以其殉職之日為期，虔誠祭祀。此後，吳鳳廟迭有興修，至1985年(民國74年)擴建成吳鳳紀念公園。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"《文化資產保存法》","govInstitutionName":"嘉義縣政府","addresses":[{"itemNo":1,"cityName":"嘉義縣","distName":"中埔鄉","address":"社口村23鄰社口1號"}],"longitude":120.54127644386,"latitude":23.4460047914066,"govInstitution":"嘉義縣文化觀光局","govDeptName":"文化資產科","govDeptAddress":"嘉義縣太保市太子大道158號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37776/photo/c0a1ef5c-b3fc-48cb-809a-edcf1f3d7b6b_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/37776/photo/c0a1ef5c-b3fc-48cb-809a-edcf1f3d7b6b.JPG","name":"c0a1ef5c-b3fc-48cb-809a-edcf1f3d7b6b"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"吳鳳廟管理委員會"},{"ownerType":"建築所有人","ownerName":"中埔鄉吳鳳廟管理委員會"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000040","buildingFeatures":"由於吳鳳紀念園之設置，於吳鳳廟四周所增建之崇仁館、尚義館兩座靜態及動態陳列館、根香廳、益智館及管理中心等，皆採取類似的語彙與庭園建造原則。","inHouseFeatures":"拜殿和正殿是主要的祭祀空間，後方的廂房為會客室，文物展示室，後殿則供奉吳鳳的神位。","buildingUsage":"多處雕刻遭竊，因位於吳鳳紀念園旁，遊客亦至此參拜，廟旁遊樂園將院牆以磚砌高，並加設鐵絲網部分邊門被封死。","buildingKeyMaintainItem":"日常管理維護","buildingActualState":"本廟的入口牌樓造型十分莊重嚴肅，採用「五岳朝天式」山牆的造型，穿越牌樓後，取代一般廟埕廣場的是一片廣闊的綠蔭和步道，這是因為本廟的祭祀著重於紀念性，而非大型的祭祀慶典活動所致。拜殿和正殿是主要的祭祀空間，後方的廂房為會客室，文物展示室，後殿則供奉吳鳳的神位。","wenSitename":"嘉義縣文化觀光局-縣定古蹟吳鳳廟","wenSiteaddress":"https://www.tbocc.gov.tw/SightLib/Sight_Detail.aspx?id\u003d5a32bd6f-9bd3-e411-a5d3-e4115b13f301\u0026page\u003d1\u0026\u0026SearchPagSize_Data\u003d10\u0026SearchDisplay\u003dclose\u0026SelectData_KeyWord\u003dall\u0026SelectData_Place\u003d28d8b973-29d1-e411-a5d3-e4115b13f301\u0026SelectData_SightClass\u003dall\u0026lang\u003dtw","govDeptPhone":"05-3628123#312","announcementList":[{"classification":"指定/登錄","officialDocNo":"74府一字第74114號","registerDate":"1985-11-27 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1.8m、面寬3.8m 的太子樓；磚造主體部分正面中央明間，突出的高聳牌樓與門廊，左右共3開間所形成，共兩層樓，一層樓高的左右兩翼並向外並向後延伸呈ㄇ字型，就外觀看正面是傳統三段式組合，為台基、牆身（門窗）與屋頂三部份作法。主體正面牆為厚實的清水紅磚，牆上為細長方窗；屋頂則以日本黑瓦為用材；牌樓內面的圓拱下方為兩支白色方柱，為縱向裝飾元素，柱面作內凹方形線腳，柱頭飾有忍冬草圖像，以分隔成三樘長窗。拱圈以紅磚砌築，圈頂中央有簡單幾何線條。西式柱頭上還刻有單向突出的花草飾，圓拱中央｢拱心石｣為一大長條裝飾。二樓左右及後立面牆頂，飾有磁磚環繞的水平帶，磁磚尺寸為 23× 10 × 1.5（cm）採上下雙排，長向垂直排列，環繞過二樓左右，直至後面。","inHouseFeatures":"東石郡役所面寬與進深約 53 × 54m。正面去除一側之不對稱翼，主體格局為 35m 面寬，深度上到達後側距離為 39m。主要可分為以下空間 : （一）入口及派出所、（二）辦公空間、（三）值勤人員使用空間、（四）各組使用空間、（五）二樓大型集會空間。\n前棟建築兩側為一層、中央為兩層，蓋瓦磚木造。內部立面的牆面高為4.8m，構材為西洋紅磚以英式砌法構成，在外觀上將洗石子裝飾劃分上下段牆面，中間則為清水磚形式表現。東石郡役所太子樓兩側內牆為編竹夾泥牆外牆為雨淋板。","buildingUsage":"現為朴子警分局","buildingKeyMaintainItem":"","buildingActualState":"目前為嘉義縣警察局朴子分局使用，就現況看，郡役所建築因屋面破損產生漏水而破壞建築結構。在現今因辦公使用架設許多電子設備，在未妥善規劃電氣加裝設備下配置略顯凌亂，造成觀瞻障礙和導致電氣走火等安全問題，至於木屋架雖有蟲蟻侵蝕但還不致有結構影響。但外觀仍然維持相當程度的初建樣貌。","govDeptPhone":"05-3628123*310","announcementList":[{"classification":"指定/登錄","officialDocNo":"府授文資字1030003905號","registerDate":"2014-01-21 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公分的洗石子描繪，藉以凸顯拱圈的入口意象，並藉由迴廊的建築手法來避免陽光直射屋內，翁清江宅的廊柱為矩形，斷面尺寸約為115公分×35公分，廊柱柱礎皆以線腳做裝飾，另外建築物的基座皆留設通風口。牆身部分，仍以磚牆為主，與洋樓的砌築方式相同（平英式砌法）。\n","inHouseFeatures":"翁清江宅第一進洋樓的空間格局以中間為穿廊，廊道寬為230公分，深度680公分。左側空間一樓分割為樓梯間與客房二處；右側為會客室，二樓則分為書房（寬350公分、深450公分）、乒乓球室（寬740公分、深420公分）、客房（寬450公分、深260公分）與樓梯間（寬為350公分、深230公分）。另右側空間一樓作為客房使用，二樓空間為翁氏族人讀書與休閒之用。內部天花為片狀木板天花，屋架是採用中柱式桁架。\n穿越洋樓，直見合院的正廳，合院的形制是以兩廂房與正廳為三合院配置，內部空間則以和式為主要空間配置，另有通廊做為連接。\n合院正身主要分為六個空間，中軸線端點設置神明廳，以神明廳連接二側的和室空間，並增設外護龍作為廚房使用。\n","buildingUsage":"居住使用，另開放遊客參觀","buildingKeyMaintainItem":"1.\t確保全棟防水予排水性能\n2.\t加強通風避免室內及壁體潮氣蓄積\n3.\t持續觀察建築有無裂縫損傷並做適切處理\n4.\t具體充分的防火和自主滅火能力\n","buildingActualState":"已於2012年（民國一百零一年）進行修復工程作業，2014年(民國一百零四年)修復完成。","wenSitename":"閣文化藝術基金會","wenSiteaddress":"https://www.csg-ca.org/main.html","govDeptPhone":"05-3628123轉312","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0970035885號","registerDate":"2008-02-26 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脊飾和燕尾起翹較大，背身也有花鳥題材的剪粘。脊飾為雙龍及福祿壽，福祿壽的背面作出背部，略為微佝僂。側面的垂背尾端作燕尾及水草捲螺，三角堵有簡單的花木剪粘。後殿背面的簷口搏風腳略有升起，開兩個疊砌花磚的氣窗剪黏。\n\n參考資料：東嶽殿古蹟修復研究（1990）","inHouseFeatures":"東嶽殿正身三開間，其牌樓面的構件由三川殿移置於正殿之前，使正殿兼具三川殿之功能，後壁堵次間設後門通後殿，兩側山牆亦設側門。正、後殿之間亦有過水廊及丹墀，深度僅有3.9公尺。\n正殿深三間，採用了三柱式的構架，為「井」型平面，其步口寬僅1.25公尺，三通五瓜型式構架，通樑上置瓜筒，疊兩斗，束及束橢下作卷草型的小雀替是其特色，員光為細密的花鳥雕飾，兩側以回字紋卷軸作框。後殿則為四柱式構架，構件比較疏鬆但整體均稱，設有附壁簷柱，其前則設側間。地坪為磨石子崁銅條。\n過水廊是四架捲棚頂，正殿側的柱子減去，壽樑直接插內正殿後壁，因此在平面上有後側的一根柱子。壽樑下不作雀替，上置雕飾的連二楹兩個，是過水廊正面比較有裝飾性的部分。廂房與正身之間的三個過水廊作法不同，前過水廊的童柱是「披肩尾」式，束尾雕雲紋，次過水廊的童柱僅邊削角。後過水廊則是瓜柱形式，三者都是捲棚頂。\n後殿深四間，設有附壁簷柱，構架為四柱式深七架，前後步口僅一架椽木。架内作二通三瓜，瓜筒上疊兩斗，束橢皆作成雀替形式，木不作肥身，在作法及風格上和正殿相似，而牌樓面斗三升的補間舖作，與正殿不同。\n廂房深度淺，僅一間，通樑貫穿過簷柱成為出櫸，另一端插內後壁，通梁上置瓜柱。而廂房分為前、後兩段，前段四間寬，後段三間寬，可供法事使用。\n\n參考資料：東嶽殿古蹟修復研究（1990）","buildingUsage":"","buildingKeyMaintainItem":"木構修復、剪粘修補、彩繪、水電消防","buildingActualState":"","wenSitename":"東嶽殿資訊網","wenSiteaddress":"http://www.dyd.org.tw/","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"台內民字第357272號","registerDate":"1985-11-27 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〈重建景福詞碑記〉始見「景福祠」之名稱。在臺灣常見為「福德祠」或「福德廟」的土地廟，其次「福安宮」，而稱「景福祠」者較少。以「景福祠」為名，殆取「景星錫福」之意，祈能為佛頭港帶來繁榮景象，使街民皆能感土地公之神恩福德，誠如本廟對聯「景運重新壯觀佛港，福星照共沐神庥」所言之意。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"依中華民國73年2月22日頒行之文化資產保存法施行細則第66條綜合評定之","lawsReference":"1.依據文化資產保存法(中華民國71年5月26日總統令公佈)第27條\n2.依據內政部七十四年十一月二十七日七十四臺內民字第365545號函辦理。","govInstitutionName":"臺南市政府","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"中西區","address":"普濟街四十四號"}],"longitude":120.198430666844,"latitude":22.9977038639896,"govInstitution":"臺南市政府","govDeptName":"臺南市文化資產管理處","govDeptAddress":"臺南市中西區中正路5巷1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2025-04-15/f1804c8b-156e-4809-8667-ce5cd9fc3512/古025臺南景福祠_P001_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2025-04-15/f1804c8b-156e-4809-8667-ce5cd9fc3512/古025臺南景福祠_P001.jpg","name":"古025臺南景福祠_P001"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"景OOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000054","buildingFeatures":"景福祠屬沿縱深發展的長條形街屋式建築，臨街正面面寛狹窄，主要為福杉建材。景福祠無廟埕，僅以原廟前街巷作為出入廟內的通道。前方廟埕左方有一金爐鄰接鄰房山牆而立。拜殿簷柱旁有一日治時期存留，鋼筋混凝土構造的消防柱。設有碑亭形式的〈佛頭港福德祠碑記〉及〈重建景祠碑記〉石碑。\n拜亭屋頂為馬背屋脊形式，以四柱木石接柱承重。拜亭整體以殿前及殿內為彩畫之重心，其他如內面向左、右外邊（背），只單一素漆朱色，以為其輕重之分。屋宇上方的裝飾以脊上剪黏磁貼為主，正脊線角皆以綠、紅、白三色馬賽克貼飾，其上有福祿壽三仙立於中部，旁有雙龍及護法，正中凹部位飾以鯉躍龍門。後坡垂脊為水草剪黏收尾，前坡則各塑有天兵天將剪黏。現拜亭有些構件為鋼筋混凝土構造，無柱珠。\n正殿屋頂為硬山單簷燕尾式，原為翹脊無顯突出，由桷仔、望磚、座灰、瓦片、筒瓦及屋脊組合。正脊為大脊形式，探用高厚的「工」字形式，其上方有「雙龍搶珠」雕塑及剪黏裝飾。剪黏亦以正脊上同拜亭，則上飾有龍護塔剪黏。兩側山牆頂，各有獅子銜環及壺樣之泥塑裝飾，兩旁則有舊式壽字紋飾邊。\n\n資料來源：臺南市三級古蹟景福祠調查研究及修護計畫（1997）、台南市第三級古蹟景福祠修復工程施工紀錄工作報告書（2004）","inHouseFeatures":"主體建築以沿街面為始，依序為廟外街巷、拜亭、正殿等空間。空間使用區分為面臨人和街的廟宇祭祀及對街管理委員會大樓。\n拜亭為六架楹捲棚疊斗式的木構架方式（不包括出挑的挑簷枋），以朱漆為底，再加綠邊勾線為飾，加以劄牽樑連接正殿的建築體。前後簷壽樑枋心分別為「招財進寶」、「富貴壽考」圖，同於藻頭分以牡丹及雞花鳥飾之，枋心藻頭中則飾卷草紋及由紅綠為主分層之箍頭。拜亭左右大通心則繪有龍騰、虎嘯雙圖。大通上方之坐鬥朱黃漆為底，上出如意紋飾刻痕，順瓜鼻所出勾以黑邊修飾。拜亭脊樑，內外脊之上分別繪有「兩儀」（誤作「雨儀」）及「四象」圖卦。\n正殿內部屋身單開間，為十一架楹式構造，承重牆以六根附壁柱附著於兩側山牆。廟中前方有一燈樑橫置於前坡三、五架楹下方，神龕則配置於後坡七架及九架楹之間，由花罩與隔扇窗組合而成。正殿地坪除後段神龕內舖尺磚外，其他皆舗六角形地磚，亦有花崗岩收邊。\n正殿前方步口的「牌樓面」，由門上方形楣樑及前坡七架楹之間的各部構件疊置組成，牌樓面步口挑簷部位皆探硬挑方式，正栱後方的短形「步通」下置短形「圓光」，其形制因只有一架之長度。步口上方兩側並懸有鐘、鼓各一，步口下方有香爐一鼎。\n牌樓面亦有石獅與石刻作品，如左堵頭下身堵牆身作「南極仙翁」，為減地平及极浮雕作法，左右堵之裙堵「麒麟」、櫃臺腳處作裝飾紋，右堵身堵分作「旗球（祈求）」等，為圓雕作法。中間大門有「加冠晉祿」門神，兩格扇門以圓形雙交四碗窗櫺紋為主，左右門扇裙堵則分別刻有「南極仙翁」及「麻姑獻瑞」雕飾。\n壁畫皆繪於泥壁之上，泥塑施以人物頭部，邊框則團狀飾修。兩側山牆各有大幅雕塑兩幅，左幅「郭子儀問安」，右幅「程咬金獻瑞」，分別原為「郭子儀開安點鎮圖」及「程咬金褒九錫圖」。廟內有「惠我無疆」、「正直為神」、「福德浩瀚」、「景行錫福」等老匾。神龕之上落有「歲次辛西年重修吉旦」，上方懸「萬物生」古匾，中以青綠為地，邊梃漆金草紋樣於朱地之上。神龕牌樓面有幾腿罩及隔扇窗各一，左透雕鳳凰麒麟，右雕仙鶴、神龜，兩側亦有隔扇門各一以通神龕內部，上木雕關雲長「千里兄」及「過五關斬六將」主題。神案後方由彩繪壁磚組成。\n\n資料來源：臺南市三級古蹟景福祠調查研究及修護計畫（1997）、台南市第三級古蹟景福祠修復工程施工紀錄工作報告書（2004）","buildingUsage":"","buildingKeyMaintainItem":"","buildingActualState":"","wenSitename":"台南旅遊網","wenSiteaddress":"https://www.twtainan.net/zh-tw/Attractions/Detail/702/%E6%99%AF%E7%A6%8F%E7%A5%A0","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"台內民字第357272號","registerDate":"1985-11-27 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15:38:04.0"}],"documents":["https://data.boch.gov.tw/upload/documents/2021-10-12/70fdb462-38fa-43a3-83d2-123decd79b6d/赤崁樓公告.jpg"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/75050/photo/7a8bd081-3a26-45da-b22b-2122a4fdc156.jpg"],"repImgId":161567},{"caseId":"19850819000067","openUpTime":"08:00~20:00","openVisitType":"1","openVisitTypeText":"完全開放參觀","caseName":"北極殿","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A2","name":"寺廟"}],"pastHistory":"北極殿主祀玄天上帝，又稱北極大帝、北極佑聖真君、開天大帝、元武神，俗稱上帝公、上帝爺或帝爺公。是北極星人格化的崇拜屠宰業奉為專祀的神祇;一般婦女認為玄天上帝是保護孩童的，所以每逢農曆三月三日上帝爺誕辰的那天，都帶著小孩一起去祈求平安。目前，民間所崇拜的玄天上帝像，是披髮赤腳，手持寶劍，腳踩龜、蛇各一，象徵真君仗劍伏二妖的傳說。臺南北極殿俗稱大上帝廟，創建於明永曆年間，位於當時的府治鷲嶺臺地，因地勢高亢，更顯現廟宇的壯觀魏峨。其後，歷經多次重修，其中還因桐山營兵聚居於廟內，顯得雜亂，前於清嘉慶7年 （西元1802年）在廟後闢建公館，供營兵及同鄉暫住，故也稱桐山營曹館。明治40年（西元1907年）日本人因施行市區改正，闢建道路，而將廟前拆除，到了民國53年（西元1964年），又因市政府拓寬民權路為十五公尺道路，再度被拆。目前的前殿只得做成騎樓形式，再上七級石階才是入口，為三開間，門內的拜亭是民國60年（西元1971年）重新改建的，正殿供奉玄天上帝神像的神龕華麗繁複、金碧輝煌，由四根金柱頂住層層出挑的到栱，宛如大建築中的小建築。因此，北極殿自建立以來，經過多次翻修，現今的樣貌、結構主要是由日治時期與二戰後翻修所確立，現況廟貌為店屋廟宇之型態。民國96年（2007年）完成修復工程，由徐裕健建築師事務所負責設計監造。本廟甚為高聳巍峨，又建於鷲嶺之上，古諺有「上帝廟埁漧，水仙宮簷前」之語，亦即指北極殿之廟埁竟然比水仙宮之廟簷還高，也證實了府城大街由鷲嶺往西漸低之地理特徵。","judgeCriteria":["具歷史、文化、藝術價值","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"依中華民國73年2月22日頒行之文化資產保存法施行細則第45條綜合評定之","lawsReference":"依據文化資產保存法(中華民國71年5月26日總統令公佈)第27條","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"中西區","address":"民權路二段八十九號"}],"longitude":120.204712899725,"latitude":22.9944888429422,"govInstitution":"文化部文化資產局","govDeptName":"古蹟聚落組","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-08-23/c62142dd-fd6f-4dfe-8a0d-cf29a3473f83/P6180096_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-08-23/c62142dd-fd6f-4dfe-8a0d-cf29a3473f83/P6180096.jpg","name":"P6180096"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"北OOOOOOO"},{"ownerType":"建築所有人","ownerName":"北OOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000067","buildingFeatures":"北極殿建築外觀由前往後可分為：三川殿、中庭、正殿拜亭、正殿（含後檐廊）、後殿拜亭、左右廂房、龍、虎井、後殿。\r\n三川殿：面闊三開間，為整座廟宇的門面，同時具有面向外部環境與面向中庭的兩個主要立面，左右向立面。三川殿空間格局可分三個部分：1.三川殿騎樓部分；2.階梯與三川殿排樓部分；3.三川殿後檐步廊部分。\r\n中庭：「庭」和「天井」同屬廟宇建築中之外部空間，需寬深適中，層次分明，方得風水形家「藏風納氣」的要點。\r\n正殿：面闊三開間，計寬二丈七尺七寸，整個正殿在形制上屬於大型廟宇建築。\r\n後殿拜亭：為四柱造、獨立形制的的後殿拜亭。\r\n後殿：面闊三開間，整棟屋架採對稱中軸配置，四點金柱、前檐柱與左、右兩側的承重山牆、後方的後檐牆共同組構而成後殿主要結構。","inHouseFeatures":"三川殿：屋頂下的前檐騎樓部分是東北向立面陰影最深的部分，前檐龐大屋面的陰影效果分布於逐級上升的山門牌樓面上，在明亮高聳的屋頂坡面對比下更顯得山門凹入，強烈的製造出廟宇「入口」的意象。\r\n正殿拜亭：堂中唯一使用方形點金柱的空間，位於中庭之後、正殿之前，雖緊鄰正殿卻獨立於正殿屋坡之外。其具四根點金柱、四根半圓附壁柱和兩坡落水的「暗厝」屋面。\r\n正殿：殿內尚保存著一方本市最古老的匾額，為鄭氏時期寧晴王朱術桂於明永曆23年 （西元1669年）敬獻的「威靈赫奕」，還有清康熙52年（西元1713年）臺廈道陳濱的「辰居星拱」匾。另外，雕刻拙樸的石柱礎和嵌在牆壁上的數塊碑記，都是具有參考價值的珍貴文物。\r\n後殿：大通上雖然有架置燈粱，但並無對祭祀空間進行更為明確的實質形式劃分。","buildingUsage":"道廟","buildingKeyMaintainItem":"屋頂防水、消防安全","buildingActualState":"正殿供奉玄天上帝神像的神龕華麗繁複、金碧輝煌，由四根金柱頂住層層出挑的到栱，宛如大建築中的小建築。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"(04)22177676","announcementList":[{"classification":"指定/登錄","officialDocNo":"74台內字第338095號","registerDate":"1985-08-19 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年\n西側高塔牆壁發生龜裂，且地基下沉。經認定高塔有隨時倒塌之慮，因當時尚未有古蹟修繕之觀念及經驗，乃由司法行政部撥付專款加以拆除，而形成今日東側圓頂、不見西側高塔之外貌。\n1991 年\n內政部於4 月2 日召開「全國古蹟會議」，並於公告指定臺灣臺南地方法院為「二級古蹟」，公告文號為台(80)內民字第921648 號，成為國內第一批被正式列級之日治時期建築之一。\n1997 \n原臺灣臺南地方法院變更為「國定古蹟」。","judgeCriteria":["具歷史、文化、藝術價值","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"１、 具歷史、文化、藝術價值\n２、 重要歷史事件或人物之關係\n３、 各時代表現地方營造技術流派特色者\n４、 具稀少性，不易再現者\n５、 具建築史上之意義，有再利用之價值及潛力者","lawsReference":"符合古蹟指定及廢止審查辦法第2 條第1、2、3、4、5 款規定","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"中西區","address":"府前路1段307號"}],"longitude":120.200988443081,"latitude":22.9895174873611,"govInstitution":"文化部文化資產局","govDeptName":"古蹟聚落組","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-02-20/1f706df9-9e6f-4eb1-8135-6d28c96c05cd/DSC02473修_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-02-20/1f706df9-9e6f-4eb1-8135-6d28c96c05cd/DSC02473修.jpg","name":"DSC02473修"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"},{"ownerType":"建築所有人","ownerName":"臺灣臺南地方法院"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19910419000001","buildingFeatures":"入口位於北面東側，門廊為古典山牆形式，由八根柱子構成，其處理方式是由兩側各有三根形成一組立於一個基座上，角柱為方桂，柱間之距甚小，中央則為獨立柱，各自立於基座上。\n\n柱子略帶有矯飾風格，變形介乎愛奧尼克柱式與複合柱式間之柱，四角渦卷之間，除了傳統之蛋鏢飾(eggs and arts)外，尚有垂帶(festoon)串聯，然其托板(abacus )卻不似一般愛奧尼克柱式之方形而是像複合柱式之內凹四角形，而渦卷之下柱身之上卻無複合柱式之主要特徵之莨苕葉飾(芼茛葉柱頭)( acanthus)。柱身不管是方柱或圓柱均採用有比柱身本體更大之方體與柱身相間形成之凸緣柱體，基座則於角落為長方形，中央為方形。山牆部份，楣樑與額枋並沒有分野，形成一體，只有在角落部份略為突起。\n\n山牆之主體部份並無裝飾，但開一眉形開口，由二短柱分成三部份。穿過門廊則為正門，門框亦為西方古典形式，有繁複的裝飾紋樣，並且有一代表日本皇家的勳章飾，正上方則為一平拱拱心石，門廊之天花有藻井處理，大門之內則為此建築最氣派華麗的大廳空間。","inHouseFeatures":"門廳內中心部份有十二根柱子，每三根為一組立於一基座之上，柱頭為標準之複合柱式，上承蓋盤。柱身分上下兩段，上段為凹槽，下段為勳章飾。蓋盤之上為一鏤空藻井式圓頂，以類似拜占庭建築之弧三角接於蓋盤之上，弧三角部份亦有華麗之裝飾。除了中心部份之十二根柱子外，大廳與其他空間相接之處，尚有與門廊類似之柱，如有開口則為獨立圓柱。如為壁面則為半圓壁柱，上皆承托蓋盤，蓋盤之上則為圓拱圈，拱圈內為勳章飾，而所有位於大廳與其他空間相接之開口部亦都有古典形式之門罩處理。\n\n大廳之上在外觀上為圓頂，鼓環（drum）部份為八角形，角隅部份為巨大之渦卷牛腿飾，正向之部份則為拱圈，內為帕拉底歐式之分割為中央圓拱及兩側較小之方窗，圓拱之上為巨大之拱心石，而兩側則各有一對方體突緣短柱，柱頭為托次坎形式。\n\n次要入口位於正向西面，亦有古典形式之門廊，門廊亦有八柱，左右三柱各成一組，由一根方柱及二根圓柱組成，中央為獨立圓柱。柱式為托次坎形式，上接楣樑，楣樑上為額枋，額枋上為三槽石及小間壁，三槽石之下並有珠飾。","buildingUsage":"開放參觀中\n\n","buildingKeyMaintainItem":"屋頂防水、白蟻防禦、飾帶、浮雕、紋飾脫落","buildingActualState":"目前為司法博物館","wenSitename":"","wenSiteaddress":"","govDeptPhone":"(04)2177777","announcementList":[{"classification":"變更/修正","officialDocNo":"文資局蹟字第10330114152 號","registerDate":"2014-12-16 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ceiling），漸層退縮，用「卵簇」裝飾收邊，天花板中央置泥塑花葉紋中心飾。花葉紋為太陽花紋，結合十二片花瓣形成時鐘狀，中央心蕊迴圈，象徵頭頂陽光，後變更為泥塑花瓣，尺寸276公分*276公分之模具化製品。\n室內金屬雕飾裝修分為三大特色：內牆面之獅像裝飾（銅皮）與立面獅頭像意義相同，均具有征服之意義；萬字金色八角盤飾（銅皮）蕉葉紋，以芭蕉葉為題材而組成帶狀紋飾；亞鉛板裝飾雷紋形裝飾之雷紋與雷紋間的裝飾為花紋幾何化的蕉葉銅皮，大小約為44公分*44公分。\n\n資料來源：市定古蹟原日本勸業銀行臺南支店調查研究與修復再利用計畫（2018~2022）","buildingUsage":"","buildingKeyMaintainItem":"","buildingActualState":"","wenSiteaddress":"","govDeptPhone":"06-2213597","announcementList":[{"classification":"變更/修正","officialDocNo":"府文資處字第1000393784號","registerDate":"2011-06-24 00:00:00.0","note":"直轄市升格"},{"classification":"指定/登錄","officialDocNo":"八七南市民文字第20283號","registerDate":"1998-06-25 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中正路5巷1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-08/e692fc1a-b949-4989-b560-2536d1c0d39f/S__10453023_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-11-08/e692fc1a-b949-4989-b560-2536d1c0d39f/S__10453023.jpg","name":"S__10453023"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"臺南市政府"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20030513000002","buildingFeatures":"「西市場」的空間組織型態為Ｌ型，R.C構造屋身，兩翼剖面成「凸」字形，中央入口走道為挑高二層樓，採對稱配置，與斜屋頂、上開天窗的左右店家可區分為中央棟、東翼和北翼三大部份。\n中央大廳屋頂其上有避雷針，朝東北面上開3面老虎窗，二樓中央有一半圓山牆，下有牌額書寫「臺南西市場」，兩旁各開有矩形窗，其入口為圓拱型。太子樓之牆身開口部有兩處，其中底部的格栅窗装飾，其上的窗戶内凹於柱子，上半部有一眉型窗框，由2短柱分成3部份，飾拱心石，並有線腳裝飾。\n北翼入口開方拱形門洞，兩旁各開一弧形窗，其上置有小牛腿做為裝飾，居中的弧形山牆較兩側水平女兒牆高且寛，並飾有拱心石（keystone）為視覺焦點，其下並開一圓形氣窗；次要入口為三角形山牆，其上亦有拱心石，山牆兩旁飾以圓球，有半圓型開口。\n「西市場外賣店第二期（舊西海岸餐廳棟）」為Ｌ型三層紅磚（牆體）結合R.C造建築（樓板與開口部楣樑），由中央棟、西翼與南翼所組成，其建築立面有R.C水平出簷延伸至兩翼。外牆以洗石子與十三溝面磚裝修，三樓出簷下方則有洗石子裝飾物。南翼一樓為騎樓空間，連中央棟一樓通廊可至淺草商場，西翼更改為拱形開口。\n於古蹟本體外部及周遭亦保留抽取地下水的汲水器，設置北側僅剩下基座部分南側則保留完整。於古蹟本體南側之魚賣店，外部以磁磚拼貼或洗石子，更於磁磚上施作磁磚畫，磁磚上並作者（業者）落款，内容以風景畫居多。而兩棟西市場、外賣店所包圍中央之原淺草商場設有廣場噴水池一座。\n\n資料來源：臺南市市定古蹟「西市場」及「原臺南州青果同業組合香蕉倉庫」修復調查研究計畫（2009）","inHouseFeatures":"主要出人口設於中央棟，兩側皆可進出，樓高二層，有兩座樓梯可上下通。東、北兩翼以中央棟與中央走道連結，各設有三處次要出入口。中央走道的部份為挑高兩層樓的空間，兩側為中柱式屋架，為販售攤位空間，東翼主要為魚、獸肉之店；北翼則為蔬果、雜物等賣店。以方形鋼筋凝土柱來劃分，每二「間」為一攤位單位，並設有物品陳列臺，陳列臺以R.C造表面磨石子，部分有水泥粉刷或貼磁磚。\n西市場建築内部於大廳舆兩翼連接的部份，連接之門洞為弧型，兩旁有2半圓短壁柱，往上漸次收分，柱頭上承蓋盤；門口中央有長型拱心石，其兩旁並有裝飾。柱頭兩側2層次出挑牛腿承接楣樑，與之重直橫樑鏤空處理。\n北翼內牆面即賣店與賣店間之隔間牆，局部賣店間設有隔間牆，有磚砌與磚木砌兩類。尤其主入口棟與兩翼間此面牆，牆面開口邊設類似多立克洗石子圓柱，柱上承與線腳裝飾，圓柱旁兩側又各設有窗開口中間飾以拱形石。\n東北兩翼的中央通道部分與北翼各賣店内空間皆鋪設磨石子地磚，其大小約30*30公分，東翼店內以水泥地坪加上碎磚或是碎骨材為主。\n而「西市場外賣店第二期（舊西海岸餐廳棟）」有三層空間，一樓以樓梯連接二樓住宅空間。西翼南側與西側L型空間存有木造屋架，為日式小屋組的折置組杉木屋架，其下為木折天花，其餘空間為鋼構屋架，即一樓倉庫空間亦有R.C天花格架。整體內部牆身多以木隔板裝潢。\n\n資料來源：臺南市市定古蹟「西市場」及「原臺南州青果同業組合香蕉倉庫」修復調查研究計畫（2009）","buildingUsage":"","buildingKeyMaintainItem":"磚牆風化、白蟻防禦、屋頂防水","buildingActualState":"","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"南市文維第09218505410號","registerDate":"2003-05-13 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屋之間，平面呈現面寬窄而深長形，格局為二殿式ㄇ字形平面，無廟埕，空間依序為三川脊式之前殿、拜亭、正殿。兩側承重牆體乃直接利用鄰屋之共同壁，將屋楹搭設於牆體之端部，形成前殿與拜亭約在同一矩形基地上，正殿則順遂兩側牆體稍偏東位移。亦即金華府的進深牆體並非為垂直面闊之壁面。\n前殿、正殿均為磚木混合式，與鄰房共同壁，牆身由磚造表面覆以石材或灰泥。兩殿之兩側牆體延續自前殿而沿伸至後檐牆相接成ㄇ字形，牆體均厚約41公分。前殿亦為「出步起」作法。\n正殿屋頂為二坡硬山式，正脊施以小脊，脊頭為圓形，其屋面瓦片則因後期翻修後改為磚紅色陶製浪瓦。前殿屋頂為三川脊，正脊為燕尾飾，燕尾上有泥塑與彩畫。拜亭部份則為捲棚，屋面為仰合瓦造，採小脊屋面構造。\n壁體構成仿效格扇之作法，立面分為多層次，由下而上分別為前殿的「櫃臺腳」、「裙堵」為洗石子作；「腰堵」為泥塑、「頂堵」為洗石子作文字；「水車堵」為泥塑與彩畫，「水車堵」上方與「墀頭」間為「憨番扶柱頭」。\n\n資料來源：臺南市市定古蹟金華府調查研究與修復計劃（2005）","inHouseFeatures":"整體空間依序為前殿、拜亭及過水居、正殿。前殿以三開間之牌樓面及板門，作為內外空間之界定，其前步口以中央兩支檐柱支承步口構架，但未延伸至後步口，使後步口成為單開間。前殿上方左右各掛鐘、鼓一座。拜亭與過水，成為前殿與後殿間連通之走道，其地坪較兩殿略低一階，兩側過水更低；正殿為單開間，與南側後檐牆共同圍蔽出ㄇ字形。\n拜亭為捲棚式屋架，楹仔為偶數，其木構架之單元組構較正殿簡單，採減柱方式直接將兩側通構件置放於前殿與正殿的壽樑上。前殿、正殿均以兩側牆體為承重牆與木質屋架，採擱檁式構造，牆身由磚造表面覆以石材或灰泥。正殿室內除前牌樓面及神龕牌樓兩側設有附壁半柱外，均無承重之立柱輔助支承屋頂荷重。\n前殿與正殿共十支立柱，均為石質柱珠，僅有前殿前檐柱柱珠表面有浮石雕紋樣，碗形柱珠上有植物蔓狀之雕刻。木質立柱斷面均為圓形，而「柱珠」部份則有圓形與方形。為防止潮氣上升使木柱腐朽，便於木柱腐朽時之抽換，故均以石作為之。\n「前殿步通」為純木材圓雕塑造，僅有曲線的線腳及魚尾岔，無其他雕刻。其下「員光」如朝明間的左右兩面均為喜鵲與梅花，反面中央為蓮花形。牆堵處為雙龍相對。「瓜筒」則為金瓜形趴筒，有如意形刻花、透雕花栱仔。「牌樓」面之均有花草浮雕，門簪則為龍頭形雕飾。「步口雀替」有鳳凰刻花雀替、鶴銜紙卷雕刻。\n「洗石子作」於前殿步口明間兩側之抱鼓石及基座，正殿位於裙堵，主題為祥獅戲球或弄帶，龍虎堵之四周則以雙錢之圖形重覆排列構成邊框，象徵「雙全」之意。\n位於正殿櫃臺腳之浮雕均以弧形波紋表現，檐廊前段左右裙堵之主題分別為松與鶴及松與鹿，後半段則為麒麟踩帶。\n「泥塑」則位於檐牆之兩側牆堵、天井兩側牆的龍、虎堵上方及正殿之牆堵上。其中，天井左右兩側，即龍虎堵壁上，均係以泥塑出主要形體，再以彩畫上色於重點與背景，龍、虎之眼睛則以彈珠填補。大致構圖分別為以龍首為中心，龍亦騰雲翻江，龍身為有色料的剪黏鱗片；以虎踩於岩石上方並位居於山林中央，畫中亦有詩詞。龍虎堵上方之頂堵圖樣則以八仙頭部為泥塑，其餘以平面之彩畫之呈現。\n金華府前殿、正殿之鋪面均為菱形砌，而拜亭部份則為方形砌。地坪鋪設以素燒板磚為主，再以石材收邊。中央入口處有二階臺階。\n正殿內設神桌、神案及神龕木雕，以神龕最為細緻。神龕中央為「坐龍」圖樣之几腿罩，旁則為格扇透雕，以植物與瓶形圖案為主。\n\n資料來源：臺南市市定古蹟金華府調查研究與修復計劃（2005）","buildingUsage":"","buildingKeyMaintainItem":"彩繪風化脫落、木構件白蟻腐蝕、消防安全","buildingActualState":"","wenSitename":"台南旅遊網","wenSiteaddress":"https://www.twtainan.net/zh-tw/Attractions/Detail/745/%E9%87%91%E8%8F%AF%E5%BA%9C","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"南市文維字第09418518630號","registerDate":"2005-11-07 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15:41:33.0"}],"documents":["https://data.boch.gov.tw/upload/documents/2021-10-12/a3df6990-7185-4a17-ade1-865c96c5a5d8/五妃廟公告.jpg"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/75098/photo/0bc23f08-98af-4740-80f1-5152f1c40525.jpg"],"repImgId":97024},{"caseId":"19850819000072","openUpTime":"8:00~21:00","openVisitType":"1","openVisitTypeText":"完全開放參觀","caseName":"大天后宮（寧靖王府邸）","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A2","name":"寺廟"}],"pastHistory":"臺南大天后宮係由鄭氏時期興建的寧靖王朱術桂郡王府改造的，並且王府先是由寧靖王自縊前捨與佛祖為寺，後來鄭克塽降清，清之水師提督施琅(敕封天后志中施世榜作「施琅」)心懼康熙皇帝御極批判其「恃功驕縱」，乃改造了這座王府為大天后宮，當時倉促改建只刻意華飾，並未作太多構造性改造。在嘉慶末年大火又「幾夷為平地，僅存殘垣」，可見在原有基礎上重建於清道光初年時，再分批「復原乃募資而建」，所以並未完全改變原王府建構之主要規模，可是在增加石活上，確有體質上的局部改變，但其高亢宏發，自非臺灣其他廟宇可比；鑑於臺灣人民對於媽祖信仰虔誠，為收民心，乃奏請清政府將寧靖王府邸改建為媽祖廟，加封天妃為天后，廟稱「天后宮」（大天后宮又稱臺南大媽祖廟），為臺灣最早的官建祀典媽祖廟，由於建廟至今也有數百年時間，於是民國64年(西元1975年)起大天后宮分別的整修各殿，並於民國93年(西元2004年)修復媽祖神像頭部與身體，並於民國95年(西元2006年)完工。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具其他古蹟價值者"],"registerReason":"具有文化保存價值","lawsReference":"依據文化資產保存法(中華民國71年5月26日總統令公佈)第27條","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"中西區","address":"永福路二段二二七巷十八號"}],"longitude":120.201473163341,"latitude":22.9966165102096,"govInstitution":"文化部文化資產局","govDeptName":"古蹟聚落組","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-11-24/4aad5e27-f175-482a-9830-c55dd2ccfeaa/1.大天后宮前殿外觀 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"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"大OOOOOOOO"},{"ownerType":"建築所有人","ownerName":"大OOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000072","buildingFeatures":"擁有四進，寬達三開面的大天后宮，拜殿採用十架捲棚棟架大木結構，為現存臺灣廟宇中，獨一無二；窗櫺不刻細緻，龍柱及石獅已改為現形式","inHouseFeatures":"觀音殿供奉觀音為寧靖王生前所祭祀，年代久遠；而三寶殿本為清領時期官員祭祀時的所使用的更衣亭，19世紀中期，才改為三寶殿現狀。除了這些特色外，正殿後殿或三川門的古老龍柱或閩南式屋脊與屋簷亦相當古典美觀。","buildingUsage":"道廟","buildingKeyMaintainItem":"彩繪風化脫落、泥塑剪黏風化脫落、木構件白蟻腐蝕","buildingActualState":"大天后宮坐東朝西，建於斜坡地上，面對昔時的碼頭，因此建築物由前而後，級級升高，自前殿、拜殿、正殿至後殿，一進比一進雄偉。正面寬三開間，平面呈縱深式的四殿兩廊式配置。宮後連著供奉關聖帝君的祀典武廟，右倒是供奉觀音佛祖的佛祖廳。前殿石雕為日大正3年(西元1914年)所刻，龍柱及石獅已改為現形式。拜殿興正殿分離，中央天井宛若一池。\n特徵：大天后宮匾額頗多，其中清國皇帝御賜的「神昭海表」、「德伴厚載」、「與天同功」最為珍貴。而栩栩如生、尺寸碩大的媽祖神像，以及陪祀在左右的千里眼、順風耳，則是藝術上難得的佳作。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-22177676","announcementList":[{"classification":"指定/登錄","officialDocNo":"74台內字第338095號","registerDate":"1985-08-19 15:51:44.0"}],"documents":["https://data.boch.gov.tw/upload/documents/2021-11-24/4306ac71-f719-4707-8ed0-16e54d56bd94/古蹟公告大天后宮.jpg"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/75099/photo/de91f852-dbbe-4415-a03c-7c0df8b83457.jpg"],"repImgId":145929},{"caseId":"20040206000001","openUpTime":"尚未開放","openVisitTypeText":"","caseName":"原台南州立農事試驗場辦公廳舍","assetsClassifyCode":"1.1.2","assetsClassifyName":"直轄市定古蹟","assetsTypes":[{"code":"A99","name":"其他設施","other":"公共建築"}],"pastHistory":"臺南農事試驗場為日治時期臺南地區早期最高的農業研究機構，隸屬臺灣事務處，1901年（明治三十四年）後才設址於小西門外西南方的濱町三丁目。原臺南農業試驗場於1903年（明治三十六年）與臺北、臺中的農業試驗場合併成臺灣總督府農事試驗場時遭廢置。直到1923年（大正十二年）6月26日，總督府於清朝臺灣（南）府城城牆的迎春門東南方的陸軍射擊場原址，重新設立臺南州立農事試驗場本場，隸屬臺灣總督府中央研究所農業部。\n臺南州立農事試驗場本場其下便設有農藝部、育種部、農藝化學部、畜產部、病理昆蟲部及庶務部。建築物共有二十八棟均在創立二至三年內完成，其中辦公室（二棟）」，即為「辦公廳舍」之「東棟」與「西棟」。\n1946年（民國三十五年）二戰後初期，國民政府接收臺南本場後改稱「臺南縣立農事試驗場」，1947年（民國三十六年）更名臺南縣立農林總場，1950年（民國三十九年）為臺灣省臺南區農林改良場時期，適逢美援期間，農業部門配合「經濟建設四年計畫」支援工業發展，並以農產品出口爭取外匯，貢獻良多，其中「考種掛藏室」亦為重要建築物。1960年（民國四十九年）7月改稱為「臺灣省臺南區農業改良場」沿用迄今。","judgeCriteria":["具歷史、文化、藝術價值","具稀少性，不易再現者"],"registerReason":"1.歷史意義：農改場積累近百年，臺灣農業發展豐厚歷史蓄積，文化資產意義清楚。2.保存良好：就建築物本身的式樣格局有其特色及農改場產業的歷史意義，以及場內古木參天，並有美援所建的館舍，且所有館舍目前保存良好，均有列入市定古蹟的價值。3.造型特殊：在建物格構局，為日治時期非常特殊的建造，即不可替代。","lawsReference":"依據文化資產保存法第二十七條暨本市第二屆古蹟暨歷史建築審查委員會臨時會會議決議。","govInstitutionName":"臺南市政府","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"東區","address":"龍山里林森路1段350號"}],"longitude":120.221229794636,"latitude":22.9836421477506,"govInstitution":"臺南市政府","govDeptName":"臺南市文化資產管理處","govDeptAddress":"臺南市中西區 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8,516平方公尺。其基地北側為場長宿舍，丁種宿舍於基地南側，鄰近場長宿舍，以兩棟橫向排列座落，丙種宿舍則於丁種宿舍右側，以兩棟縱向排列座落。\n「農事試驗場宿舍群」為日式純木造建築，牆體由真壁式牆構成，大面積開窗，設木造日式壓椽雨淋板、左右開日式推拉門、推拉凸窗，窗下設有通氣用之「掃出窗」直柵式小窗（左右推拉式）。\n「場長」宿舍：為高等第二種官舍，屬一戶建平房（單棟），設有正、側及後門之口字型圍牆。屋頂屬寄棟屋根及入母屋根，「幣串」位於建築最高，牆面之角隅處有金屬銅片收頭。椽側（日式外廊）採大面積開窗，並設有出外的磚造踏階。黑薰、水泥屋瓦為「土居葺」工法，舊鬼瓦有「巴瓦」下方「「左三つ巴」三塊勾玉巴紋，及後期替換的僅兩顆新鬼瓦。\n「丙種」宿舍：共二棟。為判任官舍均屬兩戶建（雙併），戶與戶之間設有牆體，多以水泥板之圍牆區隔。屋頂屬日式寄棟屋根，面鋪日式軒瓦，建築牆面之角隅處有金屬銅片收頭。牆身以「質輕堅固」設置重簷式雨庇，連結覆以雨淋板、最上層為漆薄鐵皮（金屬板葺）。建築背無牆面，為室內椽側及室外平臺之間的連續大面隔板門，為格柵狀狀左右推拉門。\n「丁種」宿舍：共二棟。與丙種同為判任官舍，而較於丙種不同處，「丁種」多設似護龍（左、右廂房）建築體。屋頂屬日式切妻屋根，面鋪日式棧瓦，但牆體的雨淋板延伸至山牆之頂部，左右側山牆頂部各設ㄧ開口。\n「判任官舍」屋面鬼瓦多採用「影盛鬼瓦」作收頭，為「影盛一文字」鬼瓦，後鑲嵌有如階梯狀，次外擴延伸的層次水泥座，兩種瓦面紋路不同，為區隔職等之用。\n\n資料來源：市定古蹟原臺南州立農事試驗場宿舍群調查研究修復再利用計畫（2009）、市定古蹟原臺南州立農事試驗場宿舍群場長宿舍調查研究再利用計畫（2013）、直轄市定古蹟 原臺南州立農事試驗場宿舍群場長宿舍 修復工程工作報告書（2020）","inHouseFeatures":"「場長」宿舍：為42.75坪一戶建，外側的迴廊、走廊 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中正路5巷1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2025-05-02/021e6fcf-81e4-4076-b72f-cfe38ec8241c/古078原日軍臺南衛戍病院_P001_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2025-05-02/021e6fcf-81e4-4076-b72f-cfe38ec8241c/古078原日軍臺南衛戍病院_P001.jpg","name":"古078原日軍臺南衛戍病院_P001"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"},{"ownerType":"土地所有人","ownerName":"國立成功大學"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20030618000001","buildingFeatures":"台南衛戍病院本體建築可分為原管理室、原管理室附屬家、兩棟原病室、原消毒室與實驗室、原傳染病室、原講堂七棟建築及迴廊走道。中軸線偏東建築為原講堂、原消毒室與實驗室及原傳染病室，而中軸線建築之其餘四座建築中以犬走低點高程為「原南棟病室」最高，向南北兩側逐漸降低，且落其上的雨水，均可隨院區地形向南北兩向洩水。除原講堂以外，其餘建築皆為山形式屋頂、荷式砌法外牆，紅磚承重牆基腳均為米黃洗石子，南側設有走廊，立面元素有連續拱圈。\n「管理室」及「管理室附屬家」為水泥瓦屋面，前者屋頂設置老虎窗，後者則無。另外「管理室」東、南、西向牆面灰縫塗白漆，南側走廊拱圈之間上方有貼附菱形裝飾，南向入口山牆有三支旗竿、上緣心石和拱基貼附裝飾。\n兩棟「病室」為日式文化瓦屋面，屋脊有鬼頭瓦收頭。屋頂及天花板均設置通風塔、老虎窗及通風口的構造，木造上下窗形式。開口部之左右兩端小空間門扇大小為87公分，其餘大於105公分供病床進出。設有R.C造欄杆。\n「消毒室與實驗室」分東西兩側，分別為文化瓦及水泥瓦屋面。其南側設有一和式木造外廊，東側空間北側有一木造廊道與原傳染病室聯通。該外走廊立柱與立柱現況填實磚牆，僅於磚牆上開窗，應為戰後增築之構造。\n「傳染病室」為水泥瓦屋面。只以走道和北側傳染病室附屬家及南側實驗室與消毒室連接;「傳染病室附屬家」西側空間，即磚造加建空間，外部以水泥灰漿粉刷，北立面西側原設有入口。窗戶外部開口皆為清水磚平拱，下方設有洗石子窗臺。\n「原講堂」整體為獨立木造建築，兩批非對稱屋頂之水泥瓦，外部立面主要為西式雨淋板構造、洗石子裝修。\n台南衛戍病院東南段圍牆，整段圍牆最下兩層重石砌構造，其上為亂石砌構造。因設有傳染病室，現址基地西南段牆下半段（上半段砌紅磚） 與人行道之高差有200公分多，但牆愈往東段亂石構造之高度越少，至東南端石砌圍牆消失處時僅剩60公分。\n\n資料來源：臺南市市定古蹟原日軍台南衛戍病院調查研究與修復計畫報告書（2006）","inHouseFeatures":"整體建築的七棟建築空間及結構因為病院建築一樓樓下方需有良好通風，除了「管理室附屬家」及「手術室」，其他建築樓版下部構造均類似「管理室」有磚柱支撐。\n「原管理室」 屋架為偶柱式木桁架，内部隔間牆為砌磚，內牆之踢腳以洗石子上覆油漆，其餘則無。室內四周均有設置截水溝。窗戶上部為拱型楣窗，以木條分割為三塊玻璃；窗扇下部分為二種形式，一種固定玻璃及左右推窗，一種為上下均為左右木造推窗，室內側有窗臺板，川堂入口處有一櫃檯用開窗。\n「管理室附屬家」較靠近「病室」空間，以供應藥品或提供病室儲存空間配置為主。而「原管理室附屬家」異於「原管理室」處，則為標準型中柱式木桁架，樓板為填實。木製窗戶分為二種形式，一為左右推窗，內外側皆設有木製臺供為置物之只有一樘；二為上下拉窗，窗扇分割為九個30公分乘30公分玻璃。\n南北兩棟「病室」皆採變形中柱式木桁架，內部隔牆為砌磚，窗臺距樓板高67公分，下部設小窗；天花板距樓地板高度約4公尺，窗戶最上端距離天花板64公分。兩棟皆於中央走道左右兩側各設置2間東西向330公分、南北向237公分之空間。\n「消毒室與實驗室」內部隔間牆主要為砌磚、R.C、板條灰泥牆。西側空間具抬高樓板，西由板條灰泥牆將室內區分為小隔間。東側空間無抬高樓板，內部由一個大空間及三個小空間所組成。\n「傳染病室」與兩棟病室形式類似。而西側加建空間的木屋架構造為特殊之「釘打」木桁，在屋架構件接點間以鐵釘釘合而成。傳染病室地坪為抬高地坪，四周設截水溝。\n「原講堂」為真束小屋形式，中柱式木桁架構造，以兩種跨距之木桁架作模矩化組合。東側設有抬高之講臺。\n\n資料來源：臺南市市定古蹟原日軍台南衛戍病院調查研究與修復計畫報告書（2006）、臺南市市定古蹟「原日軍台南衛戍病院修復工程」工作報告書（2014）","buildingUsage":"","buildingKeyMaintainItem":"磚牆裂縫、磚牆風化、消防安全","buildingActualState":"","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"南市文維字第09218509130號","registerDate":"2003-06-18 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095號","registerDate":"1985-08-19 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fort）更可追溯至義大利文藝復興的觀念，整體影響歐洲達數世紀之久。二鯤鯓礮臺見證了稜堡式要塞類型之時代的尾聲。","lawsReference":"《古蹟指定及廢止審查辦法》第2條之指定基準。","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"安平區","address":"光州路三號"}],"longitude":120.159617907833,"latitude":22.9880337118747,"govInstitution":"文化部文化資產局","govDeptName":"古蹟聚落組","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-05-04/0d583b8a-6fd2-486f-9b49-7405fa20571c/二鯤鯓_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-05-04/0d583b8a-6fd2-486f-9b49-7405fa20571c/二鯤鯓.jpg","name":"二鯤鯓"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"臺南市政府(文化局)"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19831228000011","buildingFeatures":"二鯤鯓礮臺的建築是參考歐洲軍事工程思維，建造而成的方形平面加四稜堡」礮臺，四角凸出，四面中央凹入。凸出的稜堡安放大砲，做為遠攻之用；凹入的牆面，列洋槍隊，以防止近撲；周圍砌築磚牆及四面砌設磚墩濠溝，對岸砌外磚牆長253丈有奇（約809.6公尺）。","inHouseFeatures":"此古蹟無室內特徵","buildingUsage":"","buildingKeyMaintainItem":"","buildingActualState":"開放參觀","wenSitename":"","wenSiteaddress":"","govDeptPhone":"(04)22295848","announcementList":[{"classification":"指定/登錄","officialDocNo":"文授資局蹟字第11430090571號","registerDate":"2025-09-10 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t":"","caseName":"原德商東興洋行","assetsClassifyCode":"1.1.2","assetsClassifyName":"直轄市定古蹟","assetsTypes":[{"code":"A99","name":"其他設施","other":"洋行"}],"pastHistory":"清領末期安平開港通商，外商紛紛於安平小砲臺北方臨海沿岸設立洋行。東興洋行係由德國商人東興（Julius Mannich）與彼得森（J. Peterson）在安平洋行運河沿岸開設的洋行，英文行名為Mannich\u0026Co.。確切的創立年代不詳，僅知在1875～1895年（光緒年間）設立。據光緒6年（1880）海關報告，該年海關興築堤防時，海關周圍已有德記、怡記、和記、東興等洋行， 推論其創立時間，東興洋行至遲在光緒6年（1880）前即已存在。光緒7年（1881）後總公司因虧損，為德商Dircks＆Co.（中文譯稱萬鎰洋行）併購而轉換經營者， 惟其中文行名仍沿用東興洋行。東興洋行主要業務有樟腦、砂糖的出口買賣，並兼營航運及代理美瀚保險公司，其中又以樟腦為大宗。日治時期安平大港日漸淤淺導致航運受阻，後又因樟腦專賣政策的實施，東興洋行遂在明治31年（1898）撤離安平。之後由所有權者黃景祥將洋行建物租予日人，作為臺南辨務署安平辨務支署的廳舍。明治34年（1901），東興洋行成為臺南廳安平支廳廳舍。至日人離台為止，做為臺南警察署安平派出所之辦公廳舍。民國34年（1945）以後被充作製鹽總廠宿舍。民國72年（1983）7月臺南市政府收回東興洋行進行規劃修護，民國75年（1986）整修完竣。民國96年（2007）委外進行古蹟活化再利用。民國105年（2016）因地震受損。","judgeCriteria":["具高度歷史、藝術或科學價值者","表現各時代營造技術流派特色者","具稀少性，不易再現者"],"registerReason":"1. 具高度歷史、藝術或科學價值者：\n            清朝咸豐8年(1858)在天津條約下臺灣開放安平、淡水兩港為通商口岸。而東興洋行創建於清領 \n    光緒初年（1875～1880年間），主要業務為樟腦、砂糖的出口買賣，並兼營航運及代理美瀚保險公 \n    司，記錄著臺灣中南部的產業活動與貿易發展，並見證洋行與買辦經營方式。\n            昔日東興洋行臨運河沿岸而設，如今淤塞陸化地貌改變，而東興洋行依舊矗立原址，體現安平海 \n    岸線變遷之過程。\n             東興洋行見證清領末期臺灣開港通商及臺南安平地區海港發展興衰歷程，有其歷史意義。\n2. 各時代表現地方營造技術流派特色者\n              東興洋行建築構造包括臺基、地坪、牆身、屋面與其他構造(包括門窗、壁爐等)，整體呈現簡 \n      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、臺南市市定古蹟安平海頭社魏宅修復工程施工紀錄工作報告書（2008）","inHouseFeatures":"魏宅為單伸手住宅以正廳為主，其餘周旁空間則臥室居住功能。以入口進入後前院或埕，接由正面深入分成、正廳、臥室（一家族使用）；由右邊進入為廚房，其後方為單間浴室緊鄰一間臥室（一家族使用），廚房左側進入，為兩間臥室區域，由兩家族區分使用。\n整體屋架為擱檁跨在山牆上，中間有一架穿斗式屋架。主體正廳上為木架穿斗型式，在構件尺寸運用上有三種斷面型式，直徑18公分，瓜柱18*18公分，11.5公分*6公分束子，主要接合型式為榫接，瓜柱與牆板為單缺口搭接。\n古蹟本體正廳地坪為磨石子地坪，小港間、正廳後房、左護龍地坪主要以尺二磚鋪設，護龍上附水泥粉刷，正廳後房亦有局部上附壓克力玻璃，供觀賞其地坪原貌。 \n門窗開口部多為木製，有杉木併組板門作，連楹及連二楹的部分，除了杉木，亦有花崗石製。特殊門框為磚砌開口，外表水泥砂漿粉刷；窗戶多為內推式，少數為雙拉式；窗片分有八角窗、毛玻璃窗、四格式及六格式矩形窗形式。\n\n資料來源：臺南市市定古蹟安平海頭社魏宅調查研究與修復計劃（2003）、臺南市市定古蹟安平海頭社魏宅修復工程施工紀錄工作報告書（2008）","buildingUsage":"","buildingKeyMaintainItem":"屋架木構件鬆脫、變形、變位、木構件白蟻腐蝕","buildingActualState":"","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"南市文維第09218505280號","registerDate":"2003-05-13 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中正路5巷1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2025-05-02/fcf4e3ea-19c7-4577-9079-d77a34e0cc1a/古073安平盧經堂厝_P001_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2025-05-02/fcf4e3ea-19c7-4577-9079-d77a34e0cc1a/古073安平盧經堂厝_P001.jpg","name":"古073安平盧經堂厝_P001"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"臺南市政府文化局"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20030513000020","buildingFeatures":"盧經堂厝為二落大厝形制，土地面積有68.22坪。而伸手屋頂雖為平頂，但仍有中脊與平緩斜屋面之處理方式。\n建築物本體座北朝南，前、後落明間與位居其中的左右伸手及內埕空間，形成一「口」字型左右對稱的空間佈局，位於基地內側西北方。建築物外部空間包含了門樓、前埕以及庭園。整體空間由外而內為前院、門樓、外埕、前落、深井、伸手、後落、後巷等，以及東側的庭院。\n門樓、前落、後落屋頂皆兩坡落水之馬背型，而門樓之門開口部上之門額內外皆有泥塑文字分別內為「座對薰風」、外為「屏山帶水」；前落屋頂之屋脊，陽坡面施有泥塑裝飾，後落有開設天窗。\n前落、後落屋身依構造作法均其外部為磚造承重牆系統，以順砌方式疊砌，上覆砂漿灰泥，最外層油漆料近年塗上。而前落屋身屬「火庫起」，後落則是「出廓起」。\n組砌的裝飾主要有板磚、木料以及花格磚。板磚分為「圍牆開口」以左右交疊組砌；「外牆立面」以三種層次組砌回紋外框及字型裝飾，「門額堵」部分以「八達龜殼紋」組砌之裝飾圖樣。而花格磚則以開口窗及伸手平屋頂欄杆開口以組砌為主。木料則是走馬板及半樓仔欄杆為主。\n其他裝飾如樁石雕於台階側立面、柱珠上的雕刻以及門臼上浮雕裝飾圖案；木雕於後落步口之棟架鑿花、門窗的小木作，其次為柱粱接點構件鑿花。","inHouseFeatures":"外埕分為前後兩段，高程差約30.5㎝前半段，仍保留有舊時的飲水水井。前落、後落均為混合式之構架形式，分別為三開間穿斗式與擱檁式空間架構，而樓梯位於後落右前房邊，為古蹟內唯一作為連通伸手平台屋頂之工具，整體構造以紅磚疊砌而成，共10階。\n前後落的左右房則皆設有半樓閣樓空間，前落的明間為門廳，前後兩面入口皆設有凹壽聯通前外埕與深井；後落的「四房一廳」一廳為正廳，屏門中央擺設為祭祀神祈或祖先的神案。\n前落、後落室內之牆面包含隔斷牆、壽屏、門窗等大部分皆為藍色油漆，僅中脊仍維持原來的紅色漆料。兩落壽屏上方分別以圓形、方形、八角形組合方形，左右以花繪圖樣、中間以萬字不斷木料組砌成橫披窗。\n盧經堂厝之特色，在梁、柱與屏堵表面，有大面積塗刷「黑色單彩」，於一般民居極為少見。\n於盧經堂厝之彩繪仍保存完好僅後落正面隔扇門上的門板彩繪，其彩繪風格似日治時期流行的技法彩繪；前後落中脊粱的太極八卦彩繪、檐板彩繪。\n\n資料來源：臺南市市定古蹟安平盧經堂厝調查研究與修復計劃(2004)、市定古蹟安平盧經堂厝修復工程工作報告書(2015)","buildingUsage":"","buildingKeyMaintainItem":"彩繪風化脫落、磚牆風化","buildingActualState":"","wenSitename":"安平盧經堂厝Facebook粉絲專頁","wenSiteaddress":"https://www.facebook.com/LuMansion/","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"南市文維字第09218505290號","registerDate":"2003-05-13 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 交趾陶堵。而本廟屋脊剪黏出自佳里王保原匠師之手。\n立面亦可見三川殿為三開間的建築，平面格局為略成扁形的方形，開三門，三門皆為雙扇門，門神彩繪為蔡草如先生所繪。前簷柱為一對石雕龍柱，中港門楹前置石獅，小港門楹則用門枕石，排樓上半段為木作。墀頭的交趾陶「憨番扛廟角」及多堵作品分列對看堵兩側。\n\n資料來源：臺南縣第三級古蹟佳里震興宮調查研究與修護規劃（1997）、台南縣第三級古蹟佳里震興宮修護工程工作報告書暨施工紀錄（2004）","inHouseFeatures":"中軸主體依序由三川殿、拜亭（軒亭）、正殿形成連貫性的，以兩側山牆夾護呈一個獨立封閉的空間，於正殿左右兩側設置配殿，左右兩側護龍再以過水廊與中軸的正殿空間互聯。\n中軸主體建築除前側入口外，與兩側護室以兩側護龍僅於正殿前廊左右開門扇；正殿左右牆身各開有二扇圓窗；前過水為過水亭（龍虎亭），左右夾護著三川殿，有單獨開口進出天井。與主殿相接之過水廊可與左右護室相連接，並將護龍左右的天井分隔為前後兩部分。左右配殿位於左右天井末端，各開有一扇門通往後院及後方之儲藏室。\n三川殿及拜亭棟架用料較細，主殿棟架用料則較為肥碩，棟架皆用圓形斷面，拜亭及前過水挑簷桁則採用矩形桁木。桷木為扁形斷面，並繪有「虎斑紋」。\n三川殿為「廟堂式」棟架，亦為不置天花板的「澈上露明造」，其棟架為三柱七架，設有附壁柱，共立十二柱；只留設前步口柱，點金柱（封柱）立於中脊前一架以充份的留設出前步口的入口空間；明間架內為「三通三瓜」，整體為典型的泉州派手法;次間架內不施作棟架，採用承重牆作法。拜亭為「四柱二架捲棚」，以獅座承接排水天溝。正殿棟架則與三川殿差異於「三通五瓜」，四柱十一架。\n三川殿空間主要由前點金柱分為內、外兩大空間，前後部地坪等高。三川殿與主殿間夾一拜亭，寬一開間，兩側留作龍虎井提供照明。拜亭立四石柱，而地面與三川殿同高，與主殿有一階高差。\n正殿與三川殿同為三開間，進深較面寬略大，主殿前後用四柱，共用十六柱。架內寬464公分，四點金柱所圍「架內」空間進深寬於面寛，四點金柱內以鐵欄桿圈圍住，奉祀清水祖師、雷府大將及李府千歲。\n主軸建築用柱皆為圓柱，三川殿及拜亭多為石柱，主殿則用木柱，石柱及柱珠以觀音石為材料；三川殿之前步口用八角石雕龍柱，採巴洛克式柱頭，雕有道教「八寶」浮雕，融入中西風格。後點金柱以圓石柱，牌樓封柱為木柱，拜亭亦為石柱；本宮附壁柱皆已改為水泥柱。主殿柱則作梭柱狀，大方渾圓，柱身接鼓狀石柱珠。龍虎亭則各立六角二柱，龍亭為石，虎亭改為洗石子。\n正殿內壁各有一面大型灰塑裝潢，龍壁為「福祿壽三仙」，虎壁則為「仙翁壽桃」，壁堵泥塑為王保原匠師所作，本宮彩繪則為蔡草如先生繪。\n\n資料來源：臺南縣第三級古蹟佳里震興宮調查研究與修護規劃（1997）、台南縣第三級古蹟佳里震興宮修護工程工作報告書暨施工紀錄（2004）","buildingUsage":"","buildingKeyMaintainItem":"無","buildingActualState":"","wenSitename":"台南旅遊網","wenSiteaddress":"https://www.twtainan.net/","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"台內民字第357272號","registerDate":"1985-11-27 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工作報告書（2014）","inHouseFeatures":"三川殿即第一進，採三柱六架式構架，步口僅一架深，正脊桁在牌樓後一架，架內採三通三瓜，逐次降下，而步口山牆處作附壁構架，架內則無；三川殿與正殿之間夾一前拜亭，為四柱式亭，寬一間，前後皆以通樑啣接三川殿及正殿，兩側留作龍虎井，拜亭地面與三川殿同高。\n正殿為四柱十一架式構架，步口明、次間皆作瓜筒，明間前、後皆出挑雞舌，架內採三通五瓜。牌樓面疊斗為五彎及連拱形式，神龕金面分為三格，兩側為雞花窗扇，中間做花罩。後拜亭亦為四柱式亭，寬為單開間，頗有宋式斗拱風格，架內為二通四瓜，作捲棚頂。後殿三柱十一架式構架，即敞堂式，前簷柱施減柱法，將通梁延長連接拜亭及正殿金柱，通上皆作瓜柱，出挑雞舌但不出拱尾。後殿正面次間開八角形窗，步口次間作側門，後壁僅開窗。神龕做法與正殿類似。護龍採西洋式桁架及圓形斷面，簷口以出屐出挑，前段有五間寬，後段為三間寬，地面及屋頂皆有落差，中段之牆門未設於落差處。\n金唐殿的石構造僅今砛腳石、柱礎、石柱及三川殿牌樓面，地坪仍以鋪地磚為主。木雕方面，僅三川前步口員光作人物武場的題材，餘仿花鳥、葉草題材。後拜亭、後殿及護龍皆無雕刻。彩繪以翠綠色較多，使用北式彩繪之花紋，後拜亭及後殿則作紅色單色，無花紋。\n\n資料來源：臺南縣佳里金唐殿研究與修護計畫（1994）","buildingUsage":"","buildingKeyMaintainItem":"許多剪黏作品有些許損壞，目前佳里金唐殿正進行修復工程中。","buildingActualState":"","wenSitename":"","wenSiteaddress":"","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"台內民字第357272號","registerDate":"1985-11-27 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\n過水廊內牆面飾長條狀之泥塑剪黏車水堵。\n正殿與三川門同寬，然為單開間，不設棟架改以承重牆承重，進深819公分，於步口處約108公分設置木製柵門作為前步口廊道，兩側各設雙扇圓拱門。內部空間設牌樓面隔扇「神間」，作為祭祀及神聖空間之區別，牌樓面立有四柱（含附壁柱，皆為方柱）區分明次間，明次間同三川門，各設一座神龕，現僅留兩尊媽祖分身及一尊田都元帥鎮守舊廟，次間神龕已不擺設從祀神明，改移至新廟。明間神龕大楣上方採花格窗之作法，於左右次間則置一組「一斗三升」斗草座為補間鋪作承接桁木，以其高度作起翹。\n正殿室內左右側壁堵為大幅之泥塑堵，以「天官賜福」為題，兩旁有聯文堵：左側壁堵有「民國參拾捌年孟秋之月臺南市葉鬃作」落款，兩旁聯文堵上聯「天道無私優渥恩沾女德節」，下聯「官銜有定榮封位極母儀神」；右側壁堵於堵左上方落款「歲吉已醜年夢秋孟之月臺南葉英才作」兩聯文堵上聯「賜賞靈百世聞風居海島」，下聯為「福緣善慶千秋顯赫鎮湄」。通濟宮內部地坪鋪面皆為鋪設尺磚。\n\n資料來源：臺南縣縣定古蹟鐵線橋通濟宮調查研究暨修復計畫（2002）","buildingUsage":"","buildingKeyMaintainItem":"無","buildingActualState":"","wenSitename":"台南旅遊網","wenSiteaddress":"http://tainancity.tw/index_m.php?ptype\u003dieb_c\u0026L3_id\u003d30960","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"府民禮字第24704號","registerDate":"1998-02-13 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\n合院本體面約104.7台尺（約3,173公分），進深為131.4台尺（3982公分）「前落」三間起，為大廳及左右房，正廳屬迎接客人空間。「後落」七間起，為「六房一廳」、「壽堂後」、「步口」及「巷路」所構成。以兩處過水廊與前落連結，並各夾有一處天井，後落間則留有子孫巷和側門。\n「黃家古厝」整體為磚木混合構造，設穿斗式木構架，有「硬挑」出檐木架，隔間為「板壁」。「後落」牆身於震後有鋼筋混凝土構架加固。\n左側日式屋舍則為真屋小束構架之屋架結構，內牆為編竹夾泥牆，門為和室紙門。房間則有三處為日式和室樣式，設有一處押入，鋪設塌塌米。\n古厝舖面材料以「三合士」、「石板條」及「磚」三種為主，除室外部份使用「磨石子」取代石板條，而後步口為「龜甲花紋」六角形紅磚、花崗岩之石板條。\n「前落」正廳架內排樓，「後落」則有神案桌，其後特有太師壁。受日式建築影響，「前落」、「左右伸手」設有「通氣孔」以利眠床或木地板下之通風。\n「黃家古厝」於木雕技法可分：\n1.\t故事題材多元：「前落」及「後落」正廳的板壁有「雙獅戲球」、蟲魚花鳥、動物（神獸）圖樣，木構架有「三顧茅廬」、「空城計」、「渭水聘賢」等多樣性內容。「左右伸手」木構架有「為母埋兒」等二十四孝。\n2.\t細緻雕刻構圖：全棟約有八十五處，如「左右伸手」以八仙的手持物；「後落」正廳太師壁以八仙與南極仙翁」像等。\n3.\t鮮明的角色故事：「前落」正廳排樓雀替「三顧茅廬」與「有樂道」；「後落」前步口豎材「史乘龍」、「弄玉吹」等。\n\n資料來源：後壁黃家古厝研究調查暨修復計畫報告書（2011）","buildingUsage":"","buildingKeyMaintainItem":"","buildingActualState":"","wenSitename":"四方通行","wenSiteaddress":"https://guide.easytravel.com.tw/scenic/8422","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0970077999號","registerDate":"2008-04-09 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「葉連成商號」受到衝擊，族人們轉行，以葉瑞西致力於仕途發展，素有聲望，在清末及日治時期更是鹽水港的重要人物，與楊式金、翁煌南時人合稱「月津三名士」。\n日治時期「葉連成商號」的糖業買賣雖已沒落，但葉家改投資新式糖場，參與「鹽水港製糖會社」的創立，葉瑞西與其弟葉澄波皆出任該製糖公司的監事，對於地方事具有影力，即由葉家的興起發展過程可見證臺灣近代糖業發展史。\n鹽水八角樓原稱「葉連成商號」，當時以船將糖運到大陸，再運載貨物回程時恐船身太輕，故裝載大量福州杉木及磚石等建材作「壓船底」穩定船身，至累積相當數量後，1847年（清道光二十七年）開始興建，歷經十年始完成三進大屋宅，作商號的辦公處使用。1942年（昭和十七年）曾劃為「伏見宮貞愛親王」，1943年（昭和十八年）樓前立「伏見宫貞愛親王御遺跡鹽水港御舍營所」碑，用以紀念。","judgeCriteria":["具歷史、文化、藝術價值","具歷史文化價值者"],"registerReason":"1、明治28年，日本伏宫貞爱親王帶兵自布袋港登陸攻台，並下榻鹽水八角樓，其石碑可作為日本殖民統治的見証。\n2、台南縣少有之完整精緻木構建築，型式特殊，木雕精美，台灣閣樓宅第的經典之作。\n3、以大陸福杉及石灰石磚為主要建材，整棟建築由12支、長24尺直通二樓的福州杉支撑，並以榫接法完成樑、楹、門、窗，建築方式特殊，頗具歷史及藝術價值。","lawsReference":"依據文化資產保存法第14條、第15條古蹟指定及廢止審查辦法第4條，歷史建築登錄廢止審查及輔助辦法第4條、第6條、第7條。","govInstitutionName":"臺南市政府","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"鹽水區","address":"中境里中山路4 巷1 號"}],"longitude":120.267327507981,"latitude":23.3200348577617,"govInstitution":"臺南市政府","govDeptName":"臺南市文化資產管理處","govDeptAddress":"臺南市中西區 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「窗櫺」有平福與菱花，前者有正卍、科卍及亞字；後者有魚鱗、波紋及錢幣。\n茶樓為六桁捲棚構架，由牆身左右出挑斗承接至樓板，樓板為桁檁與望板望磚構。茶樓、磚造階梯與鹽水八角樓屋頂以一組抬構架延續。\n\n資料來源：台南縣歷史建築「鹽水八角樓」調查研究與修復計畫（2004）","buildingUsage":"","buildingKeyMaintainItem":"","buildingActualState":"","wenSitename":"台南旅遊網","wenSiteaddress":"https://www.twtainan.net/zh-tw/attractions/detail/490","govDeptPhone":"06-2213597","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0980110107號","registerDate":"2009-05-11 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〈聚波亭重新改筑石碑記〉所述「我月港聚波亭，自前清時代乾隆六年本廟重興」〈重興聚波亭碑記〉，應為1741年（清乾隆六年）本廟重興時所題。\n1741年（清乾隆六年）前的聚波亭為「休閒兼祭祀空間」，改建重興後為祀神之廟宇建築。在此後也經歷多次修葺，現正殿三川門對聯「大節茍虧焚香奚益，眾生無愧不拜何妨」，即是鹽水望族葉家葉瑞西所題，由於寓意深遠，深具醒世教化意義，故該對聯的內容一直沿用至今。\n歷來相繼增祀各種職能的神祇。如今也是座綜合型廟宇，成為自然崇拜及儒、釋、道等多神的大眾廟，屬臺灣大眾爺信仰中少見。","judgeCriteria":["具歷史、文化、藝術價值","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"(一)聚波亭為月津八景中「聚波漁火」的重要景點，目前為大眾廟之前殿，雖歷經日治時期及光復後的整修，但其舊貌仍大體保存良好，應可與月津港河道舊址一併保存維護，如此本古建築的保存才具有意義。\n(二)此地為歷史上著名的月津港之僅存遺蹟，為台峽往返船舶海運史上重要指標之ㄧ。今雖已淤積，但其輪廓仍清晰可見，實質加以保存。\n(三)為明鄭屯田鹽水之歷史見證。與明鄭時代之屯田聚落有關。","lawsReference":"依據文化資產保存法第二十七條","govInstitutionName":"臺南市政府","addresses":[{"itemNo":1,"cityName":"臺南市","distName":"鹽水區","address":"中境里武廟路7號"}],"longitude":120.263861689798,"latitude":23.3206299343775,"govInstitution":"臺南市政府","govDeptName":"臺南市政府 臺南市文化資產管理處","govDeptAddress":"臺南市中西區 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113年4月26日審議通過，更名為西子灣行館(原高雄觀光館)。\n","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係"],"registerReason":"(1)建築本體原是昭和10年(1935)10月臺灣總督府為慶祝始政四十周年博覽會所建置的高雄觀光館，樓上是娛樂休憩室，樓下設有男女溫浴場；所在地坐落西子灣亦即親海聖地壽海水浴場旁。高雄觀光館開館後，結合高雄州主要物產展示會，大大帶動西子灣觀光與休閒娛樂人潮，乃是日治晚期高雄市重要地標之一。\n\n(2)主要構造一層為鋼筋混凝土柱樑，二層為木軸組及小屋組屋架，大地色系的室內外牆面色澤，為昭和年間流行具特色之營建技術。\n\n(3)民國50年(1950)年西子灣正式被指定為總統行館之一，高雄觀光館也成為總統南巡住宿休憩之所。幾經高雄市議會爭取，民國41年(1952)海水浴場局部開放，並界定為西子灣特區，仍由總統府管轄。直至民國64年(1975)蔣介石去世後，西子灣特區才解編、逐步開放，而後成為中山大學校園。因此戰後二十餘年間，西子灣行館是一處充分見證戒嚴和威權體制的歷史場域。","lawsReference":"(1)文化資產保存法第17條規定。\n(2)古蹟指定及廢止審查辦法第5條。\n","govInstitutionName":"高雄市政府","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"鼓山區","address":"高雄市鼓山區蓮海路70號-國立中山大學內"}],"longitude":120.264867678672,"latitude":22.6272566503114,"govInstitution":"高雄市政府文化局","govDeptName":"文化資產中心","govDeptAddress":"高雄市苓雅區五福一路67號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2024-07-09/afc97300-44df-409f-ab8c-1a1e5f6866d3/正立面_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2024-07-09/afc97300-44df-409f-ab8c-1a1e5f6866d3/正立面.jpg","name":"正立面"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20040409000002","buildingFeatures":"西子灣行館位於國立中山大學校園內，背倚壽山，面朝西子灣，擁有得天獨厚的自然景觀與歷史風貌。建築由東棟與南棟兩層樓結構，以及北棟一層樓所組成，採磚木混合構造。其牆身為磚造，並搭配鋼筋混凝土柱與圈樑，屋頂則為和小屋與洋小屋混合式木構架，覆蓋銅皮與日式黑瓦。","inHouseFeatures":"於古蹟整體修復工程後，重現高雄觀光館原有建築風貌，並局部保存蔣介石行館的生活空間。一樓呈現當年海水溫浴設施、物產陳列室與土產販賣室之格局；二樓東棟則恢復兩間休憩室與緣側空間配置，二樓南棟仍維持蔣介石行館的空間格局與相關設施。另亦透過東棟外牆帶窗設計及內外牆粉刷，再現高雄觀光館的建築特色。","buildingUsage":"目前中山大學管理，規劃作為藝文展演的場所，稱為「360藝文空間」。","buildingKeyMaintainItem":"依管理維護計畫辦理各項日常維護管理事項。","buildingActualState":"目前由國立中山大學管理，除不定期辦理各類藝文展演活動外，亦定期對外開放入內參觀。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"(07)222-5136分機8783","announcementList":[{"classification":"指定/登錄","officialDocNo":"高市府文資字第11331360901號","registerDate":"2024-07-15 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Renga），TR磚塊的商標是品質保證，南臺灣地區日治時期重要的建築物磚塊均由此供應，如高雄州廳、高雄市役所、婦人會館、打狗英國領事館官邸整修、台南州廳、哈瑪星武德殿、旗山武德殿等。\n二戰後，民國35年(1946)台灣省行政長官公署工礦處接管紡織、玻璃、窯業等十二單位，翌年(1947)又將此十二單位合組為工礦總公司，台灣煉瓦株式會社打狗工場改稱為「工礦公司高雄磚廠」。民國46年(1957)唐榮鐵工場的唐傳宗先生購得高雄磚廠，成立「唐榮鐵工廠股份有限公司高雄磚廠」，惟於民國49年(1960)發生財務危機，經濟部處理相關事項後，民國51年(1962)歸屬公營事業機構。民國54年(1965)以後，唐榮鐵工廠自行研發以八卦窯燒製耐火磚供鋼鐵廠使用，但隨著紅磚市場競爭激烈，又因取土日益困難，於是拆除了一號、二號與六號的八卦窯，並請外國技師先後興建了三座倒焰窯，倒焰窯完成後，所出產的耐火材料帶來了不少收入。民國68年(1979)興建八十公尺長的隧道窯一座。在臺灣經濟起飛的年代，倒焰窯、隧道窯所生產的高級耐火磚，曾是中鋼、台糖、台機、台船等產業鍋爐的重要材料，成為台灣四大耐火材製作廠之一。後來，工廠在民國69年(1980)改名為「唐榮耐火材料廠」，四年後(1984)因精簡公司組織而併入不鏽鋼廠中，但依然生產耐火材料。唐榮磚窯廠的生產，在台灣經濟起飛的年代，曾為唐榮公司創造甚高的利潤，但近一、二十年來建材的發展、工資的高漲、環保意識的抬頭，唐榮磚窯廠終究不敵時代潮流，而於民國74年(1985)以後停工，廠房不再生產，辦公室仍繼續使用，民國91年(2002)8月員工才全數撤離。","judgeCriteria":["具歷史、文化、藝術價值","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"1、本古蹟為台灣20世紀磚材生產工業之重要見證，現有建物中，八卦窯及煙囪之年代久遠且工法細緻，保存相當完整。\n2、磚材為台灣地區混凝土及鋼鐵材料技術發展前最重要的建築材料，本工廠現存設施八卦窯及兩座煙囪具有高度歷史及文化意義，極具保存價值。\n3、類似磚材生產設施台灣地區已少見，本處規模為最大且後期又增加新式生產設備，可看出生產技術的演進。\n4、各式不同生產設備並存，具產業文化的稀有性、代表性、完整性。","lawsReference":"文化資產保存法第27條","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"三民區","address":"高雄市三民區中華橫路220號"}],"longitude":120.284501381626,"latitude":22.6418715726752,"govInstitution":"高雄市政府文化局","govDeptName":"第二科","govDeptAddress":"高雄市苓雅區 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五福一路67號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2024-07-05/42c867eb-f466-42d7-bf8a-dce6cf54057b/三塊厝火車站014_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2024-07-05/42c867eb-f466-42d7-bf8a-dce6cf54057b/三塊厝火車站014.jpg","name":"三塊厝火車站014"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"國營臺灣鐵路股份有限公司"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20040409000003","buildingFeatures":"三塊厝車站的台基構造主要由磚及水泥砂漿疊砌，外以洗石子覆蓋而成。\r\n形式極為簡單，與注重象徵意義的宮殿及寺廟建築有很大的不同。","inHouseFeatures":"屋頂—建材以木結構為主屋架為穿斗式，屋頂為懸山式另加博風板與台屋相同，上覆黑瓦或後來改良的文化瓦。\r\n天花板—在整個車站內部只有大門和廚房附近天花板有剝落損壞的情形，通風方面還算正常，而本天花板是以木條釘於屋梁上是屬於懸吊式的天花板。\r\n牆壁--三塊厝火車站的牆面裝修可分為木格門扇、雨淋板表面、與石灰壁粉刷三種。\r\n室內--建築物內部空間堆滿了鐵路局雜物，而內牆的裝潢與天花板亦遭受到毀損，天花板有剝落的現象而壁面裝潢則呈現油漆掉落的情況。","buildingUsage":"明治40年(1907)10月1日設打狗九曲堂間支線，便已通過三塊厝，明治41年(1908)2月1日設招呼站，大正元年(1912)4月設站員，開始辦理客貨運輸；大正12年(1923)將站舍改築擴張，昭和16年(1941)6月21日又再擴建為三等鐵路貨運站。","buildingKeyMaintainItem":"三塊厝站站體損壞嚴重，必須緊急搶修。日後維護之機制需與鐵路局共商機制。","buildingActualState":"目前為高雄市內現存的日式木造站房之ㄧ；車站廢站閒置，站體損壞嚴重多處崩毀。\r\n屋頂—目前維持良好，除了部分站體崩毀部分外；牆壁—壁體多數崩壞，灰泥牆與竹編部份以風化嚴重。\r\n台基及地坪—地坪的部份現今已是柏油路面，但依推測應是自然的砂石路面。\r\n此處目前刻正修復中，暫不開放。","wenSitename":"文化場域","wenSiteaddress":"https://heritage.kcg.gov.tw/Feature/C000011?SearchKeyword\u003d%E4%B8%89%E5%A1%8A%E5%8E%9D%E7%81%AB%E8%BB%8A%E7%AB%99\u0026ID\u003da644e577-340a-4995-b1e8-488dc599f2b7\u0026PageIndex\u003d1\u0026PageType\u003d1","govDeptPhone":"(07)222-5136分機8425","announcementList":[{"classification":"指定/登錄","officialDocNo":"高市府文二字第0930020248號","registerDate":"2004-04-09 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中油宏南舊丁種雙併宿舍為1940年代日治時期末期宿舍之丁種宿舍，雖經歷70年來日治、國民政府時代替換，仍留存日治時期之原樣(丁種宿舍原型)。註：詳細歷史沿革待後續調查研究。","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具其他古蹟價值者"],"registerReason":"中油宏南舊丁種雙併宿舍為1940年代日治時期末期宿舍之丁種宿舍，雖經歷70年來日治、國民政府時代替換，仍留存日治時期之原樣(丁種宿舍原型)，具有見證歷史時代意義。其特殊建築風格亦屬當時代之歷史、文化與建築技術上的典範之一，有助於建築技術工法、風格、形式、空間格局之探索與証據的留存，因此有指定古蹟價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、3、4、6款","govInstitutionName":"高雄市政府","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"楠梓區","address":"高雄市楠梓區宏毅一路5巷2號及4號"}],"longitude":120.329685,"latitude":22.672645,"govInstitution":"高雄市政府","govDeptName":"文化局文資中心","govDeptAddress":"高雄市苓雅區 五福一路67號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2020-11-25/0b18cd16-857a-402f-9f3e-93886de91a06/A7_05727-5_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2020-11-25/0b18cd16-857a-402f-9f3e-93886de91a06/A7_05727-5.jpg","name":"A7_05727-5"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"台灣中油股份有限公司"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20140729000001","buildingFeatures":"一、環境設施景觀\n宏南社區位於高雄煉油總廠及國家體育場之間， 過去於日治時期為 提供房舍空間給將、校官及日本籍職員居住使用，因此，在居住的環境需求，皆以較高規格之形式來進行規劃。 區內大部分的住宅皆有 前庭後院之設計，庭園周圍以綠籬為區隔，劃設出居住生活空間。區內住宅型式主要可分為單戶獨棟住宅、雙拼住宅及集合式住宅等三種，其中單戶獨棟住宅及雙拼住宅大部分住戶皆具有獨自的停車空間 而本計畫古蹟即為 雙併宿舍 同時，區內公共設施相當健全， 包括：運動場 高爾夫球場、網球場、籃球場 、 游泳池、 福利社、餐廳、活動中心…等 。","inHouseFeatures":"二、建築空間使用\n宏毅一路5 巷 2 號及 4 號 因 屬 日治時期興建之建物，故空間格局則皆以日本傳統居住空間需求為主要規劃，且為 雙併宿舍 ，故其平面空間倆倆對稱且相同 內部空間設有玄關、座敷、居間、炊事場、押入…等，而於側院則設有一 收納 小屋，而於炊事場外部過去設有以紅磚砌成的煙囪，但後來因使用需求已進行拆除，僅留有部分紅磚殘構。其平面空間配置圖如 【圖 1 2 】所示。","buildingUsage":"","buildingKeyMaintainItem":"主要以宏毅一路 5 巷 2 號及 4 號 為主，其範圍以其建築外圍綠籬笆以 內之環境景觀 設施、庭園、植栽 、建造物及附屬設施群 含空間活用、構造及文物等 以及設備為實施對象。\n壹、保養維修事項\n在保養維護事項方面，依古蹟管理維護辦法第 2 條第 2 款規定項目包含下列四項。\n一、保養\n保養重點在於保持古蹟建物及其周圍環境清潔，維持古蹟良好通風與排水，維護古蹟及附屬設施群的設備功能，以及防止植生、蟲害或潮氣侵蝕。古蹟所有 使用或管理 人需明訂本古蹟需保養之項目及頻率並確實執行與記錄。\n二、檢測\n檢測旨在早期發現古蹟破壞劣化及早維修補強，以維古蹟之健康。檢測重點在於古蹟異常現象觀察，根據劣化檢查及其嚴重程度診斷，將之做成記錄，以作為維修層級判斷之依據。古蹟所有 使用或管理 人應先擬訂必要之檢測頻率及檢測項目，再據以落實執行與記錄。\n三、維修\n維修是保存古蹟最主要手段。古蹟破壞劣化由於結構不同、部位不同、構材不同、程度不同、成因不同，導致維修會有所不同。小自構材零組件修理，大至重大災害的修建，均屬維修範疇。因此古蹟所有 使用或管理 人對古蹟破壞劣化應有早期發現早期維修觀念，藉由保養過程發現異常現象或檢測過\n程發現之破壞劣化，再委由專業人員診斷嚴重程度，以擬訂本古蹟之維修項目與層級，於適宜時機依下列原則執行維修。\n（一）維修項目與層級不涉及文化資產保存法第 21 條規定之原有形貌與工法者，得由管理維護單位向主管機關報備後，逕行加以處理並記錄之。\n（二）維修項目與層級涉及文化資產保存法第 21 條規定之原有形 貌與工法者，則由管理維護單位依古蹟修復及再利用辦法規定程序。報請主管機關核准後再據以修復並記錄之。\n（三）維修層級若屬重大災害需緊急搶修或修復者，應由管理維護單位依文化資產保存法第 23 條及施行細則第 11 條，相關規定程序報經主管機關核准後，再據以修復，並將之記錄。\n四、紀錄\n紀錄是建立古蹟病歷及史料之重要資訊，古蹟所有使用或管理 人應將上述之保養、檢測及維修等項之工作過程與成果，以年度別應用表格、照片及文字詳細記載，製成表格化、數位化之記錄資料，以供後續記錄建檔之依據。而依古蹟之保養維修對象，可分為日常保 養及定期維修 兩部分，而 依所提執行重點、觀念及各項目之定義，與 宏毅一路 5 巷 2 號及 4 號 的現況作結合，提出日常保養及定期維修之計畫內容，如下所述。\n一、執行頻率及對象日常保養部分因多屬常態性之維護，因此，可由\n一般民眾來進行，而定期維修因牽涉專業領域的檢測，故則需由專業人士進行。\n（一）日常保養\n有關日常保養的工作，指一般性的清潔或不涉及建物原有形貌與工法之日常保養維修項目，如保持建物及周圍環境清潔、維持良好通風與排水、五金零件鬆脫維修等，目的主要是維護古蹟及附屬設施的設備功能，以防止植生、蟲害會潮氣侵蝕。但對於牽涉原有樣貌與工法者則應由主管機關另案辦理。\n若發現有異常現象時，應呈報主管機關會勘後作成紀錄，再委由專業人員判斷維修之必要性。日常保養工作項目及頻率建議如下：\n1.每周：巡視周邊環境及進行除草工作、啟閉房舍門窗。 附表 1)\n2.每月：注意蟲害及蟻害之情況、建物洩水孔及天溝等疏通。 附表 2)\n3.每季：灌木植栽修剪、排水溝疏通 。 附表 3)\n4.每年：喬木植栽修剪 。 附表 4)\n5.不定期：豪大雨警報發布前加強檢查。 附表 5)\n（二）定期維修\n主要是針對日常維修以外，再針對建築物進行專業領域的檢測方式，目的是希望能早期發現老建物病症早期診斷維修，預防破壞劣化擴大，但執行時仍以不涉及歷史建築原有形貌與工法之非破壞性檢測項目為主，修復前應有定期之外觀檢測。然雖為定期維修仍需視狀況進行定期、不定期及緊急檢測三\n種。\n1.定期檢測：建築本體可委由專業者辦理，原則每一年實施一次，其檢測項目包括基礎、地板、牆體、 重要木構件、屋面及屋瓦等。相關機電消防委由專業廠商辦理，原則每半年實施一次，其檢測項目包含消防系統、高低壓電力系統、中央監控系統、中央監視系統等設備。 附表 7 、8\n2.不定期檢測：視實際情況，不定期辦理。\n3.緊急檢測：遇颱風或地震等天然災害或偶發之不可抗力或其他特殊情況發生，立即進行檢測。\n二、執行方法\n宏毅一路5 巷 2 號及 4 號市定古蹟所在之宏南社區 登錄為文化景觀， 平時的古蹟日常保養及定期維修的所進行的工作項目，是管理者平日依循之規則，唯文化局與管理者需了解古蹟維護之重要性，應確實依古蹟日常保養及定期維修所列表單進行日常維護的工作並留下紀錄，以確保古蹟在一般大眾的使用下能長久保存。南舊丁種雙併宿舍調查修復研究計畫案—古蹟管理維護計畫\n10（一）執行人力執行人力\n現階段該古蹟所有權人屬中油公司所有，主要進行日常保養之人力，應以中現階段該古蹟所有權人屬中油公司所有，主要進行日常保養之人力，應以中油公司為主，負責執行平時管理及相關事項工作。管理維護人員執勤時應依油公司為主，負責執行平時管理及相關事項工作。管理維護人員執勤時應依據表單進行每週及每月的日常保養及定期維修的檢視記錄工作，並進行複查據表單進行每週及每月的日常保養及定期維修的檢視記錄工作，並進行複查（可由文化局協助），而定期維修的檢視工作則由文化局協助管理單位委請（可由文化局協助），而定期維修的檢視工作則由文化局協助管理單位委請檢視的專家檢視的專家學者，確認各項應作的檢視有確實作到。學者，確認各項應作的檢視有確實作到。\n（二）資料管理資料管理\n每週與每月之日常保養工作按照表單確實執行，經主要使用者填寫與複核簽每週與每月之日常保養工作按照表單確實執行，經主要使用者填寫與複核簽名後，將資料作歸檔，而每年之檢測委由專業人員進行，並將先前每週與每名後，將資料作歸檔，而每年之檢測委由專業人員進行，並將先前每週與每月表單紀錄有異常之現象提出加以判斷，所紀錄之資料一併歸檔，以留作後月表單紀錄有異常之現象提出加以判斷，所紀錄之資料一併歸檔，以留作後續使用之所需。續使用之所需。\n（三）執行方法執行方法\n依據上述提到之現行管理規則、執行人力與資料管理、古蹟日常保養及定期依據上述提到之現行管理規則、執行人力與資料管理、古蹟日常保養及定期維修的執行方式如下列幾項說明：維修的執行方式如下列幾項說明：\n1.一般性清潔或周邊景觀維護之日常保養項目，由主要使用者一般性清潔或周邊景觀維護之日常保養項目，由主要使用者製作製作日常日常維護表單執行並記錄。維護表單執行並記錄。\n2.屬專業領域且不涉及古蹟原有形貌與工法之定屬專業領域且不涉及古蹟原有形貌與工法之定期維修項目，由文化局期維修項目，由文化局協助管理單位委請專業單位協助管理單位委請專業單位製作製作定期維修表單一起執行並記錄。定期維修表單一起執行並記錄。\n3.不定期之檢測，由文化局協助管理單位委請專業單位負責執行並記錄。不定期之檢測，由文化局協助管理單位委請專業單位負責執行並記錄。\n4.當保養及維修涉及古蹟原有形貌與工法，需呈報主管單位後，再委由當保養及維修涉及古蹟原有形貌與工法，需呈報主管單位後，再委由專業單位進行。專業單位進行。","buildingActualState":"良好","govDeptPhone":"07-2225136#8322","announcementList":[{"classification":"指定/登錄","officialDocNo":"高市府文資字第10331131101號函","registerDate":"2014-07-29 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\n\n薛家古厝不像一般官爵或有錢人家一舉興建完成的大宅第，在薛家後代口中不曾有什麼顯赫的家族史傳奇，祖先是由福州隨鄭成功渡台墾荒的艱辛移民，曾經歷過相當艱苦的開墾時期，在初期只能以草屋竹舍來遮風避雨，進而土「土角」厝，約距今190年前築起第一棟合院式房宅，後因家族的繁衍而陸續發展成中落厝、後落厝，約離今100年前才完成現今的規模。薛家雖沒有象徵官爵的飛簷翹脊，但祖先都很有台灣傳統建築觀念，即整個宅第從一條龍演變成單伸手→三合院→二進(落)→三進(落)，就這麼將後代子孫展演在最後的「三落百二門」（大厝）裡頭。這種大宅第、大聚落的群居，在舊時墾拓的時代有其重要的歷史意義，一為防盜，一為聚集人力，以增進生產力。此種模式直到日治以後，台灣的建築才發生變化，成為西方建築模式，進而演變至現今的大廈式建築。薛家古厝正好讓我們看到台灣建築歷史的縱深。\n\n廍後薛家古厝之「廍」即日治之前的私人糖廠，稱之「蔗廍」，廍 後即舊時蔗廍的後面。可見薛家族人早期是靠務農為生，並曾以古法製造黑糖和冰糖等農產品，也曾經營糧行生意，因此古厝的每個大門旁都留有給貓進出的小方洞（另一說是水洞，即排水口），方便牠們捕捉老鼠，以免為患存在家中的穀糧。\n(參考資料《高雄市古蹟及歷史建築》，2004，高雄市政府文化局)","judgeCriteria":["具歷史、文化、藝術價值","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者","具歷史文化價值者"],"registerReason":"「左營廍後薛家古厝」為本市極少數保存完整、三落帶護龍之傳統合院建築，建築格局具特殊性、稀少性；大小木作、灰作、泥塑及雕刻樣式、灰作彩繪等原樣尚存，能代表傳統建築的營造技術及工法，極具建築史上之意義；且見證薛家先祖與左營廍後地區農墾、糖廍時期之歷史，富人文、經濟意義，深具指定古蹟之價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、3、4、5款","govInstitutionName":"高雄市政府","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"左營區","address":"海平路40 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五福一路67號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/38053/photo/2c35a10b-73bb-4763-a6fa-e2a682f24bda_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/38053/photo/2c35a10b-73bb-4763-a6fa-e2a682f24bda.JPG","name":"2c35a10b-73bb-4763-a6fa-e2a682f24bda"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"薛OOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20140811000001","buildingFeatures":"薛家古厝為一柱梁磚砌混合構造宅第，約建於嘉慶25年(1820)，為高雄規模最大的三進落宅第。","inHouseFeatures":"第一、二、三進皆以立面裙堵作仿石基座處理，身堵及腰堵則以紅磚斗砌，屋面瓦作為紅色板瓦。正身簷下出挑做「關刀栱」，其下屋身分為三落。第一進門額題「河東」，第二進門額題「梅魁」，第三進亦題「河東」。\r\n而第三進保留較多原貌，簷下關刀栱有圓點退暈彩繪，左右護龍分別題「居仁」、「由義」。兩邊護龍之山牆有較講究之「鵝頭墜」裝飾。\r\n在左一、二護龍間還有一過水廊可通後面，此門廊特地做「三通五瓜」之屋架，亦有簡化之「束仔」、「頭巾」等構件，門廊外牆砌平拱門通往屋後道路。","buildingUsage":"當今所見則為近來整修、增建後之面貌。目前屬私有權屬，仍有住戶居住。","buildingKeyMaintainItem":"","buildingActualState":"薛家古厝保存完整，具有傳統民宅建築風格。","wenSitename":"高雄市文化資產網","wenSiteaddress":"http://heritage.khcc.gov.tw/index.aspx","govDeptPhone":"(07)222-5136分機8424","announcementList":[{"classification":"指定/登錄","officialDocNo":"高市府文資字第10331198101號","registerDate":"2014-08-11 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段城垣。甚至，左側馬道僅餘一小段，其後銜接城牆殘段眷文館段至勝利路。\n\n2.北門段：與東門段同為鳳山縣舊城範圍中，城垣現況相對較為完整之段落，城垣內側(城內)因東萊新村的存在，建築物狀況窳陋，仍維持有早期眷村形式之生活型態；外側(城外)過去為左營傳統聚落，發展相當的早，因此，道路匯集，加上緊鄰蓮池潭風景區，北門外交通混亂，於尖峰時期常有壅塞之狀況發生，造成原位於北門外之鎮福社與拱辰井也因而如同孤島，獨立於北門城外，另城門外左側，因新興建築的坐落，將北門部分景觀予以遮蔽；北門城內設置北門廣場可供遊客停留參觀，北門廣場僅為簡易的硬舖面設施，除一面觀光解說提供必要之資訊外並無相關之休憩設施，而廣場緊鄰里民停車場，供民眾作為停車場使用。北門城樓設有階梯可供登上城牆遠眺，常見參觀之旅客登高參訪；登北門樓後可以連接左右側城垣，然兩側城垣皆已遭截斷，往西可與城牆殘段海軍出版社段相鄰、往東則與城牆殘段龜山蓮池潭段間隔有勝利路。\n\n3.西門段：過去國軍因需安置遷移來臺之眷民，因此興建有「西自助新村」，以致西門門座及部分城牆段被拆毀，而部分城牆則作為民宅牆面使用。然因眷村改建計畫之實施，自助新村及其周圍眷村皆陸續拆遷，使的過去遭隱沒之城牆遺構以及地下之城牆遺蹟得以顯露。而於日治時期，西門段為日本震洋特攻隊駐紮區域，因此，在眷村拆遷後，除遺留之舊城城垣外，在區域中尚存有為數不少的日遺軍事設施。目前西門門座殘蹟及西門鐵工廠段已納為遺址公園展示。\n\n4.南門段：在日治時期及戰後因應都市計畫變遷下，大部分城牆遭到拆除，現階段南門段僅餘南門城門位於南門圓環中，鄰近原海強幼稚園，所保留下來之城牆殘段，以及南門城門西側啟文路與左營二次變電所之間因近年華友聯建案興建過程中所發掘出來之南門段城牆遺跡。海強幼稚園段已修復完成。\n","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-22177777","announcementList":[{"classification":"指定/登錄","officialDocNo":"文授資局蹟字第11430090411號","registerDate":"2025-09-10 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 一般臺灣這種工字形平面的寺廟，臺基漸升的變化較含蓄，使朝拜者在寺內的行動較方便；因此可以看到，寺內三川臺基高約40公分．正殿再高18公分；鋪面材以26公分徑的六角紅磚作蜂巢式砌，角邊朝左右。；三川殿內亦舖六角磚，但步口舖以花崗石寮，中港間分三段排列，並不交丁。\n2.柱、礎及牆\n    柱礎、柱珠為典型的作法，柱珠的高度約等同於柱徑。其形式有四種，皆呈現清領中期嘉道之風格；三川及正殿柱珠為圓形系統，拜亭為方形系統；三川前簷柱珠為蓮座形，周分十二瓣；另外，三川中門門楹前置抱鼓石，青斗石彫，鼓面旋螺紋，並施仙鶴花鹿、龍馬馱圖及加冠晉爵仙翁；鼓座馬櫃臺彫飾亦精美，施萬字及如意圖案。\n立柱及牆體方面，正殿用福杉圓柱，上下略收分，成梭柱；三川排樓封柱已被改成水泥造方柱；三川簷柱，上下未收分，柱身刻聯對；三川排樓面最大的特色是木作及石作並用；龍山寺中門兩側牆垛之腰板下為石材。\n山牆的基礎以咾咕石構成，牆身則為磚造，山牆為平砌，後牆上段則為斗砌。拜亭左右龍虎壁，本身有燕尾脊覆頂，下置鳥踏形式之水車堵，壁面上施泥塑及剪黏。","inHouseFeatures":"左右兩側廂房已改建古式二樓建築，做為辦公室、接待室及鐘鼓樓，西側已興建七樓建築物，做為會議室、圖書室、康樂室、香客休息室、香客及經生寢室。\n右側廂房前的空地上搭有棚架，根據廟方管理員所述，架棚主要用途為每日誦經班早晚課所用，另外廂房本身目前做為閱覽室及廟祝臥房。\n至於左側廂房前的空地則放置整修龍山寺所建之碑林，共七座碑，廂房則做為閱覽室及儲藏室(堆放紙錢)；正殿主神供奉觀音神像，右殿為地藏王殿，左殿是三寶殿。","buildingUsage":"龍山寺設立至今一直持續修護的記錄不斷，這也是龍山寺可以維護良好的原因。","buildingKeyMaintainItem":"無","buildingActualState":"古蹟本體已於民國77年(1988)完成第一期修護工程,民國83年(1994)完成第二期屋脊修護工程,現況保存良好,並對外開放參觀。","wenSitename":"鳳山龍山寺官方網站","wenSiteaddress":"http://www.xn--detrka8617dgzc.tw/","govDeptPhone":"04-22295848","announcementList":[{"classification":"指定/登錄","officialDocNo":"文建壹字第4499號","registerDate":"1985-11-13 11:07:17.0"}],"landlotList":[{"itemNo":1,"cityName":"高雄市","distName":"鳳山區","landNo":"鳳山段草店尾小段","landSerialNo":"263","landownership":"","cityLandUseTypeOther":"","noncityLandUseTypeOther":""},{"itemNo":2,"cityName":"高雄市","distName":"鳳山區","landNo":"鳳山段草店尾小段","landSerialNo":"270","landownership":"","cityLandUseTypeOther":"","noncityLandUseTypeOther":""},{"itemNo":3,"cityName":"高雄市","distName":"鳳山區","landNo":"鳳山段草店尾小段","landSerialNo":"270-10","landownership":"","cityLandUseTypeOther":"","noncityLandUseTypeOther":""},{"itemNo":4,"cityName":"高雄市","distName":"鳳山區","landNo":"鳳山段草店尾小段","landSerialNo":"270-11","landownership":"","cityLandUseTypeOther":"","noncityLandUseTypeOther":""},{"itemNo":5,"cityName":"高雄市","distName":"鳳山區","landNo":"鳳山段草店尾小段","landSerialNo":"270-12","landownership":"","cityLandUseTypeOther":"","noncityLandUseTypeOther":""}],"documents":["https://data.boch.gov.tw/upload/documents/2021-10-12/b4e22523-9453-42c7-b45d-a3c4bc63cb49/古蹟概況表.pdf","https://data.boch.gov.tw/upload/documents/2021-10-12/3d5554b8-0db3-482f-9c8f-b02f5f8f449a/古蹟公告.pdf"],"cadasters":["https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2709/photo/downloadfile 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(18：00截止售票)\n週一休館。若遇高雄市停止上班，則休館。","openVisitTypeText":"","caseName":"鳳儀書院","assetsClassifyCode":"1.1.2","assetsClassifyName":"直轄市定古蹟","assetsTypes":[{"code":"A8","name":"書院"}],"pastHistory":"書院是近代國民教育普及之前的主要教育機構之一，對於開啟民智有著相當的重要性。台灣被納入清政府版圖之後，在歷任治台官員的主導與獎勵之下，逐漸將書院在台推展開來，這對於台灣文風有著重要的貢獻。\r\n清代鳳山縣地區最早的書院是位於興隆庄舊城(今左營舊城)城北文廟左側的屏山書院，康熙49年(1710)由知縣宋永清興建，屬義學性質。雍正4年(1726)，知縣蕭震遷移至城內重建，始成書院規模。乾隆51年林爽文事件引發莊大田等攻毀舊城，屏山書院也在此次動亂終毀於一旦。乾隆53年(1788)間，欽差大臣福康安鑒於舊城殘破不堪，奏准將縣城遷移至下埤頭街(今鳳山區)，是為鳳山新城。此後，新城在地方政府和士紳的建設下，取代舊城而為政經和文教中心。鳳儀書院即為文教中心的具體象徵。\r\n嘉慶19年(1814)吳性誠攝理鳳山知縣，鑒於縣治遷移至新城之後，卻遲遲未有文教組織，為了提振文風，乃向地方士紳倡建書院。候選訓導歲貢生張廷欽率先呼應，並獲得奮社的大力支持，總之，在地方官員與紳民共同籌得資金之下，由張廷欽負責整體的興建工程。書院落成時，奮社將歷年累積資產約四千餘元，捐充書院的膏火。緣此歷史背景，鳳儀書院初期的建築格局，前有講堂為主要授課空間，兩廂設學舍三，其中備有書桌供生童讀書，亦為歲、科童試所在；後有廳事，是為行政中心。除此之外，為感念奮社捐資，乃將文昌與奎星、倉聖等神位，一同合祀，並造敬字亭於講堂之左側。後來，幾任知縣和經理的士紳曾階段性擴建，至光緒20年(1894)間，鳳儀書院的規模共屋三十七間，正中廳事三間、左右官廳房各二間、兩廊學舍十二間、講堂三間、頭門五間、義倉九間、聖蹟庫一間，乃全台規模最大的書院。\r\n日治時期，台灣總督府大力推廣新式教育體制，書院因而日漸沒落，屋舍逐年殘破。戰後，屋舍相繼被租佔戶所用，書院格局嚴重受破壞。民國74年(1985)11月13日指定為三級古蹟，而在高雄縣政府取得土地使用權後，便辦理佔住戶遷移，並於民國96年(2007)年發包整修，102年已完工，103年10月31日舉行開幕儀式，重啟門扉，103年11月1日正式開放參觀。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"具有保存價值(備註：1998年5月14以前由內政部公告，未明述指定理由)","lawsReference":"","govInstitutionName":"高雄市政府","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"鳳山區","address":"鳳崗里鳳明街62號"}],"longitude":120.359501,"latitude":22.627162,"govInstitution":"高雄市政府文化局","govDeptName":"文化資產中心","govDeptAddress":"高雄市苓雅區五福一路67號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-04-28/3b0d3378-6c8c-4720-a923-fb9c8c79b207/20190722-24_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-04-28/3b0d3378-6c8c-4720-a923-fb9c8c79b207/20190722-24.jpg","name":"20190722-24"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國、城隍廟"},{"ownerType":"建築所有人","ownerName":"高雄市政府文化局"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851113000002","buildingFeatures":"整個書院布局可分為兩個部分，一為鳳儀書院，二為試院；從空間復原的觀點而言，書院格局外埕有義倉，進前廳後內埕有一敬字亭。再往後為講堂空間，左右為學舍。\r\n試院部分，進前廳後，左右廂為閩童廊號，往內走為大堂，經一穿心亭旁有粵童廊號，後為閱卷後廳與官房，最後還有一奎樓。不過，試院部分所剩不多。\r\n在一些細部作法上：\r\n1.台基與地坪：前廳、講堂及後廳之台基邊緣均砌築花崗石條，進石條寬28~34公分不等，厚約6公分，長短不一。\r\n柱珠下方亦使用花崗石；地坪，可能為尺磚或尺二磚斜鋪；左右學舍使用一般小式建築的作法，以清水磚豎砌收頭。\r\n2.牆體：以下石上磚結構為主，石材用硓咕石，在背立面、側立面及圍牆檻牆部份多使用亂石砌，再以薄磚收邊；主要建築物則分別以淺刻方式呈現出六角形、八角形及圓形等之四方連續圖案；磚牆便用斗砌磚結構，砌築的方法有「三順一丁」及「一順一丁」兩種。\r\n 鳳儀書院前後三進山牆外觀各不相同，前廳鳥踏線以上以白灰粉刷，講堂除檻牆外，牆面均粉刷白灰，而後廳則是鳥踏以上斗砌磚牆外露；前廳正面的櫃台腳以紅磚疊砌而成，而不是以整塊石材雕砌，作法特別。\r\n3.屋頂及屋脊：屋頂鋪作僅前廳使用筒瓦，其它部份均使用板瓦。屋脊以磚砌築，脊堵以泥塑剪黏裝飾。","inHouseFeatures":"","buildingUsage":"古蹟本體前後三進。","buildingKeyMaintainItem":"","buildingActualState":"開放參觀","wenSitename":"鳳儀書院","wenSiteaddress":"http://fongyiacademy.khcc.gov.tw/home01.aspx?ID\u003d1","govDeptPhone":"(07)222-5136分機8725","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第○九三○○七六七七八Ａ號","registerDate":"2004-05-24 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A.G.E等公司製造，當時一同興建的還有龜山(600kW，已廢廠)及粗坑(2,400kW)等三廠，可稱台灣第一代電廠。","inHouseFeatures":"發電廠房屬1900年代初期之加牆磚承重系統造建築，兼具辦公與廠房運作之機能。\r\n正立面分為兩個部分，機具空間為兩層樓挑空，連續六個拱圈，與左側入口的拱圈，形成一整體之七個拱圈的窗帶。\r\n右半部為三層樓的辦公空間，立面語言為連續的四拱圈的窗帶，但最旁邊的一個拱圈配合地形的變化而設一門。\r\n其中特別的是，拱圈頂部的開窗並非順應拱的形狀，而是以一個圓窗作為窗帶的頂部，某種程度呼應機具與管道此圓形的語言，同時與拱圈頂部形成一同心圓。\r\n兩邊的山牆面與正立面四拱圈窗帶一樣，頂部以一類似門形之小頂與樣式特殊之避雷針作為收頭。\r\n屋架為兩坡鋼架造，以不同長度之L型鋼與結點板組構成桁架系統，頂部並組有太子樓之形式，以利廠房之散熱與通風。屋面原鋪以石綿瓦，後因二次大戰遭美軍掃射損壞，後改以亞鉛板。民國84年(1995)屋頂整修，最後換以鍍鋅鋼板。","buildingUsage":"大正8年(1919)年8月官民合資的「臺灣電力株式會社」成立，該電廠即納歸管轄。\n臺灣電力株式會社，是日本統治臺灣時期的國策會社，二戰後被國民政府接收，由新成立的「臺灣電力公司」接手。\n民國55年(1966)竹子門發電所更名為「竹門發電廠」，民國66(1977)年9月合併土壠發電廠(原稱土壠灣發電所，民國52年(1963)更名)，再度改名為「高屏發電廠竹門分廠」，以迄今日。","buildingKeyMaintainItem":"無","buildingActualState":"建物本體乃作廢電廠房使用，惟為配合安全及使用而增設消防器材，日光燈等現代化設施。","wenSitename":"高雄旅遊網","wenSiteaddress":"https://khh.travel/zh-tw/attractions/detail/24","govDeptPhone":"04-22177777","announcementList":[{"classification":"指定/登錄","officialDocNo":"台內民字第09200083113號","registerDate":"2003-10-28 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Cohen)即以鍾屋為田野基地，進行著名的House United, House Divided論文的研究。後來，孔邁隆博士獲頒美濃榮譽鎮民時，曾在頒授儀式上以客家話表示：「美濃龍肚大崎下是他的學術故鄉」。\r\n鍾屋最具特殊者乃是位於夥房旁的伯公壇。伯公壇是由鍾氏家族自行設置的土地信仰，具體呈現人與土地的綿密關係，難得一見。伯公壇先以卵石疊砌三階的壯厚基礎，形式優美、別緻，而主壇也是以卵石疊砌而成「墓塚式」伯公，目前仍完整保存其原有的樣貌。伯公壇兩側種植兩棵龍眼樹，以龍眼產量繁多而取其「多子多孫」的寓意，並且是伴隨鍾氏族人成長的集體記憶。\r\n昭和13年(1938)以後，美濃地區開始發展菸葉產業，鍾家兄弟也投入菸葉種植和加工，先在伯公下旁蓋烤菸工寮，後於民國44、45年(1955、1956)間在外橫屋蓋一座大阪式菸樓，在新式電力烤菸機問世後，將原本的菸樓拆除，改為新式菸樓。總之，菸葉產業全盛時期，鍾屋伙房旁共有三座菸樓同時運作。然好景不常，自從公賣局取消菸葉收購價格制度，復以人口老化、凋零，鍾家無人再種植菸葉，菸樓成為閒置空間。\r\n民國87年(1998)客家創作歌手林生祥在鍾永豐、鍾秀梅的支持下，將鍾家菸樓改為「第七小組菸樓錄音室」，錄製了《我等就來唱山歌》、《菊花夜行軍》二張專輯，融合了菸樓泥磚的樂音獲得了金曲獎肯定的殊榮，鍾家菸樓的再利用對客家新民謠運動及美濃愛鄉社會運動(反水庫運動)是有其一定的貢獻。民國87年(1998)鍾志宏則將老菸樓與陶藝結合，創立「菸樓陶藝」，將老菸樓的內部陳設與自己創作作結合，使菸樓轉身一變成為觀光、休憩景點。民國99年(2010)3月4日一場規模6.4的大地震震倒了部分菸樓。99年(2010)12月菸樓和夥房、伯公壇指定為古蹟。","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係"],"registerReason":"1.就其興建歷史及當時代營建技術所呈現之材料與工法來看，其足以做為大崎下「夥房屋」加上菸樓之典型,而更特殊者乃其家族自己設置「伯公」。 \r\n2.具歷史文化價值。\r\n(1)為蕉嶺客家移民歷史之具體証物。\r\n(2)為國際人類學大師哥倫比亞教授孔邁隆長期在台研究客家移民之場所，因為孔教授之研究，使國際對美濃有更深之認識，並促成美濃旅外族人之精神凝聚與回流。\r\n(3)對客家新民謠運動及美濃愛鄉社會運動歷史有高度關係。\r\n3.半月池、禾埕、川堂、祀堂、化胎呈現傳統客家特色之空間層次。\r\n4.卵石疊砌伯公仍保存原有歷史形貌。\r\n5.菸樓為傳統地方產業之証物，具保存價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、2款","govInstitutionName":"高雄市政府","addresses":[{"itemNo":1,"cityName":"高雄市","distName":"美濃區","address":"高雄市美濃區獅山街14號"}],"longitude":120.568871,"latitude":22.875457,"govInstitution":"高雄市政府文化局","govDeptName":"文化資產中心","govDeptAddress":"高雄市苓雅區五福一路67號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2550/photo/O052高雄市龍肚鍾富郎派下夥房伯公及菸樓(直轄市定)(1)_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2550/photo/O052高雄市龍肚鍾富郎派下夥房伯公及菸樓(直轄市定)(1).JPG","name":"O052高雄市龍肚鍾富郎派下夥房伯公及菸樓(直轄市定)(1)"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"鍾OOOO"},{"ownerType":"建築所有人","ownerName":"鍾OOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20101202000001","buildingFeatures":"建物座北朝南，以當時營建技術所呈現之材料與工法來看，為大崎下「夥房屋」加上菸樓之典型，夥房的半月池、禾埕、川堂、祀堂、化胎呈現傳統客家特色之空間層次。","inHouseFeatures":"以磚造土埆厝為主","buildingUsage":"前後堂：祭祀\r\n禾埕：兒童遊戲、聚會、停車、曬農作物、辦活動\r\n半月池：澆菜\r\n伯公：祭祀、兒童遊戲、辦活動、教育\r\n菸樓：社區使用、聚會、工作室、展示","buildingKeyMaintainItem":"","buildingActualState":"待修復","govDeptPhone":"(07)222-5136分機8121","announcementList":[{"classification":"指定/登錄","officialDocNo":"府文資字第0990277916號","registerDate":"2010-12-03 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傳說在600多年前，原本居住在台東的魯凱族，始祖Puraruyan，從台東的Shikiparichi（位於太麻里的Tavoari和今天的知本之間）帶著一隻雲豹來到霧頭山狩獵，到了Kochapongan附近的Karuskang，飲用了瀑布的甘甜山泉水後不願離去，始祖於附近勘查後，認為該地適合居住，便回台東帶領族人越過中央山脈來到這Kochapongan的地方居住，該地因此有「雲豹的故鄉」之稱，而這地區的魯凱人也自稱為「雲豹的傳人」，不僅奉雲豹為神獸，並且訂有禁獵雲豹的習俗。發展出石板屋的獨特文化，頭目家系傳承累積至今，至少已有20代。該地區標高約在海拔950到1050公尺之間。  舊社於三百多年前，因聚落不斷的發展擴大，開始尋覓新地，而移居阿禮霧台等地，另由阿禮、霧台與神山等社之系譜及傳說，也可以得知是由好茶分出建立的部落的。因此，魯凱族在中央山脈西側的發展，好茶舊社扮演重要角色。好茶因與上述這些部落有血緣關係，彼此會相互支援，但與西南方及西北方之達來、馬兒、筏灣等部落，則因領地範圍爭執，而彼此征戰與獵首。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"文化資產保存法","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"屏東縣","distName":"霧台鄉","address":"屏東縣霧台鄉好茶段"}],"longitude":120.736390839191,"latitude":22.6993515602984,"govInstitution":"文化部","govDeptName":"文化部文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2019-09-25/576d9819-fc25-44a8-99d0-3c99f938a804/DSC_2021_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2019-09-25/576d9819-fc25-44a8-99d0-3c99f938a804/DSC_2021.jpg","name":"DSC_2021"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"羅OOO"},{"ownerType":"土地所有人","ownerName":"行政院原住民族委員會"},{"ownerType":"土地所有人","ownerName":"羅OOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19910524000003","buildingFeatures":"好茶舊社之石板屋建築，用料以當地盛產之黑色板岩與林地中的檜木與杉木等等木料為主要之建材。以較柔軟的灰色板岩堆疊為承重牆體，於兩列承重牆體上置原木為樑，樑上鋪設堅硬的黑色頁岩為前簷長後簷短之屋面。屋後則鑿山壁，再以板岩堆疊為後壁兼做擋土牆，前簷下則豎立頁岩為牆體，並豎立頁岩為前簷桁之斜稱，內部地板亦舖以頁岩。\n後期由於受現代用材影響也有使用鋼筋混凝土建屋的案例，因此，聚落內的建築形式除了有上述之傳統家屋樣貌之外，尚有以鋼筋混凝土建築之教堂、學校與警察駐在所，或與當地建築工法結合的半鋼筋混凝土的教堂。\n(1)警察局-國民政府時期改建為混凝土的建築，為一棟平面呈長方形的一層樓平屋頂建築，目前門窗均已損毀不見，僅存牆體與屋頂。\n(2)學校教室、操場與司令台-學校教室屋頂坍塌，僅餘牆體部分，周圍及教室內也為相思樹等植被所覆蓋，操場目前尚維持空曠草坪的狀況，野生植被尚未入侵，不過，此種狀況也可能在無人管理、土壤逐漸恢復地力後，造成雜草野生植被叢生的狀況。\n(3)教堂-教堂共有循禮教會、長老教會與天主堂三座，巡禮教會與天主堂兩座建築之左右兩側山牆仍用板岩以傳統建築構法疊砌為牆體，唯鄰道路之前牆與背牆以鋼筋混凝土建築。三座教堂目前皆處於半傾毀狀態，多數僅留牆體，屋頂則早已坍塌。","inHouseFeatures":"聚落內約有150棟傳統石板屋建築，傳統石板屋室內空間共分為前、中、後三室，地坪舖以大片頁岩，中室地坪低於前、後室，借地坪之高低差變化與柱列界定三室空間。後室以撐開屋脊之主柱與中室分隔，除以板岩堆疊的後牆留設凹櫃，存放先祖流傳的陶壺，設置寢床之外也放置木製穀倉，穀倉為原木桶形或方形。家屋入口位於屋前牆兩側，於中室與入口相對之側，則設廚房及廁所，廁所下方則設有豬圈，日治時執行衛生改善，而必須設立與主屋分離的豬舍，原先與主屋隔開，後期有多數完全與主屋分離。整個聚落內宅地，百分之八十以上都處於廢棄狀態，為野生日漸茂盛之植被所侵略佔據。除了少數家戶（約10戶左右）偶爾會回老家整理或小住之外，多數的家戶都傾毀淹沒在野生雜草、向日葵與相思樹之間。聚落中極少數家屋保存尚稱完好，其他保存較完整沒有傾毀的家屋雖然狀況尚良好，但多數亦經整建過。","buildingUsage":"民國六十六年(1977)在此居住的魯凱族部落開始向西側的河階臺地遷村，政府為了改善環境，也提供相對的輔導，至68年(1979)7月全部落成，成為今天新好茶村裡的新好茶社區。2008年莫拉克風災造成新好茶淹沒，山區大面積崩塌毀損步道，嚴重衝擊長期以來族人返鄉的努力。近年文資局經由人才培訓方式，協助該聚落進行七棟石板屋修護及保存工作，目前維護良好，另外步道、廣場等公共空間則已進行環境整理。","buildingKeyMaintainItem":"古蹟本體維護","buildingActualState":"因位處深山，人煙稀少，該聚落僅剩七棟石板屋保存尚屬完整。另外步道、廣場等公共空間則已進行環境整理。","govDeptPhone":"04-22177672","announcementList":[{"classification":"指定/登錄","officialDocNo":"內政部台80內民字第921648號","registerDate":"1991-05-24 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 角塔之屋簷部分原係「有相同形式複雜的齒狀線腳」，即有磚疊砌之簷口線腳數層，這數層線腳並且貫穿中間入口部分之山牆，其中齒狀部分係由扁平長方形之小飾塊所構成。\n民國49年的整建，基本上仍然維持屋簷部分之線腳裝飾帶，但齒狀飾帶已由扁平長方形飾塊改為菱形之飾塊，飾塊中間則刻以十字架紋樣。腳塔之女兒牆原來係「磚造欄杆，具有獨特之意匠，四個角落之角柱之上還立有寶珠」，帶有濃厚的本土風格；然而民國49年之重建卻將之改為十字鏤空的女兒牆，民國71年整修時，再度將其復原為欄杆形式，但與原有之欄杆形式並不完全一致，而飾帶仍然是維持改建過之菱形飾塊。\n南面角塔之上原作為鐘塔之用，「鐘塔之曲線則是富有文藝復興風格之造型」，這種風格也是道明會於亞洲所建教堂中慣用的元素。日治時期，鐘塔傾塌，戰後曾經在中央山牆之上重建一哥德式尖塔般之鐘座，但民國49年重建時，再度拆除。民國71年整修時，則以現代柱梁之方式將鐘座重建於北面角塔之東南角，至民國88年整修時，才又復原南角塔上之鐘塔，此鐘乃為清光緒18年(1892)所鑄。\n兩座角塔中間，為一個山牆面，在創建之時，此山牆之形式帶有傳統建築馬背型山牆的意象，馬背型山牆之上為一寶頂上立十字架一座，山牆之屋簷在斜面簷口線腳之處理方式是和角塔一致，而角塔之屋頂線腳也同時橫貫整個山牆基部。山牆之中有兩個裝飾紋樣，上為皇冠，下為道明會之會徽。\n山牆之正下方於二道簷口線腳上嵌有花崗岩石牌一塊，題曰「奉旨」，大門之正上方也嵌有另一塊花崗石門額，題曰「天主堂」，這兩塊石額是清同治12年(1874)7月，由清廷頒詔，於諭令沈葆楨鑴刻。","inHouseFeatures":"萬金天主堂在空間規制上屬於小型天主堂之型制，整個禮拜堂空間是由柱列分隔成中殿，及通廊兩部分，中殿寬度約略微通廊的兩倍。側廊上方還有有坊間，而入口處上方也有閣樓，民國49年整建後，雖然中殿仍舊維持有五對箸子，但由於採用鋼筋混凝土構造，六角柱及四角柱均被圓柱所取代，這些圓柱在處理上在底部有一段顏色較深之部分，頂部則以西方芼莨葉飾做柱頭，並於柱頭上下滾邊收頭。靠近大門之柱子並以貝殼形聖水容器嵌於柱上。\n至於天花板與室內牆壁方面，在創建之時，都塗白漆，通廊天花板為平頂，中殿的天花板是跨邀頂，而且有由細緻的紅色與藍色輪廓，四個角落之瓣文，中央前後三處同心圓紋，蓮花紋、忍冬紋等東方意味濃厚的堂草紋樣之十字架紋，民國49年整建後，由於通廊之上方空間已經無存，原有樑柱及其他裝飾也都不見，通廊之上成為密閉之格子天花板。","buildingUsage":"今日除了有臺灣各地天主教信徒與教友的朝聖活動之外，也常會吸引了許多非天主教信徒的觀光客前來參觀，這使得萬金聖母聖殿成為今日屏東平原沿山地帶的地標之一。","buildingKeyMaintainItem":"古蹟本體維護","buildingActualState":"位於萬金村的「萬金聖母聖殿」擁有約一百六十年的歷史，為台灣最古老的教堂，為縣定古蹟。","govDeptPhone":"08-7210234","announcementList":[{"classification":"指定/登錄","officialDocNo":"74臺內民字第357272號","registerDate":"1985-11-27 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。\n\n3.指定時間\n「大鵬灣原日軍水上飛機維修廠-南棟、北棟」於2013年12月31日經屏東縣政府公告指定為縣定古蹟。古蹟本體包含大鵬灣原日軍水上飛機維修廠南棟、大鵬灣原日軍水上飛機維修廠北棟。\n","judgeCriteria":["具歷史、文化、藝術價值","重要歷史事件或人物之關係","各時代表現地方營造技術流派特色者","具稀少性，不易再現者","具建築史上之意義，有再利用之價值及潛力者"],"registerReason":"大鵬營區日治時軍事設施及建物於96年11月13日屏府文資字第0960227615號公告為歷史建築。其中舊餐廳一與舊餐廳二，兩棟木構造桁架式二鉸拱飛機庫極具結構美，係二戰有關的重要軍事設施，有日治末期軍事設施的時代特色，磚牆壁分開的桁架柱、屋架全為木結構，其大跨度之木桁架形，狀柱、屋架，極具特色，且為全台唯一具有特色的水上飛機之飛機棚，就文化資產角度，具有歷史、文化、藝術價值。符合五項古蹟審查基準：具歷史、文化、藝術價值、重要歷史事件或人物之關係、各時代表現地方營造技術流派特色者、具稀少性，不易再現者、具建築史上之意義，有再利用之價值及潛力者。","lawsReference":"文化資產保存法第6條及第14條、古蹟指定及廢止審查辦法第2條、第4條。","govInstitutionName":"屏東縣政府","addresses":[{"itemNo":1,"cityName":"屏東縣","distName":"東港鎮","address":"大鵬里大潭路169號"}],"longitude":120.482111,"latitude":22.451528,"govInstitution":"屏東縣政府","govDeptName":"屏東縣文化資產保護所","govDeptAddress":"屏東縣屏東市菸廠路1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-03-14/6fc4bb9b-ac46-4834-81cb-3cd84a4455bb/大鵬灣原日軍水上飛機維修廠-南棟、北棟照片_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-03-14/6fc4bb9b-ac46-4834-81cb-3cd84a4455bb/大鵬灣原日軍水上飛機維修廠-南棟、北棟照片.jpg","name":"大鵬灣原日軍水上飛機維修廠-南棟、北棟照片"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"},{"ownerType":"建築所有人","ownerName":"中華民國\t\t\t\t\t"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/20131231000001","buildingFeatures":"南棟飛機維修廠\n1.建築本體構造、座向、空間、樓層數\n南棟飛機維修廠為磚木構造建築，樓層數為單層，座向採坐北朝南，為一長方形空間。\n2.建築構造與外部裝飾（由下至上描述）\n南棟飛機維修廠壁體為磚造並施以水泥砂漿粉刷牆面，經調查原粉刷層為搔落仕上工法。門與窗為木造，但在戰後均已改建成鋁門窗。屋面鋪設鋼浪板，屋頂為「切妻屋根」。南側靠近東側有一座洗手臺，磚造表面以洗石子裝修，由構造型式推測，洗手臺應是日治時期所興建 。\n\n北棟飛機維修廠\n1.建築本體構造、座向、空間、樓層數\n北棟飛機維修廠為磚木構造建築，座向採坐北朝南，樓層數為單層，為一長方形空間，西側外凸出一個空間。\n2.建築構造與外部裝飾（由下至上描述）\n北棟飛機維修廠的壁體為磚造，目前以洗石子裝修，洗石子表面剝落後可以看到原建築外牆裝修層，經調查原粉刷層為搔落仕上工法。門與窗為木造，但在戰後均已改建成鋁門窗 。屋面鋪設鋼浪板，屋頂為「切妻屋根」。","inHouseFeatures":"南棟飛機維修廠\n1.建築空間格局\n南棟飛機維修廠東側設有一無法研判興建時代的舞臺，舞臺後方隔出三個房間、廁所及浴室。根據天花板與牆體相接線腳，及梁邊線腳修飾痕跡，應為日治時期就已設置的空間，推測可能為當時機械維修人員清洗使用的空間。空軍幼校時期南棟飛機維修廠曾作為餐廳使用，廚房設在南側外面的空地上，爾後也曾短暫做為學生宿舍。屋頂的太子樓於空軍幼校時期被拆除改建。\n2.內部裝修與內部裝飾（由下至上描述）\n南棟飛機維修廠的地板為水泥，廁所地板戰後改建成為磁磚地板。屋架為「真束洋小屋組」，是利用ヂベル鋲及ボルト2種特殊鐵件將木構件組合成大跨距屋架。在棟束的呈現上所使用的束木，中間透過墊木連結，在夾住合掌和陸樑兩側。這種互相接合的方式，結構上較為強固，形成一組棟束系統 。\n\n北棟飛機維修廠\n1.建築空間格局\n北棟飛機維修廠在日治時期應為無隔間大空間，戰後作為會堂使用，提供集會、考試或播放電影等，在當時作為具有育教功能使用的空間。西側設有一座舞臺，由構造方式推測應為戰後所增建。另外舞臺後方空間為日治時期就有，原功能不明，但是戰後被改建成廁所使用。屋頂的太子樓於空軍幼校時期被拆除改建 。\n\n2.內部裝修與內部裝飾（由下至上描述）\n北棟飛機維修廠的地板為水泥地，廁所地板戰後改建成為磁磚地板。屋架為「真束洋小屋組」，是利用ヂベル鋲及ボルト2種特殊鐵件將木構件組合成大跨距屋架，屋架組構方式與南棟相似，整體在細木的尺寸上約略小於南棟飛機維修廠 。","buildingUsage":"南棟：無特定用途\n北棟：目前作為倉庫使用\t\t\t\t\n","buildingKeyMaintainItem":"無","buildingActualState":"南棟維修廠：無特定用途\n北棟維修廠：目前作為倉庫使用，保存狀況良好。","govDeptPhone":"08-7210234","announcementList":[{"classification":"變更/修正","officialDocNo":"屏府文保字第10630210600號","registerDate":"2017-05-26 00:00:00.0"},{"classification":"變更/修正","officialDocNo":"屏府文保字第10530541700號","registerDate":"2016-12-20 00:00:00.0"},{"classification":"指定/登錄","officialDocNo":"屏府文資字第10279486900號","registerDate":"2013-12-31 00:00:00.0"}],"documents":["https://data.boch.gov.tw/upload/documents/2022-03-14/e178510b-d9b9-4e82-96fe-b8ad1aacf370/更正公告函-屏府文保字第10530541700號.pdf","https://data.boch.gov.tw/upload/documents/2022-03-14/e29ba62b-3b19-414d-8b0b-de5cf9227f63/公告函-屏府文資字第10279486900號.pdf","https://data.boch.gov.tw/upload/documents/2022-03-14/33693421-2ef1-427b-9eb8-e93bd0b4bf4a/變更公告函-屏府文保字第10630210600號.pdf"],"cadasters":["https://data.boch.gov.tw/upload/cadasters/2021-02-17/8a49cd58-ac0d-4a41-850c-9bf39093ae5d/X019-A04-2.pdf","https://data.boch.gov.tw/upload/cadasters/2021-02-17/e8f278ac-ced4-438e-90a8-ab667e81d86e/X019-A04-1.pdf","https://data.boch.gov.tw/upload/cadasters/2022-03-14/cfac5e25-8f33-4dff-af95-38e951031904/大鵬灣原日軍水上飛機維修廠-南棟、北棟地籍圖.pdf"],"repImgId":154793},{"caseId":"19960827000003","openUpTime":"週六至週日08:30-11:30、14:00-17:00\t\t\t\t\t\n","openVisitType":"2","openVisitTypeText":"部分開放參觀","caseName":"佳冬楊氏宗祠","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A1","name":"祠堂"}],"pastHistory":"佳冬楊氏宗祠的祠堂建築，是由楊雲岫的第二十五世裔孫楊金水和楊家連昆仲為表彰祖先創業之德，集結眾力籌組佳冬「楊雲岫公嘗」。籌組時召集「屏東縣內埔番仔埔」、「車城鄉保力村」與「佳冬鄉六根村、石光村、玉光村、萬建村」等楊姓裔孫宗親，共三十人會份，置產購地，興建此宗祠。楊氏宗祠坐落於屏東縣佳冬鄉六根村的冬根路，日大正8年(1919)年開始建造，完成於日大正12年(1923)，共經歷了五年，祭拜唐朝時到廣東原鄉開基的第一代祖先朝議大夫楊雲岫與誥封二品歐陽夫人，設有掌祠員，晨昏上香祭祀，維護清掃。而於每年清明節前一天，會同派下會份代表，舉行祭祖大會；宣讀祭文。宗祠正門對聯為「理學淵源芳流炎宋」和「相臣勳業卓著大明」。上聯係取宋時傑出宗人楊時之事蹟，下聯則取明時楊士奇和楊榮、楊溥入閣典要務，時人稱三楊，輔弼朝政，以此二聯讓後代裔孫學習效法，並珍惜祖先成就榮譽。本堂石柱楹聯為「基創自梅州族大支繁蕃衍八閩兩粵」、「派分來海島源長遠會同白祖一宗」，表示佳冬楊氏宗族來源。兩側壁上懸掛有木刻棟對書有：「源派溯弘農凜四知除三惑永念當年祖功宗德流芳遠」、「祠堂鎮台島陳俎豆薦馨香深期來日子孝孫賢世澤長」。另有一聯，則為「孝莫思勞轉眼便作人父母」、「善無望報回頭且看你兒孫」。正堂傳統客家木龕上，為奉祀遷南至廣東之開基始祖，唐朝議大夫楊雲岫與祖妣誥封二品歐陽夫人神位；後又有二排，分別為弘農開基後之歷代祖先與左昭考妣香位，右穆考妣香位，二十五世祖先神位。龕兩側書有兩副對聯，為「本溯梅州昭祖德」、「支蕃瀛島薦馨香」、「刺使授三陽繼起相臣丕顯祖千載盛」、「佳城留百祖奇逢古佛應扶宗派萬年興」。正上方有二方匾額，為「光繼緒謀」、「祖德流芳」。民國39年，因颱風吹毀本堂，斗拱和桁架大肆更換整修過，目前部份彩繪較為生動精緻的木構件為原有構造，部份混凝土造構件及較粗糙彩繪應為整修時所修補，其餘均維持原貌，保持原有興建時之風格。民國79年11月，因佳冬鄉公所實施都市計劃以開闢道路，擬徵收宗祠前有太極兩儀池土地，然楊氏宗祠子孫，鑒於整座祠堂的完整性與全台獨有具傳統客家風水意義的「太極兩儀池」；經過邀請民意代表、專家、學者和宗祠代表，於民國80年薦請保持全貌，經在地曾貴海醫師、曹啟鴻立委與多位關心文化古蹟之社會賢達奔走，於民國86年指定古蹟，宗祠完整保留，樹立文化資產優於都市計畫道路的案例。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"文化資產保存法","govInstitutionName":"屏東縣政府","addresses":[{"itemNo":1,"cityName":"屏東縣","distName":"佳冬鄉","address":"六根村冬根路19之30號"}],"longitude":120.547306,"latitude":22.419472,"govInstitution":"屏東縣政府\t","govDeptName":"屏東縣文化資產保護所\t","govDeptAddress":"屏東縣屏東市菸廠路1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-03-15/4c4708f5-8820-497b-aaaa-633ae0505c44/佳冬楊氏宗祠照片_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-03-15/4c4708f5-8820-497b-aaaa-633ae0505c44/佳冬楊氏宗祠照片.jpg","name":"佳冬楊氏宗祠照片"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"祭OOOOOOOOOOO"},{"ownerType":"建築所有人","ownerName":"祭OOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19960827000003","buildingFeatures":"佳冬楊氏宗祠建築格局樣式屬於雙堂屋的祠堂格局，前後堂屋都是五開間的面寬，前後堂間留設天井，兩天井側進入牆面以牌樓面方式搭配精美的翹脊造型屋脊及裝飾精美的水車堵，並設有優美的圓形月門(佳冬蕭家古厝則為八卦形月門)形成傳統意象及優美的天井空間。前後堂的建築樣式採硬山翹脊燕尾樣式，前堂主入口為凹壽的做法。建築本體之前堂明間正面為本建築裝飾最為精美之部位。明間進門兩側的透雕窗上方有書卷泥塑窗櫺，代表勤奮好學；石榴泥塑窗櫺象徵多子多孫多福氣；兩側墀頭各有一尊憨番泥塑扛著屋簷，極具閩南傳統建築裝飾之美。","inHouseFeatures":"楊氏宗祠的建築格局方正對稱，類似九宮格之空間佈局沿建築中軸線方向，由前而後分別為太極兩儀池、玄月型花台、外埕、主體建築及後院。中軸線自南而北為前堂、中庭、後堂空間。前後堂皆為三開間。前堂外觀屬凹壽型之建築格局，屋頂為單脊硬山形式，屋面鋪筒版瓦，大脊於山牆面為燕尾脊形式，脊堵中央之箍堵部分，砌有漏空花格磚，兩側箍頭部份則施以泥塑剪粘為裝飾。前堂中門進深七架，中央設主要大門。中庭屬建築內埕空間，兩側以月門牆為分界，地面鋪設紅色尺磚。後堂為主要祭祀空間使用為燕尾脊形式，進深十三架，外觀與前堂同為單脊硬山屋頂，脊堵中央箍堵部份砌有彩色漏空花格磚，兩側箍頭部份則施以泥塑剪粘為裝飾，屋面鋪筒板瓦。","buildingUsage":"開放參觀。\t\t\t\t\t\n","buildingKeyMaintainItem":"依管理維護計畫辦理。\n","buildingActualState":"建築現狀良好，後代子孫於清明節前一天，祭祖盛會，平時假日開放參觀。","govDeptPhone":"08-7210234","announcementList":[{"classification":"指定/登錄","officialDocNo":"台85內民字第8580728號","registerDate":"1996-08-27 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。此一聖蹟亭可見證沈葆楨、丁日昌開山撫番遺蹟。現今聖蹟亭所在之玉泉村原屬於大源村，於1958年才分出另設，兩村過去皆名為「大餉營」，名稱實應正名為「大餉營聖蹟亭」。\n\n3.指定時間\n「石頭營聖蹟亭」於1988年1月26日經臺灣省政府公告指定為縣定古蹟。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"《文化資產保存法》","govInstitutionName":"屏東縣政府","addresses":[{"itemNo":1,"cityName":"屏東縣","distName":"枋寮鄉","address":"玉泉村大嚮營段947-1地號"}],"longitude":120.618506,"latitude":22.425111,"govInstitution":"屏東縣政府","govDeptName":"屏東縣文化資產保護所","govDeptAddress":"屏東縣屏東市菸廠路1號\t","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2023-11-17/0c7fc522-cfef-420c-a5ee-9922045e60aa/DSC09420 (2)_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2023-11-17/0c7fc522-cfef-420c-a5ee-9922045e60aa/DSC09420 (2).jpg","name":"DSC09420 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二戰後因交通道路及學校用地的拓建，致使東門段的城垣在民國52年（1963）及民國57年（1968）先後遭拆除，民國69年（1980）整修南門城樓，民國72年（1983）整修東門及城樓，城垣則因乏人管理而雜草蔓生（漢寶德，1987：81）。就整個恆春城而言，無論是清領末期或是日治，猴洞山一帶是神聖的廟宇集中地；而東、西門街交叉處屬於縣署、典史署、同善公所（後改為郡役所、派出所等機關）所在，其中北邊一大片土地是軍事用地的練兵場；日治時，除了強行拓寬縣前街（今中正路），以加強政治權威外，更在北門外興建神社，使其與政府機關、練兵場交結成為一更神聖的日式空間，而在猴洞山城牆以西，又有一恆春糖廠。二戰後的恆春改隸高雄縣，直到民國39年（1950）正式歸入屏東縣縣治至今。\n現恆春城四座城門依舊存立原處，係清領時期所建城池中較為完整保存的古城，惟因門洞太小，且路面不斷填高，造成西門門洞屢遭過往車輛碰撞而毀損。至於城垣部分，目前屏東縣政府正在進行整修，待他日整修完畢後，定能彰顯恆春古城的傳統風貌。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"屏東縣","distName":"恆春鎮","address":"城南里;城北里;城西里"}],"longitude":120.747975742123,"latitude":22.00804873165,"govInstitution":"文化部","govDeptName":"文化部文化資產局","govDeptAddress":"臺中市南區復興路三段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-06-01/ac0ccff6-4495-4c6a-bbe4-9f0993b37661/P041 屏東縣 恆春古城 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(5).jpg"],"repImgId":166663},{"caseId":"19831228000013","openUpTime":"0700-1700","openVisitTypeText":"","caseName":"澎湖天后宮","assetsClassifyCode":"1.1.1","assetsClassifyName":"國定古蹟","assetsTypes":[{"code":"A2","name":"寺廟"}],"pastHistory":"位於馬公市中央里的天后宮，不但是澎湖的「闔澎」三大公廟之首，也是全台灣歷史最悠久的「媽祖廟」。它的前身極可能是從宋、元以來，福建漳、泉一帶商賈、漁夫路過澎湖或農漁時，在海邊搭建來奉祀「媽祖」的小廟。國內最早的可靠史料是明神宗萬曆32年（1604），都司沈有容曾在這裡諭退荷軍將領韋麻郎，現有石碑保存在天后宮的清風閣為證，顯然當時已有天后宮了。\n澎湖天后宮的歷史悠遠，歷代或同一個朝代對天后宮的稱呼多不相同。萬曆年間稱為天妃宮，俗稱媽祖宮，明代也稱為「娘宮」、「媽娘宮」、「娘媽宮」、「媽宮」等，廟名也是地名。\n清康熙22年（1683），福建水師提督施琅率軍進攻澎湖，打敗鄭氏守軍。施琅認為能取勝全靠媽祖顯靈相助，於是奏請康熙皇帝加封。清廷准奏，並且派禮部郎中雅虎專程來澎湖致祭。第二年就正式加封媽祖為天后。從此媽祖宮又稱為「天后宮」。大正9年（1920）日本政府將媽宮澳改名為「馬公街」，從此「媽宮」成了「馬公」。\n日本大正11年（1922）馬公臺廈郊商戶倡議，聘請廣東潮州大木師藍木負責重建工程，將天后宮改建成現在的巍峨風貌。今日天后宮係由山川殿、正殿與清風閣所組成，其間並以天井分隔，以護龍、廊道做為聯繫，廟勢隨著地形逐進爬昇。在建築外觀上白灰的𥑮硓石(coralstone)牆，其綿延猶如山岳的稜線，搭配屋頂的起翹，豐富了天后宮的天際線；而內部羅列的石柱，搭配細緻的石雕、鑿花與彩繪，更是眾人注目的焦點。民國68年（1979）天后宮的歷史價值再度受到重視，並在民國72年（1983）被指定為臺閩地區第一級古蹟，由政府主導，依循「殘跡保存」的原則展開修建，媽祖宮才得以恢復舊貌，延續其香火保存迄今。\n天后宮目前供奉的媽祖神像都是金面媽祖，頭戴后冠，慈眉善目，雍容和藹。這和施琅因天妃媽祖庇佑而攻佔澎湖，於康熙23年（1684）敕封為天上聖母，賜金面有關。鎮殿的是大媽，分祀左右的稱為二媽、三媽，三尊神像與千里眼、順風耳等一起奉於神龕中。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"文化資產保存法","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"澎湖縣","distName":"馬公市","address":"中央里正義街1號"}],"longitude":119.563924,"latitude":23.564832,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺中市南區復興路3段362號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-06-01/5cf883f4-a40d-4979-acf5-86a9406d3f31/T015 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開澎進士蔡廷蘭「功庇斯文」匾\n本匾為黑底金字陰文，係開澎進士蔡廷蘭於道光24年（1844）進京參加會試（當時44歲），賜進士出身。26年（1846）回鄉祭祖，並在雙頭掛舊宅旁建「進士第」，適逢天后宮於道光25年（1845）重修完成，為感謝媽祖庇佑學子，獻上此匾。該匾於大正12年（1923）原掛於清風閣二樓，今已移至正殿左側通道上，懸掛於第二進前落東次間。\n◎\t20－21世紀的見證：\n1. 藝術水準高超的擂金畫\n擂金畫或稱「泥金」或「掃金」，是彩繪藝術中的一個創作。它不用色彩描繪是在黑色或咖啡色為地的畫面上，全然以深淺不同的金色來處理。安金箔或以乾毛筆沾金粉在未乾的底漆上，將題材影像的明暗層次做適切的表現，技巧難度較高，視覺效果則更增華麗高貴。這種擂金畫在全臺灣並不多見，在澎湖唯獨天后宮擁有多幅藝高境遠的佳作，成為天后宮彩繪裝飾的重要成就之一。\n天后宮的擂金畫施作於正殿的後落，從左右架棟到神龕，有多幅精彩的作品。從大楣的三幅畫作，到神龕左右裙堵四幅小品，構成一個獨立的裝飾領域。大楣的中堵畫的是「富貴長春圖」，兩側以女性的故事畫作來配合主祀神祇（媽祖）的性別。屏門的下堵也有四幅精彩的擂金畫，分別以孟浩然、王羲之、杜甫和蘇軾等四個文人的故事為題材。匠師似乎是刻意的要用層次分明的擂金畫作，來加強主神龕的神聖主體性格。正殿的四幅小品擂金畫由於位置易被遮掩，在重修後加裝玻璃保護，因此廟方近年製作精美燈箱，俾便信眾訪客欣賞。\n2. 街庄各大字50圓以上自由寄進芳名碑記\n\t此碑立於大正13年（1924），材質為玄武岩，縱高142公分，橫寬74公分，碑額有題，嵌於第二進左山牆居中之位置。本碑鐫有天后宮改築時捐募金額五十圓以上之澎湖廳所轄一街（馬公）四庄（湖西、白沙、西嶼、望安），下屬大字單位（即今之各村里），除太武、橫礁、港子尾、大倉等因所捐金額五十元以下，列名於另一木質之「芳名錄」，全澎街庄所屬大字單位共有七十個列名本碑，由此更足證天后宮具闔澎宮廟之地位。\n\t此碑鑲嵌在正殿東側牆上，碑上大字單位排序系依捐募金額之多寡，由上而下，由左而右列出，惟望安花宅村（今望安中社）捐五百円(圓)，所刻的字句與其他村莊不一樣，實另有其原由的。本來花宅原已募得一筆金額擬捐給天后宮，然因主事者疏忽而未及繳納。直至昭和19年（1944）有一任職高雄國聲報記者的花宅人顏阿參，入天后宮參拜時目睹該石碑竟無花宅捐款金額，返鄉了解真相後便主動出面積極募款，向同庄17人募得日幣295円，顏氏亦獨籌205円，共湊足500円，於該年5月18日交付澎湖天后宮，這也讓這一段幾乎被湮沒的史實重現。\n3.《開台澎湖天后宮志》完成\n近年澎湖天后宮善信與執事人等有感於史料文物的遺佚，認為應該編纂宮志，特於民國92年初聘請「澎湖采風文化學會」擔任此一重任，歷時三年完成《開台澎湖天后宮志》創作，內容詳瞻豐富。宮志也搜尋這400年的許多相關文獻，總共條列出大事記達267條，相關文字多達20萬字，照片615張。民國97年該宮志送往國史館台灣文獻館「獎勵出版文獻書刊暨推廣文獻研究」審查小組，經評定為「文獻書刊類」（未使用政府預算）第一名，獲頒獎狀、獎金，為編纂者帶來莫大之鼓勵。","buildingUsage":"現為宮廟使用，是民眾信仰中心，平日亦為觀光客必遊的主要觀光據點。","buildingKeyMaintainItem":"落實古蹟管理維護事項。","buildingActualState":"民國100-103年修復完畢。","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-22177672","announcementList":[{"classification":"指定/登錄","officialDocNo":"內政部臺民內字第202452號","registerDate":"1983-12-28 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媽宮古城於清光緒15年（西元1889年）竣工，是清法戰爭後，清領時期改變海防觀念而興築的大規模軍事要塞，並反映清領、日治及二戰後不同時期的國家軍事防禦發展脈絡。\n(2) 媽宮古城的興築、變遷以及城內外保存的文化資產、反映各時期都市景觀。\n2.表現各時代營造技術流派特色者\n(1) 城垣牆身以玄武岩砌成，上接硓𥑮石砌城垛，反映澎湖在地材料。\n(2) 城樓構造形式有別於閩南建築風格，可做為清領時期臺灣建築構造史的重要範例。\n3.具稀少性，不易再現者\n選址與城牆的興築，反映澎湖在臺海地區關鍵的經濟與戰略地位。\n(二)已指定之古蹟中保存完整：\n媽宮古城現存約為800.35公尺，城門、城樓、城垣、雉堞等構築，均保存完好，可以完整呈現清領時期媽宮城的建築規制，與臺灣本島其他城郭具比對性意義。\n(三)已指定之古蹟中各時代或某類型之典範：\n1. 媽宮古城為清領時期臺澎地區晚近興築的海防城郭代表。\n2. 順承門城樓構造形式，具有閩東建築的特徵，較為罕見；建城材料取自當地，呈現地方特色，具有建築構造史的重要價值。","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1、2、3款、第2項","govInstitutionName":"文化部","addresses":[{"itemNo":1,"cityName":"澎湖縣","distName":"馬公市","address":"1.順承門至中興門（昔大西門位置）段：城牆長度約為239.08公尺，東自順承門往西銜接篤行十村段城牆，由篤行十村段城牆往北銜接至陸軍澎湖防衛指揮部的中興門（昔大西門），定著土地範圍即以古蹟投影面積為原則。"},{"itemNo":2,"cityName":"澎湖縣","distName":"馬公市","address":"2.中興門（昔大西門位置）至北牆段：城牆長度約為461.02公尺，南自中興門（昔大西門）至北牆段，定著土地範圍城牆東側以古蹟外推5公尺為原則，城牆西側以古蹟向外包括綠帶寬1.39至11.82公尺為原則。"},{"itemNo":3,"cityName":"澎湖縣","distName":"馬公市","address":"3.史蹟公園段：城牆長度約為100.25公尺，北牆段往東銜接至史蹟公園，定著土地範圍城牆北側以古蹟向外包括綠帶寬4.9至7.46公尺為原則，城牆南側以古蹟外推5公尺為原則。"}],"longitude":119.562200932316,"latitude":23.563035512646,"govInstitution":"文化部","govDeptName":"文化資產局","govDeptAddress":"臺北市中正區100北平東路30之1號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2022-06-01/0ae899c8-81b6-4af8-a88e-b55cd3362ede/媽宮古城_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2022-06-01/0ae899c8-81b6-4af8-a88e-b55cd3362ede/媽宮古城.jpg","name":"媽宮古城"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"中華民國"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19850819000086","buildingFeatures":"媽宮古城現存約為800.35公尺，城門、城樓、城垣、雉堞等構築，均保存完好","inHouseFeatures":"順承門的城樓構造形式有別於閩南建築風格，可做為清領時期臺灣建築構造史的重要範例","buildingUsage":"順承門段開放參觀，中興門至史蹟公園段未開放參觀","buildingKeyMaintainItem":"落實古蹟管理維護事項。","buildingActualState":"順承門段開放參觀","wenSitename":"","wenSiteaddress":"","govDeptPhone":"04-22177672","announcementList":[{"classification":"變更/修正","officialDocNo":"文授資局蹟字第11030069111號","registerDate":"2021-07-07 11:18:20.412"},{"classification":"指定/登錄","officialDocNo":"內政部臺內民字第338095號","registerDate":"1985-08-19 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14：00-17：00開放參觀\n若因館務需求而休館，將另行公告。","openVisitType":"2","openVisitTypeText":"部分開放參觀","caseName":"蔡廷蘭進士第","assetsClassifyCode":"1.1.3","assetsClassifyName":"縣(市)定古蹟","assetsTypes":[{"code":"A3","name":"宅第"}],"pastHistory":"澎湖興仁蔡進士第位於今馬公市東南方興仁里上村，為澎湖進士蔡廷蘭高中進士後所建，自道光26（1846）年至今，已有150年之久。澎湖興仁舊名雙頭掛，位於澎湖拱北山與獅山中間地帶，因村落居兩山頭中而得名。開拓之初，大抵為半漁半農的生活方式，其後墾地日漸向內地擴張，離海港漸遠，而耕地日增，農業逐漸取代漁業。聚落分頂村、東村；頂村，大抵為蔡氏族人所聚居，有祖廟蔡氏濟陽堂一座。興仁蔡氏後裔蔡廷蘭，於道光24（1844）年中式，成為澎湖本地的第一位，也是唯一的一位進士。進士蔡廷蘭生於嘉慶6（1801）年，十三歲即以稚年補生員，後入學府，屢試屢中，補澎湖廳稟生。為人廉靜，好讀書，先後主崇文書院、引心書院及文石書院講習。道光17（1837）年秋試中舉人。道光24（1844）年春晉京會試，中進士，以即用知縣分發江西省。此後仕途多在大陸內地，任官累遷至同知，咸豐9（1859）年以病歿於任所。蔡進士中進士後三年，即道光26（1846）年，回鄉祭祖，便在雙頭掛舊宅右邊建進士第，以光耀門楣。由於蔡進士一生仕途皆在外地，進士第的興築，其象徵的意義大於實際宅第的意義。進士第的建築特色是門廊面寬四點五公尺，深進約三點三公尺，正立面為凹壽式作法。其廂房為馬背硬山式作法，屋面為硬山燕尾屋脊，為澎湖民宅中唯一有燕尾作法。宅第中其他建築作法及裝飾，亦頗為精緻。由於蔡氏子孫並未對進士第大規模整修或改建，故整體結構至今大致上仍保存完整，但因日久失修，澎湖縣政府於民國100-101（2011-2012）年進行修復工程，恢復進士第以往容貌。\n三任澎湖文石書院山長的林豪曾應蔡廷蘭哲嗣蔡繼漸之請託，寫有〈奉政大夫署豐城縣知縣秋園先生墓誌銘〉，內中有銘文讚賞：\n泱泱東海，寶氣所鍾，必有奇士，梃生其中，\n矯矯蔡公，人中之驥，早擢巍科，出為名吏，\n我生已晚，敬謁德門，搜牢遺集，瓣香猶存，\n翼翼名區，芳躅斯在，流澤孔長，繩繩未艾。\n能參加科舉殿試榮獲二甲61名，為台籍人士名次最佳，足可表現蔡廷蘭文才；遭風漂流安南經歷步履之遠；江西省任官品階之高在當時的澎湖地區是絕無僅有的；更是澎湖唯一的進士，享有「開澎進士」之稱。\n以年表方式列出蔡廷蘭的一生59載的行誼：\n1.嘉慶6 (1801) 年誕生於澎湖廳林投澳雙頭跨社。\n2.嘉慶18 (1813) 年13歲，通過臺灣學政道考，入臺灣府學為附生。\n3.嘉慶19 (1814) 年14歲，歲考錄取第一等第一名，依序補為澎湖廳廩生。\n4.道光5 (1825) 年25歲，再次赴鄉試，落榜之後首次回金門瓊林拜謁祖廟。\n5.道光8 (1828) 年28歲，幫澎湖通判蔣鏞補輯《澎湖紀略續篇》，次年完成，但未刊行。\n6.道光11 (1831) 年31歲，澎湖大旱，擔任澎湖廳義倉總董。\n7.道光12 (1832) 年32歲，福建興泉永道長官周凱在澎湖賑災，廷蘭賦詩陳述澎湖風災的情形，周嘉許蔡生「海外英才今見之，如君始可與言詩」。《澎湖紀略續篇》經周凱削正並作序後付梓，名為《澎湖續篇》。\n8.道光14 (1834) 年34歲，受聘主講臺灣縣引心書院(今臺南市)。\n9.道光15 (1835) 年35歲，三赴福州省城鄉試，再度落榜，回澎時，遭遇颱風，船隻漂抵越南。次年歷經一百多天的水、陸路行程，於5月8日返回澎湖，之後刊行《海南雜著》一書。\n10.道光17 (1837) 年37歲，被舉為丁酉科拔貢，四赴福州省城鄉試，並中劉志摶榜第31名舉人；同時擔任臺南崇文、引心及澎湖文石三書院講席。\n11.道光20 (1840) 年40歲，與同儕林梅樹、呂世宜等人商校成刻恩師周凱《內自訟齋文集》，版藏呂氏「愛吾廬」。\n12.道光22 (1842) 年42歲，澎湖廳前後任通判玉庚及王廷幹聯名贈匾「鄉國善士」，嘉許對賑災勸捐撫卹的表現。\n13.道光23 (1843) 年43歲，代表澎湖廳上書乞留因案遭下獄的兵備道姚瑩；並立碑文及柱聯於金門瓊林「蔡氏宗祠」和「欽旌節孝」坊。\n14.道光24 (1844) 年44歲，進京會試，中式孫毓溎榜209名，在北京紫禁城保和殿殿試為二甲61名，賜進士出身，即用知縣，籤制分發江西省。\n15.道光26 (1846) 年46歲，回金門祭祖，為瓊林「一門三節坊」的中聯題字及當地「大道公宮」掛「至誠之道」匾；返澎後並在雙頭跨舊宅旁建「進士第」，並赴媽祖廟後殿清風閣上掛「功庇斯文」匾。\n16.道光29 (1849) 年4-7月49歲，任江西省峽江縣知縣3個月。\n17.咸豐2 (1852) 年52歲，任江西省鄉試同考官，冬改任南昌水利同知。\n18.咸豐6 (1856) 年56歲，任江西省豐城縣知縣。\n19.咸豐7 (1857) 年57歲，組織團練圍堵太平軍；勸捐修復豐城縣熊坊壋土隄等。\n20.咸豐8 (1858) 年58歲，勸捐修復豐城縣境內多處土、石隄及被沙塞的糧田；也重修豐城縣縣治大堂及考棚；冬，因軍功保升同知賞載藍翎。\n21.咸豐9 (1859) 年59歲，卒於江西省豐城縣知縣任內，並運棺回澎湖安葬。墓碑文字為「賜進士出身誥授奉政大夫任江西豐城縣蔡公香祖墓」，「奉政大夫」、「同知」為正五品符合五品以上官授誥命的「誥授」規制。\n","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"澎湖縣政府","addresses":[{"itemNo":1,"cityName":"澎湖縣","distName":"馬公市","address":"興仁里雙頭掛29號"}],"longitude":119.611524,"latitude":23.550677,"govInstitution":"澎湖縣政府文化局","govDeptName":"文化資產科","govDeptAddress":"澎湖縣馬公市中華路230號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/upload/representImageFile/2021-02-18/37b2da3d-8061-4d66-a661-cfa76c8f0fdb/照片1_c.jpg"},"original":"https://data.boch.gov.tw/upload/representImageFile/2021-02-18/37b2da3d-8061-4d66-a661-cfa76c8f0fdb/照片1.jpg","name":"照片1"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"蔡OO"},{"ownerType":"土地所有人","ownerName":"蔡OO"},{"ownerType":"土地所有人","ownerName":"蔡OO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000089","buildingFeatures":"門廊面寬四點五公尺，深進約3.3公尺，正立面門樓為凹壽作法。其廂房為馬背硬山式作法，屋面為硬山燕尾屋脊，硓𥑮石砌築牆體。\n蔡廷蘭進士第是道光26年(1846) 蔡廷蘭於中進士兩年後回鄉祭祖，在舊宅旁所建的宅第。類型上與澎湖一般民宅相同，僅在門楣及報廈屋面上正身採用燕尾作法，以及正廳門扇上之種種形式，表現出官宅的特殊性。","inHouseFeatures":"建築物佔地約168平方公尺（51坪），面寬11公尺，進深15.3公尺，接近正方形，是四面有房中留天井澎湖傳統式民宅。正立面中央門楣有玄武岩石匾一方，陰刻「進士第」三字。磚牆面的正中央各有圓形泥塑「松鶴圖」鏤窗，疑是後人所改砌；鏤窗下方各有造型樸實粗壯的麒麟堵。正身屋脊燕尾起翹，正廳門為三關六扇門形式，中間門扇雕刻有「文章千古業、詩禮一家春」文字，固定在上額門楣的門印左右各刻有「閥」、「閱」，在在彰顯全澎唯一進士家族的地位。","buildingUsage":"由於蔡氏子孫並未對進士第大規模整修或改建，故整體結構至今大致上仍保存完整。\n民國101(2012)年修復竣工\n張玉璜建築師設計\n澎匠營造工程公司施作\n","buildingKeyMaintainItem":"申請小型修繕進行補修。","buildingActualState":"建築主體保存完整，部份牆面有風化現象且灰泥剝落嚴重，下間仔窗戶門板旋轉處有磨損。","wenSitename":"古藝小城．雙頭掛","wenSiteaddress":"https://m.facebook.com/XingrenCommunity/","govDeptPhone":"06-9261141#134","announcementList":[{"classification":"指定/登錄","officialDocNo":"臺內民字第357272號","registerDate":"1985-11-27 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(1684)年，施琅受封靖海侯後所建的生祠。道光12 (1832)年後，因入祀海壇殉職官兵木主，乃易名為施公祠。道光23 (1843)年由海壇右營戎澎兵丁捐餉銀重修，並立碑記載。\n「道光癸卯年花月　施公祠重修海壇右營戎澎各隊目兵丁等四百二十八名共捐餉銀壹百二十八兩四錢正董事海壇劉印元成另捐餉銀貳拾兩正海壇各伙房長仝公立」日治大正3 (1914)年原館舍拆除興建澎湖島病院。施公祠與海壇館乃一同遷入原海壇標兵伙房處共祀(現址)。\n施琅，福建省泉州府晉江縣人，曾為南明鄭芝龍、鄭成功父子的部將，後來因隙恨轉向降清。清康熙元年 (1662)擢升為福建水師提督，康熙22 (1683)年施琅率水師攻打澎湖，與鄭氏守軍於澎湖海戰，鄭軍守將劉國軒戰敗後由吼門遁逃。鄭成功孫鄭克塽隨即降清，並被封為漢軍公。施琅因征台有功清廷封為靖海侯，施琅派兵進駐澎湖後，清廷准予施琅於澎湖收取澎民之船等規費每年1200兩，做為私人經費。至乾隆2 (1737)年4月25日，內閣奉上諭：「朕查閩省澎湖地係海中孤島，並無田地可耕，附島居民，咸置小艇捕魚，以糊其口。其年提臣施烺倚勢霸佔，立為獨行，每年得規禮一二○○兩。行家任意苛求漁人多受剝削，頗為沿海窮民之苦果。著總督郝玉麟宣朕諭旨，永行禁革…。」自此澎湖島居民使脫離施琅的苛捐之苦。\n施公祠由高聳的院墻與左右間仔和正廳所構成，進入院門後即為中庭，左右兩房為間仔，正廳前有一開敞的拜庭。正廳屋頂為燕尾式屋脊，兩旁間仔是單脊硬山式馬背，整體建築形式屬澎湖傳統的合院格局。祠院除了前排中間紅臉的神像是施琅外，後排中供奉媽祖，左邊為玉帝爺，右邊為海山城隍爺及范、謝將軍。西邊案桌供奉道光12 (1832)年赴台平定「張丙之亂」殉職的海壇鎮鏢楊高陞及澎湖水師高清河等官兵的神位，祠內有「寰海皆春」古匾，由道光15 (1835)年澎湖水師副將詹功顯所題。天井西側牆上嵌有兩塊古碑，一是道光22 (1842)年間的兩任澎湖通判玉庚及王廷幹仝立的「大媽宮天后娘娘香油公□碑」，另一是道光23 (1843)年「施公祠重修」古碑。\n民國74 (1985)年11月27日公告為縣定古蹟，民國91 (2002)年1月25日修復至民國93 (2004)年5月21日竣工。\n但清康熙21(1682)年施琅率軍駐紮福建莆田的平海準備攻擊澎湖之際，即教播媽祖庇佑，湧泉濟師之語來振奮軍心。雍正13 (1735)年澎湖廳通判周于仁撰《澎湖志略》，將平海的神跡傳說附會到澎湖之上：「按天后即媽祖，康熙二十三年六月靖海侯施琅奉命征鄭克塽，取澎湖；入廟拜謁，見神衣半濕，始知實默佑之。又師苦無水，琅禱於神，井湧甘泉，數萬師汲之不竭。今其井尚存，名曰大井。及行，恍見神兵導引；至鹿耳門，水漲數信，戰艦得徑入，賊驚奔潰。琅上其事，奉昭加封天后。雍正四年，奉旨賜「神昭海表」匾額。雍正十二年，余請於上憲，與關帝廟春秋祭祀，俱取之正供云」。固此民間就此位於澎湖天后宮東側的井稱為「大井」又稱之為「萬軍井」、「師泉井」迄今。\n萬軍井位於天后宮東側，施公祠斜對面巷內，依1622年荷蘭艦隊司令官《雷雨生日誌》記載，荷人抵澎後於小廟旁(媽祖宮、天后宮)水井取水。文中提到的廟旁水井應是萬軍井。依此記載此井開鑿年代與天后宮應屬同一時期。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"澎湖縣政府","addresses":[{"itemNo":1,"cityName":"澎湖縣","distName":"馬公市","address":"中央里中央街1巷(施公祠10號)"},{"itemNo":2,"cityName":"澎湖縣","distName":"馬公市","address":"中央里中央街1巷(萬軍井11號旁)"}],"longitude":119.56427,"latitude":23.564605,"govInstitution":"澎湖縣政府文化局","govDeptName":"文化資產科","govDeptAddress":"澎湖縣馬公市中華路230號","representImage":{"ext":"jpg","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2317/photo/2e399834-ff14-46ab-81c5-8813808c76c0_c.jpg"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2317/photo/2e399834-ff14-46ab-81c5-8813808c76c0.jpg","name":"2e399834-ff14-46ab-81c5-8813808c76c0"},"caseOwnership":[{"ownerType":"建築所有人","ownerName":"國有財產署(萬軍井)"},{"ownerType":"建築所有人","ownerName":"施OOOOOOOOOOOO"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000092","buildingFeatures":"因為澎湖海濱堆積的珊瑚石灰石破片、孔蟲遺體、介殼等，是可以燒製成石灰，故早期灰窯隨處可見，灰漿製造業甚為發達，澎湖地區大多以此灰漿為建築填縫或粉刷牆壁之材料。現在施公祠左廂房的後牆身是以灰漿粉飾。","inHouseFeatures":"施公祠由高聳的院墻與左右間仔和正廳所構成，進入院門後即為中庭，左右兩房為間仔，正廳前有一開敞的拜庭。正廳屋頂為燕尾式屋脊，兩旁間仔是單脊硬山式馬背，整體建築形式屬澎湖傳統的合院格局。祠院除了前排中間紅臉的神像是施琅外，後排中供奉媽祖，左邊為玉帝爺，右邊為海山城隍爺及范、謝將軍。西邊案桌供奉道光12 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（1971）澎湖的觀光事業正式起步之後，四眼井也開始以其獨特的造形吸引遊客的目光，而逐漸成為馬公中央街重要的觀光景點。民國74年（1985），內政部有鑑於四眼井在馬公早年市街的發展史上具有相當的指標意義，而將它指定為閩台地區第三級古蹟，民國96(2007)年以後又隨著文化資產保存法的條文修訂而被改編為縣定古蹟迄今。","judgeCriteria":["具歷史、文化、藝術價值"],"registerReason":"具有保存價值","lawsReference":"\u003c\u003c古蹟指定及廢止審查辦法\u003e\u003e第2條第1項第1款","govInstitutionName":"澎湖縣政府","addresses":[{"itemNo":1,"cityName":"澎湖縣","distName":"馬公市","address":"中央里中央街40號厝前"}],"longitude":119.564938,"latitude":23.565101,"govInstitution":"澎湖縣政府文化局","govDeptName":"文化資產科","govDeptAddress":"澎湖縣馬公市中華路230號","representImage":{"ext":"JPG","transform":{"c":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2336/photo/75f6d6c6-c50c-4d4e-aed0-32729cd5cdbb_c.JPG"},"original":"https://data.boch.gov.tw/old_upload/_upload/Assets_new/building/2336/photo/75f6d6c6-c50c-4d4e-aed0-32729cd5cdbb.JPG","name":"75f6d6c6-c50c-4d4e-aed0-32729cd5cdbb"},"caseOwnership":[{"ownerType":"土地所有人","ownerName":"財政部國有財產署"}],"caseUrl":"http://nchdb.boch.gov.tw/assets/advanceSearch/monument/19851127000094","buildingFeatures":"四眼井可能是馬公市區規模最大的一口古井，內徑寬約1.8公尺，井身深約5.6公尺。井底的棕黃色壤土被挖成圓底鍋狀，井的內壁最下層是高約4.7台尺的玄武岩壁，玄武岩壁上面有高約80公分的硓咕石壁，最上層則是高約8公分的紅磚壁，井口則以厚約8公分的花崗岩板搭蓋成井面的平臺。平臺比周圍的道路高出約30公分，四周都設有混用磚石砌築的台階，縣政府所設的解說石牌則在井臺的東面角上。","inHouseFeatures":"四眼井的井面平臺由六條長約220公分、寬約36公分的花崗岩板拼組而成，石板下方以一條同材質的石樑支撑。平臺上設有4個外徑約56公分（內徑約35公分），的圓形汲水口，4個汲水口彼此相距約50公分，都設有約高25公分的井欄。這4個石圈都以整塊的玄武岩挖鑿而成，但是尺寸並不完全相同，大致上都呈上窄下寛，類似火山口的形狀；各石圈的挖鑿手法也不一致，可能不是出自同一批石匠之手，甚至有可能是不同一時期的產品。西南方那個石圈是整個圈渾然一體的，上緣的內側還削成斜角，其他的3個石圈則石面上都有一道原因不明的斷裂縫，上緣的內側也沒有做斜角的處理，可是因為資料不足，目前還無法釐清其來歷。","buildingUsage":"早年澎湖人的民生用